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第17章 UP THE COULEE A STORY OF WISCONSIN(3)

He began to feel that in the pleasure and excitement of his life he had grown away from his mother and brother. Each summer he had said, "Well, now I'll go home this year sure." But a new play to be produced, or a yachting trip, or a tour of Europe, had put the homecoming off; and now it was with a distinct consciousness of neglect of duty that he walked up to the fence and looked into the yard, where William had told him his brother lived.

It was humble enough-a small white house, story-and-a-half structure, with a wing, set in the midst of a few locust trees; a small drab-colored barn, with a sagging ridge pole; a barnyard full of mud, in which a few cows were standing, fighting the flies and waiting to be milked. An old man was pumping water at the well; the pigs were squealing from a pen nearby; a child was crying.

Instantly the beautiful, peaceful valley was forgotten. A sickening chill struck into Howard's soul as he looked at it all. In the dim light he could see a figure milking a cow. Leaving his valise at the gate, he entered and walked up to the old man, who had finished pumping and was about to go to feed the hogs.

"Good evening," Howard began. "Does Mr. Grant McLane live here?"

"Yes, sir, he does. He's right over there milkin'."

"I'll go over there an-"

"Don't b'lieve I would. It's darn muddy over there. It's been turrible rainy. He'll be done in a minute, any-way."

"Very well; I'll wait."

As he waited, he could hear a woman's fretful voice, and the impatient jerk and jar of kitchen things, indicative of ill temper or worry. The longer he stood absorbing this farm scene, with all its sordidness, dullness, triviality, and its endless drudgeries, the lower his heart sank. All the joy of the homecoming was gone, when the figure arose from the cow and approached the gate, and put the pail of milk down on the platform by the pump.

"Good evening," said Howard out of the dusk.

Grant stared a moment. "Good. evening."

Howard knew the voice, though it was older and deeper and more sullen. "Don't you know me, Grant? I am Howard.

The man approached him, gazing intently at his face. "You are?" after a pause. "Well, I'm glad to see yeh, but I can't shake hands.

That damned cow had laid down in the mud."

They stood and looked at each other. Howard's cuffs, collar, and shirt, alien in their elegance, showed through the dusk, and a glint of light shot out from the jewel of his necktie, as the light from the house caught it at the right angle. As they gazed in silence at each other, Howard divined something of the hard, bitter feeling which came into Grant's heart as he stood there, ragged, ankle-deep in muck, his sleeves rolled up, a shapeless old straw hat on his head.

The gleam of Howard's white hands angered him. When he spoke, it was in a hard, gruff tone, full of rebellion.

"Well, go in the house and set down. I'll be in soon's I strain the milk and wash the dirt off my hands."

"But Mother-"

"She's 'round somewhere. Just knock on the door under the porch 'round there."

Howard went slowly around the corner of the house, past a vilely smelling rain barrel, toward the west. A gray-haired woman was sitting in a rocking chair on the porch, her hands in her lap, her eyes fixed on the faintly yellow sky, against which the hills stood dim purple silhouettes and the locust trees were etched as fine as lace. There was sorrow, resignation, and a sort of dumb despair in her attitude.

Howard stood, his throat swelling till it seemed as if he would suffocate. This was his mother-the woman who bore him, the being who had taken her life in her hand for him; and he, in his excited and pleasurable life, had neglected her!

He stepped into the faint light before her. She turned and looked at him without fear. "Mother!" he said. She uttered one little, breathing, gasping cry, called his name, rose, and stood still. He bounded up the steps and took her in his arms.

"Mother! Dear old Mother!"

In the silence, almost painful, which followed, an angry woman's voice could be heard inside: "I don't care. I am't goin' to wear myself out fer him. He c'n eat out here with us, or else-"

Mrs. McLane began speaking. "Oh, I've longed to see yeh, Howard.

I was afraid you wouldn't come till-too late."

"What do you mean, Mother? Ain't you well?"

"I don't seem to be able to do much now 'cept sit around and knit a little. I tried to pick some berries the other day, and I got so dizzy I had to give it up."

"You mustn't work. You needn't work. Why didn't you write to me how you were?" Howard asked in an agony of remorse.

"Well, we felt as if you probably had all you could do to take care of yourself."

"Are you married, Howard?"

"No, Mother; and there ain't any excuse for me-not a bit," he said, dropping back into her colloquialisms."I'm ashamed when I think of how long it's been since I saw you. I could have come."

"It don't matter now," she interrupted gently. "It's the way things go. Our boys grow up and leave us."

"Well, come in to supper," said Grant's ungracious voice from the doorway. "Come, Mother."

Mrs. McLane moved with difficulty. Howard sprang to her aid, and leaning on his arm she went through the little sitting room, which was unlighted, out into the kitchen, where the supper table stood near the cookstove.

"How, this is my wife," said Grant in a cold, peculiar tone.

Howard bowed toward a remarkably handsome young woman, on whose forehead was a scowl, which did not change as she looked at him and the old lady.

"Set down, anywhere," was the young woman's cordial invitation.

Howard sat down next to his mother, and facing the wife, who had a small, fretful child in her arms. At Howard's left was the old man, Lewis. The supper was spread upon a gay-colored oilcloth, and consisted of a pan of milk, set in the midst, with bowls at each plate. Beside the pan was a dipper and a large plate of bread, and at one end of the table was a dish of fine honey.

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