Arrived in the garden, the queen sat down in the deepest shade, and there, having tuned her instrument, she at first drew from it lively and light tones, which soon darkened little by little, at the same time that her countenance assumed a hue of deep melancholy. Mary Seyton looked at her with uneasiness, although for a long time she had been used to these sudden changes in her mistress's humour, and she was about to ask the reason of this gloomy veil suddenly spread over her face, when, regulating her harmonies, Mary began to sing in a low voice, and as if for herself alone, the following verses:--
"Caverns, meadows, plains and mounts, Lands of tree and stone, Rivers, rivulets and founts, By which I stray alone, Bewailing as I go, With tears that overflow, Sing will I The miserable woe That bids me grieve and sigh.
Ay, but what is here to lend Ear to my lament?
What is here can comprehend My dull discontent?
Neither grass nor reed, Nor the ripples heed, Flowing by, While the stream with speed Hastens from my eye.
Vainly does my wounded heart Hope, alas, to heal;
Seeking, to allay its smart, Things that cannot feel.
Better should my pain Bitterly complain, Crying shrill, To thee who dost constrain My spirit to such ill.
Goddess, who shalt never die, List to what I say;
Thou who makest me to lie Weak beneath thy sway, If my life must know Ending at thy blow, Cruellest!
Own it perished so But at thy behest.
Lo! my face may all men see Slowly pine and fade, E'en as ice doth melt and flee Near a furnace laid.
Yet the burning ray Wasting me away Passion's glow, Wakens no display Of pity for my woe.
Yet does every neighbour tree, Every rocky wall, This my sorrow know and see;
So, in brief, doth all Nature know aright This my sorry plight;
Thou alone Takest thy delight To hear me cry and moan.
But if it be thy will, To see tormented still Wretched me, Then let my woful ill Immortal be."
This last verse died away as if the queen were exhausted, and at the same time the mandolin slipped from her hands, and would have fallen to the ground had not Mary Seyton thrown herself on her knees and prevented it. The young girl remained thus at her mistress's feet for some time, gazing at her silently, and as she saw that she was losing herself more and more in gloomy reverie--
"Have those lines brought back to your Majesty some sad remembrance?" she asked hesitatingly.
"Oh, yes," answered the queen; "they reminded me of the unfortunate being who composed them."
"And may I, without indiscretion, inquire of your grace who is their author?"
"Alas! he was a noble, brave, and handsome young man, with a faithful heart and a hot head, who would defend me to-day, if I had defended him then; but his boldness seemed to me rashness, and his fault a crime. What was to be done? I did not love him. Poor Chatelard! I was very cruel to him."
"But you did not prosecute him, it was your brother; you did not condemn him, the judges did."
"Yes, yes; I know that he too was Murray's victim, and that is no doubt the reason that I am calling him to mind just now. But I was able to pardon him, Mary, and I was inflexible; I let ascend the scaffold a man whose only crime was in loving me too well; and now I am astonished and complain of being abandoned by everyone. Listen, darling, there is one thing that terrifies me: it is, that when I search within myself I find that I have not only deserved my fate, but even that God did not punish me severely enough."
"What strange thoughts for your grace!" cried Mary; "and see where those unlucky lines which returned to your mind have led you, the very day when you were beginning to recover a little of your cheerfulness."
"Alas!" replied the queen, shaking her head and uttering a deep sigh, "for six years very few days have passed that I have not repeated those lines to myself, although it may be for the first time to-day that I repeat them aloud. He was a Frenchman too, Mary: they have exiled from me, taken or killed all who came to me from France. Do you remember that vessel which was swallowed up before our eyes when we came out of Calais harbour? I exclaimed then that it was a sad omen: you all wanted to reassure me. Well, who was right, now, you or I?"
The queen was in one of those fits of sadness for which tears are the sole remedy; so Mary Seyton, perceiving that not only would every consolation be vain, but also unreasonable, far from continuing to react against her mistress's melancholy, fully agreed with her: it followed that the queen, who was suffocating, began to weep, and that her tears brought her comfort; then little by little she regained self-control, and this crisis passed as usual, leaving her firmer and more resolute than ever, so that when she went up to her room again it was impossible to read the slightest alteration in her countenance.
