"Nous causames longtemps; elle etait simple et bonne.
Ne sachant pas le mal, elle faisait le bien;Des richesses du coeur elle me fit l'aumone, Et tout en ecoutant comme le coeur se donne, Sans oser y penser je lui donnai le mien;Elle emporta ma vie, et n'en sut jamais rien."--ALFRED DE MUSSET.
Will Ladislaw was delightfully agreeable at dinner the next day, and gave no opportunity for Mr. Casaubon to show disapprobation.
On the contrary it seemed to Dorothea that Will had a happier way of drawing her husband into conversation and of deferentially listening to him than she had ever observed in any one before.
To be sure, the listeners about Tipton were not highly gifted!
Will talked a good deal himself, but what he said was thrown in with such rapidity, and with such an unimportant air of saying something by the way, that it seemed a gay little chime after the great bell.
If Will was not always perfect, this was certainly one of his good days.
He described touches of incident among the poor people in Rome, only to be seen by one who could move about freely; he found himself in agreement with Mr. Casaubon as to the unsound opinions of Middleton concerning the relations of Judaism and Catholicism;and passed easily to a half-enthusiastic half-playful picture of the enjoyment he got out of the very miscellaneousness of Rome, which made the mind flexible with constant comparison, and saved you from seeing the world's ages as a set of box-like partitions without vital connection. Mr. Casaubon's studies, Will observed, had always been of too broad a kind for that, and he had perhaps never felt any such sudden effect, but for himself he confessed that Rome had given him quite a new sense of history as a whole:
the fragments stimulated his imagination and made him constructive.
Then occasionally, but not too often, he appealed to Dorothea, and discussed what she said, as if her sentiment were an item to be considered in the final judgment even of the Madonna di Foligno or the Laocoon. A sense of contributing to form the world's opinion makes conversation particularly cheerful; and Mr. Casaubon too was not without his pride in his young wife, who spoke better than most women, as indeed he had perceived in choosing her.
Since things were going on so pleasantly, Mr. Casaubon's statement that his labors in the Library would be suspended for a couple of days, and that after a brief renewal he should have no further reason for staying in Rome, encouraged Will to urge that Mrs. Casaubon should not go away without seeing a studio or two. Would not Mr. Casaubon take her? That sort of thing ought not to be missed:
it was quite special: it was a form of life that grew like a small fresh vegetation with its population of insects on huge fossils.
Will would be happy to conduct them--not to anything wearisome, only to a few examples.
Mr. Casaubon, seeing Dorothea look earnestly towards him, could not but ask her if she would be interested in such visits:
he was now at her service during the whole day; and it was agreed that Will should come on the morrow and drive with them.
Will could not omit Thorwaldsen, a living celebrity about whom even Mr. Casaubon inquired, but before the day was far advanced he led the way to the studio of his friend Adolf Naumann, whom he mentioned as one of the chief renovators of Christian art, one of those who had not only revived but expanded that grand conception of supreme events as mysteries at which the successive ages were spectators, and in relation to which the great souls of all periods became as it were contemporaries. Will added that he had made himself Naumann's pupil for the nonce.
"I have been making some oil-sketches under him," said Will.
"I hate copying. I must put something of my own in. Naumann has been painting the Saints drawing the Car of the Church, and I have been making a sketch of Marlowe's Tamburlaine Driving the Conquered Kings in his Chariot. I am not so ecclesiastical as Naumann, and I sometimes twit him with his excess of meaning. But this time I mean to outdo him in breadth of intention. I take Tamburlaine in his chariot for the tremendous course of the world's physical history lashing on the harnessed dynasties. In my opinion, that is a good mythical interpretation." Will here looked at Mr. Casaubon, who received this offhand treatment of symbolism very uneasily, and bowed with a neutral air.
"The sketch must be very grand, if it conveys so much," said Dorothea.
"I should need some explanation even of the meaning you give.
Do you intend Tamburlaine to represent earthquakes and volcanoes?""Oh yes," said Will, laughing, "and migrations of races and clearings of forests--and America and the steam-engine. Everything you can imagine!""What a difficult kind of shorthand!" said Dorothea, smiling towards her husband. "It would require all your knowledge to be able to read it."Mr. Casaubon blinked furtively at Will. He had a suspicion that he was being laughed at. But it was not possible to include Dorothea in the suspicion.
They found Naumann painting industriously, but no model was present;his pictures were advantageously arranged, and his own plain vivacious person set off by a dove-colored blouse and a maroon velvet cap, so that everything was as fortunate as if he had expected the beautiful young English lady exactly at that time.
The painter in his confident English gave little dissertations on his finished and unfinished subjects, seeming to observe Mr. Casaubon as much as he did Dorothea. Will burst in here and there with ardent words of praise, marking out particular merits in his friend's work;and Dorothea felt that she was getting quite new notions as to the significance of Madonnas seated under inexplicable canopied thrones with the simple country as a background, and of saints with architectural models in their hands, or knives accidentally wedged in their skulls. Some things which had seemed monstrous to her were gathering intelligibility and even a natural meaning:
