This bit of flattery (which, by the way, was a lie, for Victor's niece did not incline favorably to Miguel, had its effect. They shook hands over the table. "But," said Miguel, "what is to be done must be done now." "At the moment," said Victor, "and thou shalt see it done. Eh? Does it content thee? then come!"
Miguel nodded to Manuel. "We will return in an hour; wait thou here."
They filed out into the dark, irregular street. Fate led them to pass the office of Dr. Guild at the moment that Concho mounted his horse. The shadows concealed them from their rival, but they overheard the last injunctions of the President to the unlucky Concho.
"Thou hearest?" said Miguel, clutching his companion's arm.
"Yes," said Victor. "But let him ride, my friend; in one hour we shall have that that shall arrive YEARS before him," and with a complacent chuckle they passed unseen and unheard until, abruptly turning a corner, they stopped before a low adobe house.
It had once been a somewhat pretentious dwelling, but had evidently followed the fortunes of its late owner, Don Juan Briones, who had offered it as a last sop to the three-headed Cerberus that guarded the El Refugio Plutonean treasures, and who had swallowed it in a single gulp. It was in very bad case. The furrows of its red-tiled roof looked as if they were the results of age and decrepitude.
Its best room had a musty smell; there was the dampness of deliquescence in its slow decay, but the Spanish Californians were sensible architects, and its massive walls and partitions defied the earthquake thrill, and all the year round kept an even temperature within.
Victor led Miguel through a low anteroom into a plainly-furnished chamber, where Carmen sat painting.
Now Mistress Carmen was a bit of a painter, in a pretty little way, with all the vague longings of an artist, but without, I fear, the artist's steadfast soul. She recognized beauty and form as a child might, without understanding their meaning, and somehow failed to make them even interpret her woman's moods, which surely were nature's too. So she painted everything with this innocent lust of the eye,--flowers, birds, insects, landscapes, and figures,--with a joyous fidelity, but no particular poetry. The bird never sang to her but one song, the flowers or trees spake but one language, and her skies never brightened except in color. She came out strong on the Catholic saints, and would toss you up a cleanly-shaven Aloysius, sweetly destitute of expression, or a dropsical, lethargic Madonna that you couldn't have told from an old master, so bad it was. Her faculty of faithful reproduction even showed itself in fanciful lettering,--and latterly in the imitation of fabrics and signatures. Indeed, with her eye for beauty of form, she had always excelled in penmanship at the Convent,--an accomplishment which the good sisters held in great repute.
In person she was petite, with a still unformed girlish figure, perhaps a little too flat across the back, and with possibly a too great tendency to a boyish stride in walking. Her brow, covered by blue-black hair, was low and frank and honest; her eyes, a very dark hazel, were not particularly large, but rather heavily freighted in their melancholy lids with sleeping passion; her nose was of that unimportant character which no man remembers; her mouth was small and straight; her teeth, white and regular. The whole expression of her face was piquancy that might be subdued by tenderness or made malevolent by anger. At present it was a salad in which the oil and vinegar were deftly combined. The astute feminine reader will of course understand that this is the ordinary superficial masculine criticism, and at once make up her mind both as to the character of the young lady and the competency of the critic. I only know that I rather liked her. And her functions are somewhat important in this veracious history.
She looked up, started to her feet, leveled her black brows at the intruder, but, at a sign from her uncle, showed her white teeth and spake.
It was only a sentence, and a rather common-place one at that; but if she could have put her voice upon her canvas, she might have retrieved the Garcia fortunes. For it was so musical, so tender, so sympathizing, so melodious, so replete with the graciousness of womanhood, that she seemed to have invented the language. And yet that sentence was only an exaggerated form of the 'How d'ye do,' whined out, doled out, lisped out, or shot out from the pretty mouths of my fair countrywomen.
