He proves Equal to the Occasion AT that astounding confession, abruptly revealed in those plain words, even resolute Nugent lost all power of self-control. He burst out with a cry which reached Lucilla's ears. She instantly turned towards us, and instantly assumed that the cry had come from Oscar's lips.
"Ah! there you are!" she exclaimed. "Oscar! Oscar! what is the matter with you to-day?"
Oscar was incapable of answering her. He had cast one glance of entreaty at his brother as Lucilla came nearer to us. The mute reproach which had answered him, in Nugent's eyes, had broken down his last reserves of endurance. He was crying silently on Nugent's breast.
It was necessary that one of us should make his, or her, voice heard. I spoke first.
"Nothing is the matter, my dear," I said, advancing to meet Lucilla. "We were passing the house, and Oscar ran out to stop us and bring us in."
My excuses roused a new alarm in her.
"Us?" she repeated. "Who is with you?"
"Nugent is with me."
The result of the deplorable misunderstanding which had taken place, instantly declared itself. She turned deadly pale under the horror of feeling that she was in the presence of the man with the blue face.
"Take me near enough to speak to him, but not to touch him," she whispered. "I have heard what he is like. (Oh, if you saw him, as I see him, _in the dark!_) I must control myself. I must speak to Oscar's brother, for Oscar's sake."
She seized my arm and held me close to her. What ought I to have said?
What ought I to have done? I neither knew what to say or what to do. I looked from Lucilla to the twin brothers. There was Oscar the Weak, overwhelmed by the humiliating position in which he had placed himself towards the woman whom he was to marry, towards the brother whom he loved! And there was Nugent the Strong, master of himself; with his arm round his brother, with his head erect, with his hand signing to me to keep silence. He was right. I had only to look back at Lucilla's face to see that the delicate and perilous work of undeceiving her, was not work to be done at a moment's notice, on the spot.
"You are not yourself to-day," I said to her. "Let us go home."
"No!" she answered. "I must accustom myself to speak to him. I will begin to-day. Take me to him--but don't let him touch me!"
Nugent disengaged himself from Oscar--whose unfitness to help us through our difficulties was too manifest to be mistaken--as he saw us approaching. He pointed to the low wall in front of the house, and motioned to his brother to wait there out of the way before Lucilla could speak to him again. The wisdom of this proceeding was not long in asserting itself. Lucilla asked for Oscar the moment after he had left us. Nugent answered that Oscar had gone back to the house to get his hat.
The sound of Nugent's voice helped her to calculate her distance from him without assistance from me. Still holding my arm, she stopped and spoke to him.
"Nugent," she said, "I have made Oscar tell me--what he ought to have told me long since." (She paused between each sentence; painfully controlling herself, painfully catching her breath.) "He has discovered a foolish antipathy of mine. I don't know how; I tried to keep it a secret from him. I need not tell you what it is."
She made a longer pause at those words, holding me closer and closer to her; struggling more and more painfully against the irresistible nervous loathing that had got possession of her.
He listened, on his side, with the constraint which always fell upon him in her presence more marked than ever. His eyes were on the ground. He seemed reluctant even to look at her.
"I think I understand," she went on, "why Oscar was unwilling to tell me----" she stopped, at a loss how to express herself without running the risk of hurting his feelings--"to tell me," she resumed, "what it is in you which is not like other people. He was afraid my stupid weakness might prejudice me against you. I wish to say that I won't let it do that. I never was more ashamed of it than now. I, too, have my misfortune. I ought to sympathize with you, instead of----"
Her voice had been growing fainter and fainter as she proceeded. She leaned against me heavily. One glance at her told me that if I let it go on any longer she would fall into a swoon. "Tell your brother that we have gone back to the rectory," I said to Nugent. He looked up at Lucilla for the first time.
"You are right," he answered. "Take her home." He repeated the sign by which he had already hinted to me to be silent--and joined Oscar at the wall in front of the house.
"Has he gone?" she asked.
"He has gone."
The moisture stood thick on her forehead. I passed my handkerchief over her face, and turned her towards the wind.
"Are you better now?"
"Yes."
"Can you walk home?"
"Easily."
I put her arm in mine. After advancing with me a few steps, she suddenly stopped--with a blind apprehension, as it seemed, of something in front of her. She lifted her little walking-cane, and moved it slowly backwards and forwards in the empty air, with the action of some one who is clearing away an encumbrance to a free advance--say the action of a person walking in a thick wood, and pushing aside the lower twigs and branches that intercept the way.
"What are you about?" I asked.
"Clearing the air," she answered. "The air is full of him. I am in a forest of hovering figures, with faces of black-blue. Give me your arm.
Come through!"
"Lucilla!"
"Don't be angry with me. I am coming to my senses again. Nobody knows what folly, what madness it is, better than I do. I have a will of my own: suffer as I may, I promise to break myself of it this time. I can't, and won't let Oscar's brother see that he is an object of horror to me."
She stopped once more, and gave me a little propitiatory kiss. "Blame my blindness, dear, don't blame _me._ If I could only see--! Ah, how can I make you understand me, you who don't live in the dark?" She went on a few paces, silent and thoughtful--and then spoke again. "You won't laugh at me, if I say something?"
"You know I won't."
"Suppose yourself to be in bed at night."
"Yes?"
