登陆注册
15706800000001

第1章

At the corner of a long, straight, brick-built street in the far East End of London--one of those lifeless streets, made of two drab walls upon which the level lines, formed by the precisely even window-sills and doorsteps, stretch in weary perspective from end to end, suggesting petrified diagrams proving dead problems--stands a house that ever draws me to it; so that often, when least conscious of my footsteps, I awake to find myself hurrying through noisy, crowded thoroughfares, where flaring naphtha lamps illumine fierce, patient, leaden-coloured faces; through dim-lit, empty streets, where monstrous shadows come and go upon the close-drawn blinds; through narrow, noisome streets, where the gutters swarm with children, and each ever-open doorway vomits riot; past reeking corners, and across waste places, till at last I reach the dreary goal of my memory-driven desire, and, coming to a halt beside the broken railings, find rest.

The house, larger than its fellows, built when the street was still a country lane, edging the marshes, strikes a strange note of individuality amid the surrounding harmony of hideousness. It is encompassed on two sides by what was once a garden, though now but a barren patch of stones and dust where clothes--it is odd any one should have thought of washing--hang in perpetuity; while about the door continue the remnants of a porch, which the stucco falling has left exposed in all its naked insincerity.

Occasionally I drift hitherward in the day time, when slatternly women gossip round the area gates, and the silence is broken by the hoarse, wailing cry of "Coals--any coals--three and sixpence a sack--co-o-o-als!" chanted in a tone that absence of response has stamped with chronic melancholy; but then the street knows me not, and my old friend of the corner, ashamed of its shabbiness in the unpitying sunlight, turns its face away, and will not see me as I pass.

Not until the Night, merciful alone of all things to the ugly, draws her veil across its sordid features will it, as some fond old nurse, sought out in after years, open wide its arms to welcome me. Then the teeming life it now shelters, hushed for a time within its walls, the flickering flare from the "King of Prussia" opposite extinguished, will it talk with me of the past, asking me many questions, reminding me of many things I had forgotten. Then into the silent street come the well-remembered footsteps; in and out the creaking gate pass, not seeing me, the well-remembered faces; and we talk concerning them; as two cronies, turning the torn leaves of some old album where the faded portraits in forgotten fashions, speak together in low tones of those now dead or scattered, with now a smile and now a sigh, and many an "Ah me!" or "Dear, dear!"

This bent, worn man, coming towards us with quick impatient steps, which yet cease every fifty yards or so, while he pauses, leaning heavily upon his high Malacca cane: "It is a handsome face, is it not?" I ask, as I gaze upon it, shadow framed.

"Aye, handsome enough," answers the old House; "and handsomer still it must have been before you and I knew it, before mean care had furrowed it with fretful lines."

"I never could make out," continues the old House, musingly, "whom you took after; for they were a handsome pair, your father and your mother, though Lord! what a couple of children!"

"Children!" I say in surprise, for my father must have been past five and thirty before the House could have known him, and my mother's face is very close to mine, in the darkness, so that I see the many grey hairs mingling with the bonny brown.

"Children," repeats the old House, irritably, so it seems to me, not liking, perhaps, its opinions questioned, a failing common to old folk; "the most helpless pair of children I ever set eyes upon. Who but a child, I should like to know, would have conceived the notion of repairing his fortune by becoming a solicitor at thirty-eight, or, having conceived such a notion, would have selected the outskirts of Poplar as a likely centre in which to put up his door-plate?"

"It was considered to be a rising neighbourhood," I reply, a little resentful. No son cares to hear the family wisdom criticised, even though at the bottom of his heart he may be in agreement with the critic. "All sorts and conditions of men, whose affairs were in connection with the sea would, it was thought, come to reside hereabout, so as to be near to the new docks; and had they, it is not unreasonable to suppose they would have quarrelled and disputed with one another, much to the advantage of a cute solicitor, convenient to their hand."

"Stuff and nonsense," retorts the old House, shortly; "why, the mere smell of the place would have been sufficient to keep a sensible man away. And"--the grim brick face before me twists itself into a goblin smile--"he, of all men in the world, as 'the cute solicitor,' giving advice to shady clients, eager to get out of trouble by the shortest way, can you fancy it! he who for two years starved himself, living on five shillings a week--that was before you came to London, when he was here alone. Even your mother knew nothing of it till years afterwards--so that no man should be a penny the poorer for having trusted his good name. Do you think the crew of chandlers and brokers, dock hustlers and freight wreckers would have found him a useful man of business, even had they come to settle here?"

