A gleam of sun had come, sharpening to his hurrying senses all the beauty of the afternoon, of the tall trees and lengthening shadows, of the blue, and the white clouds, the scent of the hay, and the cooing of the pigeons; and the flower shapes standing tall. He came to the rosery, and the beauty of the roses in that sudden sunlight seemed to him unearthly. "Rose, you Spaniard!" Wonderful three words! There she had stood by that bush of dark red roses; had stood to read and decide that Jon must know it all! He knew all now! Had she chosen wrong? He bent and sniffed a rose, its petals brushed his nose and trembling lips; nothing so soft as a rose-leaf's velvet, except her neck--Irene! On across the lawn he went, up the slope, to the oak-tree. Its top alone was glistening, for the sudden sun was away over the house; the lower shade was thick, blessedly cool--he was greatly overheated. He paused a minute with his hand on the rope of the swing--Jolly, Holly--Jon! The old swing! And suddenly, he felt horribly--deadly ill. 'I've over done it!' he thought: 'by Jove! I've overdone it--after all!' He staggered up toward the terrace, dragged himself up the steps, and fell against the wall of the house. He leaned there gasping, his face buried in the honey-suckle that he and she had taken such trouble with that it might sweeten the air which drifted in. Its fragrance mingled with awful pain. 'My love!' he thought; 'the boy!' And with a great effort he tottered in through the long window, and sank into old Jolyon's chair. The book was there, a pencil in it; he caught it up, scribbled a word on the open page.... His hand dropped.... So it was like this--was it?...
There was a great wrench; and darkness....
III
IRENE
When Jon rushed away with the letter in his hand, he ran along the terrace and round the corner of the house, in fear and confusion.
Leaning against the creepered wall he tore open the letter. It was long--very long! This added to his fear, and he began reading. When he came to the words: "It was Fleur's father that she married,"everything seemed to spin before him. He was close to a window, and entering by it, he passed, through music-room and hall, up to his bedroom. Dipping his face in cold water, he sat on his bed, and went on reading, dropping each finished page on the bed beside him. His father's writing was easy to read--he knew it so well, though he had never had a letter from him one quarter so long. He read with a dull feeling--imagination only half at work. He best grasped, on that first reading, the pain his father must have had in writing such a letter. He let the last sheet fall, and in a sort of mental, moral helplessness began to read the first again. It all seemed to him disgusting--dead and disgusting. Then, suddenly, a hot wave of horrified emotion tingled through him. He buried his face in his hands. His mother! Fleur's father! He took up the letter again, and read on mechanically. And again came the feeling that it was all dead and disgusting; his own love so different! This letter said his mother--and her father! An awful letter!
Property! Could there be men who looked on women as their property?
Faces seen in street and countryside came thronging up before him--red, stock-fish faces; hard, dull faces; prim, dry faces; violent faces; hundreds, thousands of them! How could he know what men who had such faces thought and did? He held his head in his hands and groaned. His mother! He caught up the letter and read on again:
"horror and aversion-alive in her to-day.... your children....
grandchildren.... of a man who once owned your mother as a man might own a slave...." He got up from his bed. This cruel shadowy past, lurking there to murder his love and Fleur's, was true, or his father could never have written it. 'Why didn't they tell me the first thing,' he thought, 'the day I first saw Fleur? They knew "I'd seen her. They were afraid, and--now--I've--got it!' Overcome by misery too acute for thought or reason, he crept into a dusky corner of the room and sat down on the floor. He sat there, like some unhappy little animal. There was comfort in dusk, and the floor--as if he were back in those days when he played his battles sprawling all over it. He sat there huddled, his hair ruffled, his hands clasped round his knees, for how long he did not know. He was wrenched from his blank wretchedness by the sound of the door opening from his mother's room. The blinds were down over the windows of his room, shut up in his absence, and from where he sat he could only hear a rustle, her footsteps crossing, till beyond the bed he saw her standing before his dressing-table. She had something in her hand. He hardly breathed, hoping she would not see him, and go away. He saw her touch things on the table as if they had some virtue in them, then face the window-grey from head to foot like a ghost. The least turn of her head, and she must see him! Her lips moved: "Oh! Jon!" She was speaking to herself; the tone of her voice troubled Jon's heart.
He saw in her hand a little photograph. She held it toward the light, looking at it--very small. He knew it--one of himself as a tiny boy, which she always kept in her bag. His heart beat fast.
And, suddenly as if she had heard it, she turned her eyes and saw him. At the gasp she gave, and the movement of her hands pressing the photograph against her breast, he said:
"Yes, it's me."
She moved over to the bed, and sat down on it, quite close to him, her hands still clasping her breast, her feet among the sheets of the letter which had slipped to the floor. She saw them, and her hands grasped the edge of the bed. She sat very upright, her dark eyes fixed on him. At last she spoke.
"Well, Jon, you know, I see."
"Yes."
"You've seen Father?"
"Yes."
There was a long silence, till she said:
"Oh! my darling!"
"It's all right." The emotions in him were so, violent and so mixed that he dared not move--resentment, despair, and yet a strange yearning for the comfort of her hand on his forehead.
"What are you going to do?"
"I don't know."
