登陆注册
14817900000052

第52章

SOCRATES: And naming is an art, and has artificers?

CRATYLUS: Yes.

SOCRATES: And who are they?

CRATYLUS: The legislators, of whom you spoke at first.

SOCRATES: And does this art grow up among men like other arts? Let me explain what I mean: of painters, some are better and some worse?

CRATYLUS: Yes.

SOCRATES: The better painters execute their works, I mean their figures, better, and the worse execute them worse; and of builders also, the better sort build fairer houses, and the worse build them worse.

CRATYLUS: True.

SOCRATES: And among legislators, there are some who do their work better and some worse?

CRATYLUS: No; there I do not agree with you.

SOCRATES: Then you do not think that some laws are better and others worse?

CRATYLUS: No, indeed.

SOCRATES: Or that one name is better than another?

CRATYLUS: Certainly not.

SOCRATES: Then all names are rightly imposed?

CRATYLUS: Yes, if they are names at all.

SOCRATES: Well, what do you say to the name of our friend Hermogenes, which was mentioned before:--assuming that he has nothing of the nature of Hermes in him, shall we say that this is a wrong name, or not his name at all?

CRATYLUS: I should reply that Hermogenes is not his name at all, but only appears to be his, and is really the name of somebody else, who has the nature which corresponds to it.

SOCRATES: And if a man were to call him Hermogenes, would he not be even speaking falsely? For there may be a doubt whether you can call him Hermogenes, if he is not.

CRATYLUS: What do you mean?

SOCRATES: Are you maintaining that falsehood is impossible? For if this is your meaning I should answer, that there have been plenty of liars in all ages.

CRATYLUS: Why, Socrates, how can a man say that which is not?--say something and yet say nothing? For is not falsehood saying the thing which is not?

SOCRATES: Your argument, friend, is too subtle for a man of my age. But I should like to know whether you are one of those philosophers who think that falsehood may be spoken but not said?

CRATYLUS: Neither spoken nor said.

SOCRATES: Nor uttered nor addressed? For example: If a person, saluting you in a foreign country, were to take your hand and say: 'Hail, Athenian stranger, Hermogenes, son of Smicrion'--these words, whether spoken, said, uttered, or addressed, would have no application to you but only to our friend Hermogenes, or perhaps to nobody at all?

CRATYLUS: In my opinion, Socrates, the speaker would only be talking nonsense.

SOCRATES: Well, but that will be quite enough for me, if you will tell me whether the nonsense would be true or false, or partly true and partly false:--which is all that I want to know.

CRATYLUS: I should say that he would be putting himself in motion to no purpose; and that his words would be an unmeaning sound like the noise of hammering at a brazen pot.

SOCRATES: But let us see, Cratylus, whether we cannot find a meeting-point, for you would admit that the name is not the same with the thing named?

CRATYLUS: I should.

SOCRATES: And would you further acknowledge that the name is an imitation of the thing?

CRATYLUS: Certainly.

SOCRATES: And you would say that pictures are also imitations of things, but in another way?

CRATYLUS: Yes.

SOCRATES: I believe you may be right, but I do not rightly understand you.

Please to say, then, whether both sorts of imitation (I mean both pictures or words) are not equally attributable and applicable to the things of which they are the imitation.

CRATYLUS: They are.

SOCRATES: First look at the matter thus: you may attribute the likeness of the man to the man, and of the woman to the woman; and so on?

CRATYLUS: Certainly.

SOCRATES: And conversely you may attribute the likeness of the man to the woman, and of the woman to the man?

CRATYLUS: Very true.

SOCRATES: And are both modes of assigning them right, or only the first?

CRATYLUS: Only the first.

SOCRATES: That is to say, the mode of assignment which attributes to each that which belongs to them and is like them?

CRATYLUS: That is my view.

SOCRATES: Now then, as I am desirous that we being friends should have a good understanding about the argument, let me state my view to you: the first mode of assignment, whether applied to figures or to names, I call right, and when applied to names only, true as well as right; and the other mode of giving and assigning the name which is unlike, I call wrong, and in the case of names, false as well as wrong.

CRATYLUS: That may be true, Socrates, in the case of pictures; they may be wrongly assigned; but not in the case of names--they must be always right.

SOCRATES: Why, what is the difference? May I not go to a man and say to him, 'This is your picture,' showing him his own likeness, or perhaps the likeness of a woman; and when I say 'show,' I mean bring before the sense of sight.

CRATYLUS: Certainly.

SOCRATES: And may I not go to him again, and say, 'This is your name'?--for the name, like the picture, is an imitation. May I not say to him--'This is your name'? and may I not then bring to his sense of hearing the imitation of himself, when I say, 'This is a man'; or of a female of the human species, when I say, 'This is a woman,' as the case may be? Is not all that quite possible?

CRATYLUS: I would fain agree with you, Socrates; and therefore I say, Granted.

SOCRATES: That is very good of you, if I am right, which need hardly be disputed at present. But if I can assign names as well as pictures to objects, the right assignment of them we may call truth, and the wrong assignment of them falsehood. Now if there be such a wrong assignment of names, there may also be a wrong or inappropriate assignment of verbs; and if of names and verbs then of the sentences, which are made up of them.

