登陆注册
14725700000063

第63章 CHARACTERISTICS OF CHAUCER AND OF HIS POETRY.(13)

The vivacity and joyousness of Chaucer's poetic temperament, however, show themselves in various other ways besides his favourite manner of treating a favourite theme. They enhance the spirit of his passages of dialogue, and add force and freshness to his passages of description. They make him amusingly impatient of epical lengths, abrupt in his transitions, and anxious, with an anxiety usually manifested by readers rather than by writers, to come to the point, "to the great effect," as he is wont to call it. "Men," he says, "may overlade a ship or barge, and therefore Iwill skip at once to the effect, and let all the rest slip." And he unconsciously suggests a striking difference between himself and the great Elizabethan epic poet who owes so much to him, when he declines to make as long a tale of the chaff or of the straw as of the corn, and to describe all the details of a marriage-feast seriatim:

The fruit of every tale is for to say:

They eat and drink, and dance and sing and play.

This may be the fruit; but epic poets, from Homer downwards, have been generally in the habit of not neglecting the foliage. Spenser in particular has that impartial copiousness which we think it our duty to admire in the Ionic epos, but which, if the truth were told, has prevented generations of Englishmen from acquiring an intimate personal acquaintance with the "Fairy Queen." With Chaucer the danger certainly rather lay in an opposite direction. Most assuredly he can tell a story with admirable point and precision, when he wishes to do so. Perhaps no better example of his skill in this respect could be cited than the "Manciple's Tale,"with its rapid narrative, its major and minor catastrophe, and its concise moral ending thus:--My son, beware, and be no author new Of tidings, whether they be false or true;Whereso thou comest, among high or low, Keep well thy tongue, and think upon the crow.

At the same time, his frequently recurring announcements of his desire to be brief have the effect of making his narrative appear to halt, and thus unfortunately defeat their own purpose. An example of this may be found in the "Knight's Tale," a narrative poem of which, in contrast with its beauties, a want of evenness is one of the chief defects. It is not that the desire to suppress redundancies is a tendency deserving anything but commendation in any writer, whether great or small; but rather, that the art of concealing art had not yet dawned upon Chaucer. And yet, few writers of any time have taken a more evident pleasure in the process of literary production, and have more visibly overflowed with sympathy for, or antipathy against, the characters of their own creation. Great novelists of our own age have often told their readers, in prefaces to their fictions or in quasi-confidential comments upon them, of the intimacy in which they have lived with the offspring of their own brain, to them far from shadowy beings. But only the naivete of Chaucer's literary age, together with the vivacity of his manner of thought and writing, could place him in so close a personal relation towards the personages and the incidents of his poems. He is overcome by "pity and ruth" as he reads of suffering, and his eyes "wax foul and sore" as he prepares to tell of its infliction. He compassionates "love's servants"as if he were their own "brother dear;" and into his adaptation of the eventful story of Constance (the "Man of Law's Tale") he introduces apostrophe upon apostrophe, to the defenceless condition of his heroine--to her relentless enemy the Sultana, and to Satan, who ever makes his instrument of women "when he will beguile"--to the drunken messenger who allowed the letter carried by him to be stolen from him,--and to the treacherous Queen-mother who caused them to be stolen. Indeed, in addressing the last-named personage, the poet seems to lose all control over himself.

O Domegild, I have no English digne Unto thy malice and thy tyranny:

And therefore to the fiend I thee resign, Let him at length tell of thy treachery.

Fye, mannish, fye!--Oh nay, by God, I lie;

Fye fiendish spirit, for I dare well tell, Though thou here walk, thy spirit is in hell.

At the opening of the "Legend of Ariadne" he bids Minos redden with shame;and towards its close, when narrating how Theseus sailed away, leaving his true-love behind, he expresses a hope that the wind may drive the traitor "a twenty devil way." Nor does this vivacity find a less amusing expression in so trifling a touch as that in the "Clerk's Tale," where the domestic sent to deprive Griseldis of her boy becomes, eo ipso as it were, "this ugly sergeant."Closely allied to Chaucer's liveliness and gaiety of disposition, and in part springing from them, are his keen sense of the ridiculous and the power of satire which he has at his command. His humour has many varieties, ranging from the refined and half-melancholy irony of the "House of Fame" to the ready wit of the sagacious uncle of Cressid, the burlesque fun of the inimitable "Nun's Priest's Tale," and the very gross salt of the "Reeve," the "Miller," and one or two others. The springs of humour often capriciously refuse to allow themselves to be discovered; nor is the satire of which the direct intention is transparent invariably the most effective species of satire. Concerning, however, Chaucer's use of the power which he in so large a measure possessed, viz. that of covering with ridicule the palpable vices or weaknesses of the classes or kinds of men represented by some of his character-types, one assertion may be made with tolerable safety. Whatever may have been the first stimulus and the ultimate scope of the wit and humour which he here expended, they are NOTto be explained as moral indignation in disguise. And in truth Chaucer's merriment flows spontaneously from a source very near the surface; he is so extremely diverting, because he is so extremely diverted himself.

