Then a year, and David's father died.The sheep and the cottage descended to him.He already had the seemliest wife in the village.
Yvonne's milk pails and her brass kettles were bright--/ouf/! they blinded you in the sun when you passed that way.But you must keep your eyes upon her yard, for her flower beds were so neat and gay they restored to you your sight.And you might hear her sing, aye, as far as the double chestnut tree above Pere Gruneau's blacksmith forge.
But a day came when David drew out paper from a long-shut drawer, and began to bite the end of a pencil.Spring had come again and touched his heart.Poet he must have been, for now Yvonne was well-nigh forgotten.This fine new loveliness of earth held him with its witchery and grace.The perfume from her woods and meadows stirred him strangely.Daily had he gone forth with his flock, and brought it safe at night.But now he stretched himself under the hedge and pieced words together on his bits of paper.The sheep strayed, and the wolves, perceiving that difficult poems make easy mutton, ventured from the woods and stole his lambs.
David's stock of poems grew longer and his flock smaller.Yvonne's nose and temper waxed sharp and her talk blunt.Her pans and kettles grew dull, but her eyes had caught their flash.She pointed out to the poet that his neglect was reducing the flock and bringing woe upon the household.David hired a boy to guard the sheep, locked himself in the little room at the top of the cottage, and wrote more poems.The boy, being a poet by nature, but not furnished with an outlet in the way of writing, spent his time in slumber.The wolves lost no time in discovering that poetry and sleep are practically the same; so the flock steadily grew smaller.Yvonne's ill temper increased at an equal rate.Sometimes she would stand in the yard and rail at David through his high window.Then you could hear her as far as the double chestnut tree above Pere Gruneau's blacksmith forge.
M.Papineau, the kind, wise, meddling old notary, saw this, as he saw everything at which his nose pointed.He went to David, fortified himself with a great pinch of snuff, and said:
"Friend Mignot, I affixed the seal upon the marriage certificate of your father.It would distress me to be obliged to attest a paper signifying the bankruptcy of his son.But that is what you are coming to.I speak as an old friend.Now, listen to what I have to say.You have your heart set, I perceive, upon poetry.At Dreux, I have a friend, one Monsieur Bril--Georges Bril.He lives in a little cleared space in a houseful of books.He is a learned man; he visits Paris each year; he himself has written books.He will tell you when the catacombs were made, how they found out the names of the stars, and why the plover has a long bill.The meaning and the form of poetry is to him as intelligent as the baa of a sheep is to you.I will give you a letter to him, and you shall take him your poems and let him read them.Then you will know if you shall write more, or give your attention to your wife and business."
"Write the letter," said David, "I am sorry you did not speak of this sooner."
At sunrise the next morning he was on the road to Dreux with the precious roll of poems under his arm.At noon he wiped the dust from his feet at the door of Monsieur Bril.That learned man broke the seal of M.Papineau's letter, and sucked up its contents through his gleaming spectacles as the sun draws water.He took David inside to his study and sat him down upon a little island beat upon by a sea of books.
Monsieur Bril had a conscience.He flinched not even at a mass of manuscript the thickness of a finger-length and rolled to an incorrigible curve.He broke the back of the roll against his knee and began to read.He slighted nothing; he bored into the lump as a worm into a nut, seeking for a kernel.
Meanwhile, David sat, marooned, trembling in the spray of so much literature.It roared in his ears.He held no chart or compass for voyaging in that sea.Half the world, he thought, must be writing books.
