That summer passed, then the winter. The wet season began in the last days of September and continued all through October, November, and December. At long intervals would come a week of perfect days, the sky without a cloud, the air motionless, but touched with a certain nimbleness, a faint effervescence that was exhilarating. Then, without warning, during a night when a south wind blew, a gray scroll of cloud would unroll and hang high over the city, and the rain would come pattering down again, at first in scattered showers, then in an uninterrupted drizzle.
All day long Trina sat in the bay window of the sitting-room that commanded a view of a small section of Polk Street. As often as she raised her head she could see the big market, a confectionery store, a bell-hanger's shop, and, farther on, above the roofs, the glass skylights and water tanks of the big public baths. In the nearer foreground ran the street itself; the cable cars trundled up and down, thumping heavily over the joints of the rails; market carts by the score came and went, driven at a great rate by preoccupied young men in their shirt sleeves, with pencils behind their ears, or by reckless boys in blood-stained butcher's aprons.
Upon the sidewalks the little world of Polk Street swarmed and jostled through its daily round of life. On fine days the great ladies from the avenue, one block above, invaded the street, appearing before the butcher stalls, intent upon their day's marketing. On rainy days their servants--the Chinese cooks or the second girls--took their places. These servants gave themselves great airs, carrying their big cotton umbrellas as they had seen their mistresses carry their parasols, and haggling in supercilious fashion with the market men, their chins in the air.
The rain persisted. Everything in the range of Trina's vision, from the tarpaulins on the market-cart horses to the panes of glass in the roof of the public baths, looked glazed and varnished. The asphalt of the sidewalks shone like the surface of a patent leather boot; every hollow in the street held its little puddle, that winked like an eye each time a drop of rain struck into it.
Trina still continued to work for Uncle Oelbermann. In the mornings she busied herself about the kitchen, the bedroom, and the sitting-room; but in the afternoon, for two or three hours after lunch, she was occupied with the Noah's ark animals. She took her work to the bay window, spreading out a great square of canvas underneath her chair, to catch the chips and shavings, which she used afterwards for lighting fires. One after another she caught up the little blocks of straight-grained pine, the knife flashed between her fingers, the little figure grew rapidly under her touch, was finished and ready for painting in a wonderfully short time, and was tossed into the basket that stood at her elbow.
But very often during that rainy winter after her marriage Trina would pause in her work, her hands falling idly into her lap, her eyes--her narrow, pale blue eyes--growing wide and thoughtful as she gazed, unseeing, out into the rain- washed street.
She loved McTeague now with a blind, unreasoning love that admitted of no doubt or hesitancy. Indeed, it seemed to her that it was only AFTER her marriage with the dentist that she had really begun to love him. With the absolute final surrender of herself, the irrevocable, ultimate submission, had come an affection the like of which she had never dreamed in the old B Street days. But Trina loved her husband, not because she fancied she saw in him any of those noble and generous qualities that inspire affection. The dentist might or might not possess them, it was all one with Trina. She loved him because she had given herself to him freely, unreservedly; had merged her individuality into his; she was his, she belonged to him forever and forever.
Nothing that he could do (so she told herself), nothing that she herself could do, could change her in this respect.
McTeague might cease to love her, might leave her, might even die; it would be all the same, SHE WAS HIS.
But it had not been so at first. During those long, rainy days of the fall, days when Trina was left alone for hours, at that time when the excitement and novelty of the honeymoon were dying down, when the new household was settling into its grooves, she passed through many an hour of misgiving, of doubt, and even of actual regret.
Never would she forget one Sunday afternoon in particular.
She had been married but three weeks. After dinner she and little Miss Baker had gone for a bit of a walk to take advantage of an hour's sunshine and to look at some wonderful geraniums in a florist's window on Sutter Street.
They had been caught in a shower, and on returning to the flat the little dressmaker had insisted on fetching Trina up to her tiny room and brewing her a cup of strong tea, "to take the chill off." The two women had chatted over their teacups the better part of the afternoon, then Trina had returned to her rooms. For nearly three hours McTeague had been out of her thoughts, and as she came through their little suite, singing softly to herself, she suddenly came upon him quite unexpectedly. Her husband was in the "Dental Parlors," lying back in his operating chair, fast asleep.
The little stove was crammed with coke, the room was overheated, the air thick and foul with the odors of ether, of coke gas, of stale beer and cheap tobacco. The dentist sprawled his gigantic limbs over the worn velvet of the operating chair; his coat and vest and shoes were off, and his huge feet, in their thick gray socks, dangled over the edge of the foot-rest; his pipe, fallen from his half-open mouth, had spilled the ashes into his lap; while on the floor, at his side stood the half-empty pitcher of steam beer. His head had rolled limply upon one shoulder, his face was red with sleep, and from his open mouth came a terrific sound of snoring.
