The town of Guerande, which for two months past had seen Calyste, its flower and pride, going, morning or evening, often morning and evening, to Les Touches, concluded that Mademoiselle Felicite des Touches was passionately in love with the beautiful youth, and that she practised upon him all kinds of sorceries. More than one young girl and wife asked herself by what right an old woman exercised so absolute an empire over that angel. When Calyste passed along the Grand' Rue to the Croisic gate many a regretful eye was fastened on him.
It now became necessary to explain the rumors which hovered about the person whom Calyste was on his way to see. These rumors, swelled by Breton gossip, envenomed by public ignorance, had reached the rector.
The receiver of taxes, the /juge de paix/, the head of the Saint-Nazaire custom-house and other lettered persons had not reassured the abbe by relating to him the strange and fantastic life of the female writer who concealed herself under the masculine name of Camille Maupin. She did not as yet eat little children, nor kill her slaves like Cleopatra, nor throw men into the river as the heroine of the Tour de Nesle was falsely accused of doing; but to the Abbe Grimont this monstrous creature, a cross between a siren and an atheist, was an immoral combination of woman and philosopher who violated every social law invented to restrain or utilize the infirmities of womankind.
Just as Clara Gazul is the female pseudonym of a distinguished male writer, George Sand the masculine pseudonym of a woman of genius, so Camille Maupin was the mask behind which was long hidden a charming young woman, very well-born, a Breton, named Felicite des Touches, the person who was now causing such lively anxiety to the Baronne du Guenic and the excellent rector of Guerande. The Breton des Touches family has no connection with the family of the same name in Touraine, to which belongs the ambassador of the Regent, even more famous to-day for his writings than for his diplomatic talents.
Camille Maupin, one of the few celebrated women of the nineteenth century, was long supposed to be a man, on account of the virility of her first writings. All the world now knows the two volumes of plays, not intended for representation on the stage, written after the manner of Shakespeare or Lopez de Vega, published in 1822, which made a sort of literary revolution when the great question of the classics and the romanticists palpitated on all sides,--in the newspapers, at the clubs, at the Academy, everywhere. Since then, Camille Maupin has written several plays and a novel, which have not belied the success obtained by her first publication--now, perhaps, too much forgotten.
To explain by what net-work of circumstances the masculine incarnation of a young girl was brought about, why Felicite des Touches became a man and an author, and why, more fortunate than Madame de Stael, she kept her freedom and was thus more excusable for her celebrity, would be to satisfy many curiosities and do justice to one of those abnormal beings who rise in humanity like monuments, and whose fame is promoted by its rarity,--for in twenty centuries we can count, at most, twenty famous women. Therefore, although in these pages she stands as a secondary character, in consideration of the fact that she plays a great part in the literary history of our epoch, and that her influence over Calyste was great, no one, we think, will regret being made to pause before that figure rather longer than modern art permits.
Mademoiselle Felicite des Touches became an orphan in 1793. Her property escaped confiscation by reason of the deaths of her father and brother. The first was killed on the 10th of August, at the threshold of the palace, among the defenders of the king, near whose person his rank as major of the guards of the gate had placed him. Her brother, one of the body-guard, was massacred at Les Carmes.
Mademoiselle des Touches was two years old when her mother died, killed by grief, a few days after this second catastrophe. When dying, Madame des Touches confided her daughter to her sister, a nun of Chelles. Madame de Faucombe, the nun, prudently took the orphan to Faucombe, a good-sized estate near Nantes, belonging to Madame des Touches, and there she settled with the little girl and three sisters of her convent. The populace of Nantes, during the last days of the Terror, tore down the chateau, seized the nuns and Mademoiselle des Touches, and threw them into prison on a false charge of receiving emissaries of Pitt and Coburg. The 9th Thermidor released them.
Felicite's aunt died of fear. Two of the sisters left France, and the third confided the little girl to her nearest relation, Monsieur de Faucombe, her maternal great-uncle, who lived in Nantes.
Monsieur de Faucombe, an old man sixty years of age, had married a young woman to whom he left the management of his affairs. He busied himself in archaeology,--a passion, or to speak more correctly, one of those manias which enable old men to fancy themselves still living.
The education of his ward was therefore left to chance. Little cared-for by her uncle's wife, a young woman given over to the social pleasures of the imperial epoch, Felicite brought herself up as a boy.
