(Syncellus, page 14.--"Chemistry the Invention of the Giants.")I remember once, by the Hebrus, in the reign of -- But this talk," said Zanoni, checking himself abruptly, and with a cold smile, "serves only to waste your time and my own." He paused, looked steadily at Glyndon, and continued, "Young man, think you that vague curiosity will supply the place of earnest labour? Iread your heart.You wish to know me, and not this humble herb:
but pass on; your desire cannot be satisfied.""You have not the politeness of your countrymen," said Glyndon, somewhat discomposed."Suppose I were desirous to cultivate your acquaintance, why should you reject my advances?""I reject no man's advances," answered Zanoni; "I must know them if they so desire; but ME, in return, they can never comprehend.
If you ask my acquaintance, it is yours; but I would warn you to shun me.""And why are you, then, so dangerous?"
"On this earth, men are often, without their own agency, fated to be dangerous to others.If I were to predict your fortune by the vain calculations of the astrologer, I should tell you, in their despicable jargon, that my planet sat darkly in your house of life.Cross me not, if you can avoid it.I warn you now for the first time and last.""You despise the astrologers, yet you utter a jargon as mysterious as theirs.I neither gamble nor quarrel; why, then, should I fear you?""As you will; I have done."
"Let me speak frankly,--your conversation last night interested and perplexed me.""I know it: minds like yours are attracted by mystery."Glyndon was piqued at these words, though in the tone in which they were spoken there was no contempt.
"I see you do not consider me worthy of your friendship.Be it so.Good-day!"Zanoni coldly replied to the salutation; and as the Englishman rode on, returned to his botanical employment.
The same night, Glyndon went, as usual, to the theatre.He was standing behind the scenes watching Viola, who was on the stage in one of her most brilliant parts.The house resounded with applause.Glyndon was transported with a young man's passion and a young man's pride: "This glorious creature," thought he, "may yet be mine."He felt, while thus wrapped in delicious reverie, a slight touch upon his shoulder; he turned, and beheld Zanoni."You are in danger," said the latter."Do not walk home to-night; or if you do, go not alone."Before Glyndon recovered from his surprise, Zanoni disappeared;and when the Englishman saw him again, he was in the box of one of the Neapolitan nobles, where Glyndon could not follow him.
Viola now left the stage, and Glyndon accosted her with an unaccustomed warmth of gallantry.But Viola, contrary to her gentle habit, turned with an evident impatience from the address of her lover.Taking aside Gionetta, who was her constant attendant at the theatre, she said, in an earnest whisper,--"Oh, Gionetta! He is here again!--the stranger of whom I spoke to thee!--and again, he alone, of the whole theatre, withholds from me his applause.""Which is he, my darling?" said the old woman, with fondness in her voice."He must indeed be dull--not worth a thought."The actress drew Gionetta nearer to the stage, and pointed out to her a man in one of the boxes, conspicuous amongst all else by the simplicity of his dress, and the extraordinary beauty of his features.
"Not worth a thought, Gionetta!" repeated Viola,--"Not worth a thought! Alas, not to think of him, seems the absence of thought itself!"The prompter summoned the Signora Pisani."Find out his name, Gionetta," said she, moving slowly to the stage, and passing by Glyndon, who gazed at her with a look of sorrowful reproach.
The scene on which the actress now entered was that of the final catastrophe, wherein all her remarkable powers of voice and art were pre-eminently called forth.The house hung on every word with breathless worship; but the eyes of Viola sought only those of one calm and unmoved spectator; she exerted herself as if inspired.Zanoni listened, and observed her with an attentive gaze, but no approval escaped his lips; no emotion changed the expression of his cold and half-disdainful aspect.Viola, who was in the character of one who loved, but without return, never felt so acutely the part she played.Her tears were truthful;her passion that of nature: it was almost too terrible to behold.She was borne from the stage exhausted and insensible, amidst such a tempest of admiring rapture as Continental audiences alone can raise.The crowd stood up, handkerchiefs waved, garlands and flowers were thrown on the stage,--men wiped their eyes, and women sobbed aloud.
"By heavens!" said a Neapolitan of great rank, "She has fired me beyond endurance.To-night--this very night--she shall be mine!
You have arranged all, Mascari?"
"All, signor.And the young Englishman?""The presuming barbarian! As I before told thee, let him bleed for his folly.I will have no rival.""But an Englishman! There is always a search after the bodies of the English.""Fool! is not the sea deep enough, or the earth secret enough, to hide one dead man? Our ruffians are silent as the grave itself;and I!--who would dare to suspect, to arraign the Prince di --?
See to it,--this night.I trust him to you.Robbers murder him, you understand,--the country swarms with them; plunder and strip him, the better to favour such report.Take three men; the rest shall be my escort."Mascari shrugged his shoulders, and bowed submissively.
The streets of Naples were not then so safe as now, and carriages were both less expensive and more necessary.The vehicle which was regularly engaged by the young actress was not to be found.
