Black Tom's, to the front, presented the appearance of a fourth- rate saloon, devoted to Kanaka seamen, dirt, negrohead tobacco, bad cigars, worse gin, and guitars and banjos in a state of decline. The proprietor, a powerful coloured man, was at once a publican, a ward politician, leader of some brigade of "lambs" or "smashers," at the wind of whose clubs the party bosses and the mayor were supposed to tremble, and (what hurt nothing) an active and reliable crimp. His front quarters, then, were noisy, disreputable, and not even safe. I have seen worse frequented saloons where there were fewer scandals; for Tom was often drunk himself; and there is no doubt the Lambs must have been a useful body, or the place would have been closed.
I remember one day, not long before an election, seeing a blind man, very well dressed, led up to the counter and remain a long while in consultation with the negro. The pair looked so ill- assorted, and the awe with which the drinkers fell back and left them in the midst of an impromptu privacy was so unusual in such a place, that I turned to my next neighbour with a question. He told me the blind man was a distinguished party boss, called by some the King of San Francisco, but perhaps better known by his picturesque Chinese nickname of the Blind White Devil. "The Lambs must be wanted pretty bad, I guess," my informant added. I have here a sketch of the Blind White Devil leaning on the counter; on the next page, and taken the same hour, a jotting of Black Tom threatening a whole crowd of customers with a long Smith and Wesson: to such heights and depths we rose and fell in the front parts of the saloon.
Meanwhile, away in the back quarters, sat the small informal South Sea club, talking of another world and surely of a different century. Old schooner captains they were, old South Sea traders, cooks, and mates: fine creatures, softened by residence among a softer race: full men besides, though not by reading, but by strange experience; and for days together I could hear their yarns with an unfading pleasure. All had indeed some touch of the poetic; for the beach-comber, when not a mere ruffian, is the poor relation of the artist. Even through Johnson's inarticulate speech, his "O yes, there ain't no harm in them Kanakas," or "O yes, that's a son of a gun of a fine island, mountainious right down; I didn't never ought to have left that island," there pierced a certain gusto of appreciation: and some of the rest were master-talkers. From their long tales, their traits of character and unpremeditated landscape, there began to piece itself together in my head some image of the islands and the island life: precipitous shores, spired mountain tops, the deep shade of hanging forests, the unresting surf upon the reef, and the unending peace of the lagoon; sun, moon, and stars of an imperial brightness; man moving in these scenes scarce fallen, and woman lovelier than Eve; the primal curse abrogated, the bed made ready for the stranger, life set to perpetual music, and the guest welcomed, the boat urged, and the long night beguiled, with poetry and choral song. A man must have been an unsuccessful artist; he must have starved on the streets of Paris; he must have been yoked to a commercial force like Pinkerton, before he can conceive the longings that at times assailed me. The draughty, rowdy city of San Francisco, the bustling office where my friend Jim paced like a caged lion daily between ten and four, even (at times) the retrospect of Paris, faded in comparison.