I have no answer; nor does the old House wait for any, but talks on.

"And your mother! would any but a child have taken that soft-tongued wanton to her bosom, and not have seen through acting so transparent?

Would any but the veriest child that never ought to have been let out into the world by itself have thought to dree her weird in such folly?

Children! poor babies they were, both of them."

同类推荐
  • 正一醮宅仪

    正一醮宅仪

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • 杂曲歌辞 昔昔盐

    杂曲歌辞 昔昔盐

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • 后阴门

    后阴门

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • 太上三天正法经

    太上三天正法经

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • 视刀环歌

    视刀环歌

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
热门推荐
  • 夜

    一夜浓缩一生,五十年跨越两个社会,是一部台地村人的生存史,也是整个中国的农村人在社会变革大潮中生存奋斗的缩影。
  • 九阳医仙

    九阳医仙

    行走在花花世界,环绕在众生之中。他是天生纯阳之体,拥有透视异能。救死扶伤是他的天职,坑蒙拐骗是他生活的调剂。在敌人眼中,他狡猾,阴险,是个十足的卑鄙小人;在世人眼中,他仁义,善良,是个心怀天下的神医;在女人眼中,他帅气,阳光,是个伟大的英雄。情节虚构,请勿模仿
  • 五十二号特勤组

    五十二号特勤组

    一颗中子星的突然爆发揭示出遥远的一颗星球,暗藏着巨大的能量。为了探求这个神秘的能量,人类宇宙空间开发委员会派出51号特勤组前去勘察。但是51号特勤组经过几年的艰苦飞行,终于是来到了那个神秘的星球。可是就在51号特勤组登陆那个星球的瞬间,忽然与地球失去了联系,而最后传回来的却是一连串的神秘的无法破解的讯号。51号特勤组的突然消失让人类宇宙空间开发委员会和所有的关心此次飞行的人们大感震惊,不知道是他们出现了什么样的意外。有些人认为是那颗星球本身就是子虚乌有,而特勤组成员是被神秘的黑洞所吸入,而另外一些人认为是外星人绑架了51号特勤组的成员,但是不管怎么样,51号特勤组的消失的确是非常的扑朔迷离,令人匪夷所思。为了查清51号特勤组到底是遇到了什么样的状况,同时也是为了完成51号特勤组未完成的使命,人类委员会又派出了52号特勤组来执行,51号特勤组未完成的使命。
  • 春苑论史

    春苑论史

    本书收集了作者散布在杂志、论文集里的文章。内容涉及中国现代史的政治、经济、文化、思想、军事、人物及著名的历史运动等方面。
  • 隐于野

    隐于野

    重生不是万能的,人生不如意,十之八九。也许起点会比重生前更高,但是,阻力也会更大,这是因为人生舞台更大而已。既然如此,不如中隐好了,大隐隐于朝,政治太危险,中隐隐于市,这个考虑下,至于小隐是什么来的?
  • Mother

    Mother

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • 空间之胜似云儿满悠然

    空间之胜似云儿满悠然

    种种田来,修修仙,她只是一个无依无靠的孤儿希望凭着自己的努力,好好地活下去,可是突然出现的机缘,赫然跑出的男师傅,实在无力招架....线索一“这是什么?天啦噜!这就穿越鸟?”云悠悠双眼瞪大惊呼道自此一个平凡女就此鸡飞狗跳开始啦。。。
  • 快穿之炮灰攻略男神

    快穿之炮灰攻略男神

    古代杀手虞殃琴棋书画样样精通,作为一名杀手,她已习惯沉浮于各地,时而为花楼里的花魁,时而又为某府上的小妾等等,可后来她却死于自家主人的剑下,她不解也不屈,于是被某智障系统锁定开始了各个世界的任务,攻略男配或男主或反派,完成炮灰们的心愿~
  • 雨的救赎

    雨的救赎

    命运.发生事过后的会说是命运,那没有发生的某件事之前算什么?谁也预想不到自己会出生在什么样的国家,地域,城市,家庭.为什么要来人世间,是来体会人的疾苦,享受富有与虚荣,还是只是为了所谓的生活.蓝雨蓝的生活就像是海上的翻浪,永远都平静不下来,像久旱的干地裂的缝隙会越来越多越来越大.许时,阳光且忧郁的双重性的的帅哥。如果是命运,那将会如何安排他们。。。。
  • 三生黑

    三生黑

    我所爱即向往并渴望的东西,仅限于你是你……而你,非鬼非魔非人非世界…最后也非你