Why have not we such people? --[As those about to be mentioned.]--Dionysius the father valued himself upon nothing so much as his poetry; at the Olympic games, with chariots surpassing all the others in magnificence, he sent also poets and musicians to present his verses, with tent and pavilions royally gilt and hung with tapestry. When his verses came to be recited, the excellence of the delivery at first attracted the attention of the people; but when they afterwards came to poise the meanness of the composition, they first entered into disdain, and continuing to nettle their judgments, presently proceeded to fury, and ran to pull down and tear to pieces all his pavilions: and, that his chariots neither performed anything to purpose in the race, and that the ship which brought back his people failed of making Sicily, and was by the tempest driven and wrecked upon the coast of Tarentum, they certainly believed was through the anger of the gods, incensed, as they themselves were, against the paltry Poem; and even the mariners who escaped from the wreck seconded this opinion of the people: to which also the oracle that foretold his death seemed to subscribe; which was, "that Dionysius should be near his end, when he should have overcome those who were better than himself," which he interpreted of the Carthaginians, who surpassed him in power; and having war with them, often declined the victory, not to incur the sense of this prediction; but he understood it ill; for the god indicated the time of the advantage, that by favour and injustice he obtained at Athens over the tragic poets, better than himself, having caused his own play called the Leneians to be acted in emulation; presently after which victory he died, and partly of the excessive joy he conceived at the success.
[Diodorus Siculus, xv. 7.--The play, however, was called the "Ransom of Hector." It was the games at which it was acted that were called Leneian; they were one of the four Dionysiac festivals.]
What I find tolerable of mine, is not so really and in itself, but in comparison of other worse things, that I see well enough received. I envy the happiness of those who can please and hug themselves in what they do; for 'tis an easy thing to be so pleased, because a man extracts that pleasure from himself, especially if he be constant in his self-conceit. I know a poet, against whom the intelligent and the ignorant, abroad and at home, both heaven and earth exclaim that he has but very little notion of it; and yet, for all that, he has never a whit the worse opinion of himself; but is always falling upon some new piece, always contriving some new invention, and still persists in his opinion, by so much the more obstinately, as it only concerns him to maintain it.
My works are so far from pleasing me, that as often as I review them, they disgust me:
"Cum relego, scripsisse pudet; quia plurima cerno, Me quoque, qui feci, judice, digna lini."
["When I reperuse, I blush at what I have written; I ever see one passage after another that I, the author, being the judge, consider should be erased."--Ovid, De Ponto, i. 5, 15.]
I have always an idea in my soul, and a sort of disturbed image which presents me as in a dream with a better form than that I have made use of; but I cannot catch it nor fit it to my purpose; and even that idea is but of the meaner sort. Hence I conclude that the productions of those great and rich souls of former times are very much beyond the utmost stretch of my imagination or my wish; their writings do not only satisfy and fill me, but they astound me, and ravish me with admiration; I judge of their beauty; I see it, if not to the utmost, yet so far at least as 'tis possible for me to aspire. Whatever I undertake, I owe a sacrifice to the Graces, as Plutarch says of some one, to conciliate their favour:
"Si quid enim placet, Si quid dulce horninum sensibus influit, Debentur lepidis omnia Gratiis."
["If anything please that I write, if it infuse delight into men's minds, all is due to the charming Graces." The verses are probably by some modern poet.]
