The room was full of weeping servants and peasants who had come to bid farewell to their late mistress. During the service I myself wept a great deal, made frequent signs of the cross, and performed many genuflections, but I did not pray with, my soul, and felt, if anything, almost indifferent, My thoughts were chiefly centred upon the new coat which I was wearing (a garment which was tight and uncomfortable) and upon how to avoid soiling my trousers at the knees. Also I took the most minute notice of all present.
Papa stood at the head of the coffin. He was as white as snow, and only with difficulty restrained his tears. His tall figure in its black frockcoat, his pale, expressive face, the graceful, assured manner in which, as usual, he made the sign of the cross or bowed until he touched the floor with his hand [A custom of the Greek funeral rite.] or took the candle from the priest or went to the coffin--all were exceedingly effective; yet for some reason or another I felt a grudge against him for that very ability to appear effective at such a moment. Mimi stood leaning against the wall as though scarcely able to support herself. Her dress was all awry and covered with feathers, and her cap cocked to one side, while her eyes were red with weeping, her legs trembling under her, and she sobbed incessantly in a heartrending manner as ever and again she buried her face in her handkerchief or her hands. I imagine that she did this to check her continual sobbing without being seen by the spectators. I remember, too, her telling Papa, the evening before, that Mamma's death had come upon her as a blow from which she could never hope to recover; that with Mamma she had lost everything; but that "the angel," as she called my mother, had not forgotten her when at the point of death, since she had declared her wish to render her (Mimi's) and Katenka's fortunes secure for ever. Mimi had shed bitter tears while relating this, and very likely her sorrow, if not wholly pure and disinterested, was in the main sincere.
Lubotshka, in black garments and suffused with tears, stood with her head bowed upon her breast. She rarely looked at the coffin, yet whenever she did so her face expressed a sort of childish fear. Katenka stood near her mother, and, despite her lengthened face, looked as lovely as ever. Woloda's frank nature was frank also in grief. He stood looking grave and as though he were staring at some object with fixed eyes. Then suddenly his lips would begin to quiver, and he would hastily make the sign of the cross, and bend his head again.
Such of those present as were strangers I found intolerable. In fact, the phrases of condolence with which they addressed Papa (such, for instance, as that "she is better off now" "she was too good for this world," and so on) awakened in me something like fury. What right had they to weep over or to talk about her?
Some of them, in referring to ourselves, called us "orphans"--just as though it were not a matter of common knowledge that children who have lost their mother are known as orphans!
Probably (I thought) they liked to be the first to give us that name, just as some people find pleasure in being the first to address a newly-married girl as "Madame."
In a far corner of the room, and almost hidden by the open door, of the dining-room, stood a grey old woman with bent knees. With hands clasped together and eyes lifted to heaven, she prayed only--not wept. Her soul was in the presence of God, and she was asking Him soon to reunite her to her whom she had loved beyond all beings on this earth, and whom she steadfastly believed that she would very soon meet again.
"There stands one who SINCERELY loved her," I thought to myself, and felt ashamed.
The requiem was over. They uncovered the face of the deceased, and all present except ourselves went to the coffin to give her the kiss of farewell.
One of the last to take leave of her departed mistress was a peasant woman who was holding by the hand a pretty little girl of five whom she had brought with her, God knows for what reason.
Just at a moment when I chanced to drop my wet handkerchief and was stooping to pick it up again, a loud, piercing scream startled me, and filled me with such terror that, were I to live a hundred years more, I should never forget it. Even now the recollection always sends a cold shudder through my frame. I raised my head. Standing on the chair near the coffin was the peasant woman, while struggling and fighting in her arms was the little girl, and it was this same poor child who had screamed with such dreadful, desperate frenzy as, straining her terrified face away, she still, continued to gaze with dilated eyes at the face of the corpse. I too screamed in a voice perhaps more dreadful still, and ran headlong from the room.
Only now did I understand the source of the strong, oppressive smell which, mingling with the scent of the incense, filled the chamber, while the thought that the face which, but a few days ago, had been full of freshness and beauty--the face which I loved more than anything else in all the world--was now capable of inspiring horror at length revealed to me, as though for the first time, the terrible truth, and filled my soul with despair.
