"Yep. 'Bout goin' home. Climb right in. That's my rig, right there," nodding at a sleek bay colt hitched in a covered buggy. "Heave y'r grip under the seat."
They climbed into the seat after William had lowered the buggy top and unhitched the horse from the post. The loafers were mildly curious. Guessed Bill had got hooked onto by a lightnin'-rod peddler, or somethin' o' that kind.
"Want to go by river, or 'round by the hills?"
"Hills, I guess."
The whole matter began to seem trivial, as if he had only been away for a month or two.
William McTurg was a man little given to talk. Even the coming back of a nephew did not cause any flow of questions or reminiscences. They rode in silence. He sat a little bent forward, the lines held carelessly in his hands, his great leonine head swaying to and fro with the movement of the buggy.
As they passed familiar spots, the younger man broke the silence with a question.
"That's old man McElvaine's place, ain't it?"
"Old man living?"
"I guess he is. Husk more corn 'n any man he c'n hire."
On the edge of the village they passed an open lot on the left, marked with circus rings of different eras.
"There's the old ball ground. Do they have circuses on it just the same as ever?"
"Just the same."
"What fun that field calls up! The games of ball we used to have!
Do you play yet?"
"Sometimes. Can't stoop so well as I used to." He smiled a little.
"Too much fat."
It all swept back upon Howard in a flood of names and faces and sights and sounds; something sweet and stirring somehow, though it had little of esthetic charm at the time. They were passing along lanes now, between superb fields of corn, wherein plowmen were at work. Kingbirds flew from post to post ahead of them; the insects called from the grass. The valley slowly outspread below them. The workmen in the fields were "turning out" for the night; they all had a word of chaff with McTurg.
Over the western wall of the circling amphitheater the sun was setting. A few scattering clouds were drifting on the west wind, their shadows sliding down the green and purple slopes. The dazzling sunlight flamed along the luscious velvety grass, and shot amid the rounded, distant purple peaks, and streamed in bars of gold and crimson across the blue mist of the narrower upper coulee.
The heart of the young man swelled' with pleasure almost like pain, and the eyes of the silent older man took on a far-off, dreaming look, as he gazed at the scene which had repeated itself a thousand times in his life, but of whose beauty he never spoke.
Far down to the left was the break in the wall through which the river ran on its way to join the Mississippi. As they climbed slowly among the hills, the valley they had left grew still more beautiful, as the squalor of the little town was hid by the dusk of distance.
Both men were silent for a long time. Howard knew the peculiarities of his companion too well to make any remarks or ask any questions, and besides it was a genuine pleasure to ride with one who could feel that silence was the only speech amid such splendors.
Once they passed a little brook singing in a mourn-fully sweet way its eternal song over its pebbles. It called back to Howard the days when he and Grant, his younger brother, had fished in this little brook for trout, with trousers rolled above the knee and wrecks of hats upon their heads.
"Any trout left?" he asked.
"Not many. Little fellers." Finding the silence broken, William asked the first question since he met Howard. "Le's see: you're a show feller now? B'long to a troupe?"
"Yes, yes; I'm an actor."
"Pay much?"
"Pretty well."
That seemed to end William's curiosity about the matter.
"Ah, there's our old house, ain't it?" Howard broke out, pointing to one of the houses farther up the coulee. "It'll be a surprise to them, won't it?"
"Yep; only they don't live there."
"What! They don't!"
"Who does?"
"Dutchman."
Howard was silent for some moments. "Who lives on the Dunlap place?"
"'Nother Dutchman."
"Where's Grant living, anyhow?"
"Farther up the conlee."
"Well, then I'd better get out here, hadn't I?"
"Oh, I'll drive yeh up."
"No, I'd rather walk."
The sun had set, and the coulee was getting dusk when Howard got out of McTurg's carriage and set off up the winding lane toward his brother's house. He walked slowly to absorb the coolness and fragrance and color of the hour. The katydids sang a rhythmic song of welcome to him. Fireflies were in the grass. A whippoorwill in the deep of the wood was calling weirdly, and an occasional night hawk, flying high, gave his grating shriek, or hollow boom, suggestive and resounding.
He had been wonderfully successful, and yet had carried into his success as a dramatic author as well as actor a certain puritanism that made him a paradox to his fellows. He was one of those actors who are always in luck, and the best of it was he kept and made use of his luck. Jovial as he appeared, he was inflexible as granite against drink and tobacco. He retained through it all a certain freshness of enjoyment that made him one of the best companions in the profession; and now as he walked on, the hour and the place appealed to him with great power. It seemed to sweep away the life that came between.
How close it all was to him, after all! In his restless life, surrounded by the giare of electric lights, painted canvas, hot colors, creak of machinery, mock trees, stones, and brooks, he had not lost but gained appreciation for the coolness, quiet and low tones, the shyness of the wood and field.
In the farmhouse ahead of him a light was shining as he peered ahead, and his heart gave another painful movement. His brother was awaiting him there, and his mother, whom he had not seen for ten years and who had grown unable to write. And when Grant wrote, which had been more and more seldom of late, his letters had been cold and curt.
