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第6章

I come at length to certain duties which devolve upon the general of cavalry himself in person: and first and foremost, it concerns him to obtain the favour of the gods by sacrifices in behalf of the state cavalry; and in the next place to make the great procession at the festivals a spectacle worth seeing; and further, with regard to all those public shows demanded by the state, wherever held,[1] whether in the grounds of the Acadamy or the Lyceum, at Phaleron or within the hippodrome, it is his business as commander of the knights to see that every pageant of the sort is splendidly exhibited.

[1] Cf.Theophr."Ch." vii.(Jebb ad loc.p.204, n.25).

But these, again, are memoranda.[2] To the question how the several features of the pageant shall receive their due impress of beauty, I will now address myself.

[2] Read {tauta men alla upomnemata}, or if with Pantazid.{apla}, trans."these are simply memoranda."And first to speak of the Processions.[3] These will, I think, be rendered most acceptable to Heaven and to earth's spectators were the riders to ride round the Agora and temples, commencing from the Hermae, and pay honour to the sacred beings, each in turn, whose shrines and statues are there congregated.(Thus in the great Dionysia[4] the choruses embrace their gracious service to the other gods and to the Twelve with circling dance.[5]) When the circuit is completed, and the riders are back again in front of the Hermae, it would add, I think, to the beauty of the scene[6] if at this point they formed in companies of tribes, and giving their horses rein, swept forward at the gallop to the Eleusinion.Nor must I omit to note the right position of the lance, to lessen as far as possible the risk of mutual interference.[7] Each trooper should hold his lance straight between the ears of his charger, which in proportion to the distinctness given to the weapon will rouse terror, and at the same time create a vague idea of multitudinousness.[8]

[3] {tas pompas}.See A.Martin, op.cit.147, 160.[4] Celebrated in March (Elaphebolion).

[5] Or, "by dancing roundelays in honour of the gods, especially The Twelve"; and as to the Twelve cf.Aristoph."Knights," 235, "Birds," 95; Plat."Laws," 654; Paus.i.3.3; 40.3; viii.25.3; Plut."Nic." 13;Lycurg.198.

[6] Or, "it would be a beautiful sequel to the proceedings, in my opinion, if at this point they formed in squadron column, andgiving rein to their chargers, swept forward at full gallop to the Eleusinion." See Leake, op.cit.i.296.

[7] Lit."nor will I omit how the lances shall as little as possible overlap one another."[8] Lit."Every trooper should be at pains to keep his lance straight between the ears of his charger, if these weapons are to be distinct and terror-striking, and at the same time to appear numerous."As soon as they have ceased from the charge at full gallop, the pace should at once be changed; and now, with footing slow, let them retrace their course back to the temples.In this way every detail characteristic of knightly pageantry[9] will have been displayed to the delight of god and man.That our knights are not accustomed to these actual evolutions, I am well aware; but I also recognise the fact that the performances are good and beautiful and will give pleasure to spectators.I do not fail to note, moreover, that novel feats of horsemanship have before now been performed by our knights, when their commanders have had the ability to get their wishes readily complied with.

[9] Lit."everything that may be performed on a mounted horse." Possibly, as Cobet suggests, {kala} has dropped out.See "Horsemanship," xi.3, 6.

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