But scarcely were they met, when the uproar recommenced, and soon the ensigns of the Arts, surrounded by vast numbers of armed men, occupied the courts. Upon this the Council, to give the Arts and the people hope of redress, and free themselves as much as possible from the charge of causing the mischief, gave a general power, which in Florence is called /Balia/, to the Signors, the Colleagues, the Eight, the Capitani di Parte, and to the Syndics of the Arts, to reform the government of the city, for the common benefit of all. While this was being arranged, a few of the ensigns of the Arts and some of the mob, desirous of avenging themselves for the recent injuries they had received from the Guelphs, separated themselves from the rest, and sacked and burnt the house of Lapo da Castiglionchio, who, when he learned the proceedings of the Signory against the Guelphs, and saw the people in arms, having no other resource but concealment or flight, first took refuge in Santa Croce, and afterward, being disguised as a monk, fled into the Casentino, where he was often heard to blame himself for having consented to wait till St. John's day, before they had made themselves sure of the government. Piero degli Albizzi and Carlo Strozzi hid themselves upon the first outbreak of the tumult, trusting that when it was over, by the interest of their numerous friends and relations, they might remain safely in Florence.
The house of Lapo being burnt, as mischief begins with difficulty but easily increases, many other houses, either through public hatred, or private malice, shared the same fate; and the rioters, that they might have companions more eager than themselves to assist them in their work of plunder, broke open the public prisons, and then sacked the monastery of the Agnoli and the convent of S. Spirito, whither many citizens had taken their most valuable goods for safety. Nor would the public chambers have escaped these destroyers' hands, except out of reverence for one of the Signors, who on horseback, and followed by many citizens in arms, opposed the rage of the mob.
CHAPTER III
Contrary measures adopted by the magistrates to effect a pacification--Luigi Guicciardini the Gonfalonier entreats the magistrates of the Arts to endeavor to pacify the people--Serious riot caused by the plebeians--The woolen Art--The plebeians assemble--The speech of a seditious plebeian--Their resolution thereupon--The Signory discover the designs of the plebeians--Measures adopted to counteract them.
This popular fury being abated by the authority of the Signors and the approach of night, on the following day, the Balia relieved the admonished, on condition that they should not for three years be capable of holding any magistracy. They annulled the laws made by the Guelphs to the prejudice of the citizens; declared Lapo da Castiglionchio and his companions, rebels, and with them many others, who were the objects of universal detestation. After these resolutions, the new Signory were drawn for, and Luigi Guicciardini appointed Gonfalonier, which gave hope that the tumults would soon be appeased; for everyone thought them to be peaceable men and lovers of order. Still the shops were not opened, nor did the citizens lay down their arms, but continued to patrol the city in great numbers; so that the Signory did not assume the magistracy with the usual pomp, but merely assembled within the palace, omitting all ceremony.
This Signory, considering nothing more advisable in the beginning of their magistracy than to restore peace, caused a relinquishment of arms; ordered the shops to be opened, and the strangers who had been called to their aid, to return to their homes. They appointed guards in many parts of the city, so that if the admonished would only have remained quiet, order would soon have been re-established. But they were not satisfied to wait three years for the recovery of their honours; so that to gratify them the Arts again met, and demanded of the Signory, that for the benefit and quiet of the city, they would ordain that no citizens should at any time, whether Signor, Colleague, Capitano di Parte, or Consul of any art whatever, be admonished as a Ghibelline; and further, that new ballots of the Guelphic party should be made, and the old ones burned. These demands were at once acceded to, not only by the Signors, but by all the Councils; and thus it was hoped the tumults newly excited would be settled.
But since men are not satisfied with recovering what is their own, but wish to possess the property of others and to revenge themselves, those who were in hopes of benefiting by these disorders persuaded the artificers that they would never be safe, if several of their enemies were not expelled from the city or destroyed. This terrible doctrine coming to the knowledge of the Signory, they caused the magistrates of the Arts and their Syndics to be brought before them, and Luigi Guicciardini, the Gonfalonier, addressed them in the following words:
"If these Signors, and I with them, had not long been acquainted with the fate of this city, that as soon as external wars have ceased the internal commence, we should have been more surprised, and our displeasure would have been greater. But as evils to which we are accustomed are less annoying, we have endured past disturbances patiently, they having arisen for the most part without our fault; and we hoped that, like former troubles, they would soon have an end, after the many and great concessions we had made at your suggestion.