同类推荐
热门推荐
  • 各级领导者应对和处置突发事件培训手册

    各级领导者应对和处置突发事件培训手册

    本书全面地、系统地阐述了突发事件的性质、特征、类别、应对方法、应急预案以及相关法律法规,特别对我国的“一案三制”的应急管理体系建设这一核心框架给予了更多的思考和阐述,并借助实际案例进行分析和演练,其中既有实战经验和教训的科学归纳与总结,也有经典理论、原则、方法和技巧的深入剖析与指导。
  • 佛骨迷踪

    佛骨迷踪

    2015年6月某日,苏省郁州市海宁禅寺监院被人谋杀,其后又发生多起恶性凶杀和袭击案件......一系列的事件似乎都指向山西榆社大同寺舍利塔下供奉的舍利。25年前的山西文物局、300年前的雍正王朝,与这些案件又有何种联系?来自政府、民间甚至国外的种种势力逐一浮出水面,横跨三百年的恩怨情仇就此展开......随着探寻的深入,高僧、将军、警察、官员、文人、盗墓贼等等一一走上前台。看郁州市青年陈耳东及其朋友如何拨开历史迷雾,找寻岁月尘封的真相。没有穿越的荒诞、没有玄幻的奇诡、没有虐心的眼泪,只有安安静静的故事。
  • 引导青少年学习的中华古训

    引导青少年学习的中华古训

    岁月磨洗不去历史的沧桑,风霜阻挡不了温暖的记忆。生命长河静静流淌,丝丝感悟、缕缕情意都是河面泛起的涟漪。徜徉于其中的我们,是否真的能在人生的波澜中,体味爱的真谛?是否真的能在岁月的磨砺中,洞察奋斗的价值?是否真的能在命运的风雨中,感悟生命的意义……翻阅书卷,答案在字里行间若隐若现。你会从别人的故事中找到自己曾经的影子,唤醒沉睡的记忆;从别人的奋斗中找回曾经的梦想,点燃希望的火种;从别人的感悟中找到成功的诀窍,扬起理想的风帆;从别人的性情中找到真实的自我,播洒爱的阳光。从而在愉悦与感动中,鼓足勇气,坚定信念,阔步向前方迈进。
  • 中国狱临军

    中国狱临军

    这是一个晴朗的早晨鸽哨声伴着起床号音但是这世界并不安宁和平年代也有激荡的风云看那军旗飞舞的方向前进着战车舰队和机群上面也飘扬着我们的名字年轻的士兵渴望建立功勋准备好了吗士兵兄弟们当那一天真的来临放心吧祖国放心吧亲人为了胜利我要勇敢前进
  • 巨匠之城

    巨匠之城

    沐野与沐峰,站在自己和工作室的兄弟们一起建造的城堡上。“哥,我现在也可称的上,这游戏的一方枭雄!”“这还不够!”(巨匠之城)书友一群232296556
  • 相思劫,太子嫁到

    相思劫,太子嫁到

    传闻,夜太子凶神恶煞又恃宠而骄,不学无术,欺男霸女无所不为;传闻,叶公子丰神俊朗又洁身自好,满腹诗书,尊老爱幼医术无双;传闻,墨少主家财万贯又美艳无双,一身玉骨,貌若秋月声如撞玉;然而……夜太子是她,叶公子是她,墨少主依然是她!当草包太子化身惊世女皇,她翻手为云、覆手为雨,谋江山、谋良人!众多美男频频献殷勤,摄政王苦恼至极:“本王的女人,谁敢觊觎?”
  • 异界释魔录

    异界释魔录

    千秋乱世干戈起,剑舞狼烟战八荒。九霄鲲鹏展雄翼,虎略龙韬靖尘寰。一名军校出身的学生,莫名被人打死,醒来的时候本以为会是在地狱之中,却不想自己已经身处异世,看似奇遇,实则是一段荆棘坎坷的回乡路。军人热血斩荆棘,伏魔御宇证修罗。
  • 斗破苍穹之奇迹穿越

    斗破苍穹之奇迹穿越

    他本来是无限恐怖里的王者,就在一次意外中,他来到了斗气大陆,他将翻起怎样的风云?
  • 浮世烟云

    浮世烟云

    修念者的世界,所修的念力聚成各式武器,或者收敛体中锻体成钢更有西域千奇万象的变化,和小瀛国凝兽相合的怪异
  • 诱妃:失心王妃

    诱妃:失心王妃

    雷文慎入!由于编辑说偶的文名没美感,又要改名....一个有着倾城之貌的女子,却有着与她不符的忧伤和老陈,在她无人之时总是黯然神伤。她为了情人甘愿欢声媚笑,周旋徘徊在不同的男人之间,用自己的身体诱惑着他们,让所有的男人都为她舍身弃国。一个深情温柔的男子,有着风一样的性格。从她接近自己的那一刻,他就清楚的明白这个女人为何而来,但他已情到深处,为了她甘愿付出,即使最后她要自己的命,他也会心甘情愿的奉上。他是有着极大野心的男人,有着与身俱来的王者之势,他可以为了自己权利,牺牲自己最爱的女人——然而当自己最心爱的女人死在自己的怀里时,他终于知道原来没有了她,自已拥有的已经不再有意义........