Piety, as your lordship sees, takes place of all as the chief part of his character; and the word in Latin is more full than it can possibly be expressed in any modern language, for there it comprehends not only devotion to the gods, but filial love and tender affection to relations of all sorts. As instances of this the deities of Troy and his own Penates are made the companions of his flight; they appear to him in his voyage and advise him, and at last he replaces them in Italy, their native country. For his father, he takes him on his back. He leads his little son, his wife follows him; but losing his footsteps through fear or ignorance he goes back into the midst of his enemies to find her, and leaves not his pursuit till her ghost appears to forbid his farther search. I will say nothing of his duty to his father while he lived, his sorrow for his death, of the games instituted in honour of his memory, or seeking him by his command even after death in the Elysian fields. I will not mention his tenderness for his son, which everywhere is visible; of his raising a tomb for Polydorus; the obsequies for Misenus; his pious remembrance of Deiphobus; the funerals of his nurse; his grief for Pallas, and his revenge taken on his murderer, whom otherwise, by his natural compassion, he had forgiven: and then the poem had been left imperfect, for we could have had no certain prospect of his happiness while the last obstacle to it was unremoved.
Of the other parts which compose his character as a king or as a general I need say nothing; the whole "AEneis" is one continued instance of some one or other of them; and where I find anything of them taxed, it shall suffice me (as briefly as I can) to vindicate my divine master to your lordship, and by you to the reader. But herein Segrais, in his admirable preface to his translation of the "AEneis," as the author of the Dauphin's "Virgil" justly calls it, has prevented me. Him I follow, and what I borrow from him am ready to acknowledge to him, for, impartially speaking, the French are as much better critics than the English as they are worse poets. Thus we generally allow that they better understand the management of a war than our islanders, but we know we are superior to them in the day of battle; they value themselves on their generals, we on our soldiers. But this is not the proper place to decide that question, if they make it one. I shall say perhaps as much of other nations and their poets (excepting only Tasso), and hope to make my assertion good, which is but doing justice to my country--part of which honour will reflect on your lordship, whose thoughts are always just, your numbers harmonious, your words chosen, your expressions strong and manly, your verse flowing, and your turns as happy as they are easy. If you would set us more copies, your example would make all precepts needless. In the meantime that little you have written is owned, and that particularly by the poets (who are a nation not over-lavish of praise to their contemporaries), as a principal ornament of our language; but the sweetest essences are always confined in the smallest glasses.
When I speak of your lordship, it is never a digression, and therefore I need beg no pardon for it, but take up Segrais where I left him, and shall use him less often than I have occasion for him.
For his preface is a perfect piece of criticism, full and clear, and digested into an exact method; mine is loose and, as I intended it, epistolary. Yet I dwell on many things which he durst not touch, for it is dangerous to offend an arbitrary master, and every patron who has the power of Augustus has not his clemency. In short, my lord, I would not translate him because I would bring you somewhat of my own. His notes and observations on every book are of the same excellency, and for the same reason I omit the greater part.
He takes no notice that Virgil is arraigned for placing piety before valour, and making that piety the chief character of his hero. I have said already from Bossu, that a poet is not obliged to make his hero a virtuous man; therefore neither Homer nor Tasso are to be blamed for giving what predominant quality they pleased to their first character. But Virgil, who designed to form a perfect prince, and would insinuate that Augustus (whom he calls AEneas in his poem) was truly such, found himself obliged to make him without blemish--thoroughly virtuous; and a thorough virtue both begins and ends in piety. Tasso without question observed this before me, and therefore split his hero in two; he gave Godfrey piety, and Rinaldo fortitude, for their chief qualities or manners. Homer, who had chosen another moral, makes both Agamemnon and Achilles vicious; for his design was to instruct in virtue by showing the deformity of vice. I avoid repetition of that I have said above. What follows is translated literally from Segrais:-
"Virgil had considered that the greatest virtues of Augustus consisted in the perfect art of governing his people, which caused him to reign for more than forty years in great felicity. He considered that his emperor was valiant, civil, popular, eloquent, politic, and religious; he has given all these qualities to AEneas.