What do you say, Cratylus?

CRATYLUS: I agree; and think that what you say is very true.

SOCRATES: And further, primitive nouns may be compared to pictures, and in pictures you may either give all the appropriate colours and figures, or you may not give them all--some may be wanting; or there may be too many or too much of them--may there not?

CRATYLUS: Very true.

同类推荐
热门推荐
  • 我的青春篮球梦

    我的青春篮球梦

    这是一个有关青春、爱情、友情还有篮球的故事。故事主人公,是一个名叫李亦凡的普通少年。就像你和我,还有绝大多数的普普通通的人。然而,就是一个普通人的李亦凡,却在长大后面临着巨大的人生难题与抉择!从出生开始就是老是缠着他,离不开他的小尾巴,一个当年的黄毛小丫头,长大后,变得比他还要高,成为了全校最漂亮的女孩。小时候,被他保护过,当成弟弟一样照顾的小男孩,也在长大后,变成了身高远超于他,并对他似乎怀着某种敌视心里的俊美帅哥!身为一个普通人的李亦凡,该如何面对如此变化巨大的童年玩伴?又该如何面对他从小便在女孩带领下,每天都在玩的篮球呢?这是一段不悔青春,不负年华的传奇与梦想!
  • 王先生重来的婚礼

    王先生重来的婚礼

    因为我爱你,就是因为我爱你想保护你,想叫你离我越远越好,因为我知道宁雅晴会对你不利,没想到我的演技不够好,还是被她看破了我对感情!
  • 娱乐之混吃等死

    娱乐之混吃等死

    这是一个宅男重生,在娱乐圈混吃等死的故事。老人新书,更新极其不稳定,入坑需谨慎。书友群:644854040
  • TFBoys之一世恋你

    TFBoys之一世恋你

    “凯,我刚刚看见……”话未说完,她倒地不起。“冰儿,你怎么了啊?”他十分着急,连忙扶起她,送往医院。医生摇了摇头,无奈地说:“她没救了,应该是前段时间被灌了会恶性毒化肠胃的东西。只能等肠胃一点一点的烂掉,对了,这样会很难受,一个姑娘家应该受不住的。嗯,还有别的办法,就是打安乐针,安乐死。”“不会吧!”他悲痛欲绝,昏了过去。
  • 神匕

    神匕

    无父母的孤儿,无丹田的废材,怎么看都该是一生平庸,甚至是认人宰割,庸人也是有着其非庸人之处。孤儿?哼,吾于天生、于地养;废材?哼,吾遇神匕、成匕神,于此,尔等皆为虚辈!无法修炼,也绝对不会成为“神匕首”的命门;
  • 穿越我的世界之生化危机

    穿越我的世界之生化危机

    一个名为追风的骚年和他的同学张耀一起玩我的世界时应为一场意外别卷入我的世界的生化危机中…………
  • 在青春中路过

    在青春中路过

    青春,是人的一生中最美好的回忆。有酸,有甜,有苦,有辣,有咸……这些东西缺一不可,只要缺了某一种,那便是不完整的青春旅程。那么,蓝小嘉的青春旅程是怎样的呢?
  • 囚心人

    囚心人

    一道锁链束缚住了一个灵魂,一把枷锁封锁住了一道心灵。“强者”一个多么可笑的词语。揭开心上的那道枷锁,出现的只不过是一颗脆弱的心。当原本的世界开始崩塌,当权力成为一方笑谈,当金钱变成废纸一张。一切都将重来。法律再难成为制约人类的东西,被肆意的践踏在脚下。道德......还会不会出现底线?束缚心灵的那道枷锁被打开,释放的是最淳朴的风情还是无尽的贪婪。
  • 漫游异界二次元

    漫游异界二次元

    羽皇在世,穿越轮回,异世突起,系统回归。“吾,本皇……回来了。”苍茫云海上,洛天羽俯视大地,眼里完全是……漠视。《少女爱上姐姐》《约会大作战》《缘之空》《刀剑神域》《东京食尸鬼》《某科学的超电磁炮》《学院默示录》《日在校园》《嗜血狂袭》等等等等,不定式进入世界。(可推荐,我将采取挑选措施进入世界。)(前期看着不爽?没有关系,直接跳到末日世界就好了。)(相信我,我便可以带你进入书中一个……未知的世界。)(以存稿四十五万字,每日两章七千不断更。)咳咳,新书《灵武异界》已经发布,大家可以看一下,点击也好啊。
  • 腹黑女神VS高冷少爷

    腹黑女神VS高冷少爷

    五年前他们都才十二岁天真的她遇上腹黑的他两人一见面就不和她原本是被父母捧在手上的宝贝就因为他的到来父母的爱大大的打了折扣他因为母亲不小心被车撞死了且车主就是沐向堇(女主沐茉汐的父亲母亲叫林芷若)他为了报仇故意装的很可怜让沐氏夫妇收留他在一天夜里召开飞鹰帮的人残忍的将他们夫妇杀害本以为无人知晓但他没发现在楼梯后面有一双愤怒的眼睛正盯着他。安璃熙,我会回来报仇的!!五年后她回来了,她来找他了。如今的她早已不再是那个天真的小女孩了,而是一位复仇女神………