During the first few months of his reign Louis XVI. dwelt at La Muette, Marly, and Compiegne. When settled at Versailles he occupied himself with a general examination of his grandfather's papers. He had promised the Queen to communicate to her all that he might discover relative to the history of the man with the iron mask, who, he thought, had become so inexhaustible a source of conjecture only in consequence of the interest which the pen of a celebrated writer had excited respecting the detention of a prisoner of State, who was merely a man of whimsical tastes and habits.
I was with the Queen when the King, having finished his researches, informed her that he had not found anything among the secret papers elucidating the existence of this prisoner; that he had conversed on the matter with M. de Maurepas, whose age made him contemporary with the epoch during which the story must have been known to the ministers; and that M. de Maurepas had assured him he was merely a prisoner of a very dangerous character, in consequence of his disposition for intrigue.
He was a subject of the Duke of Mantua, and was enticed to the frontier, arrested there, and kept prisoner, first at Pignerol, and afterwards in the Bastille. This transfer took place in consequence of the appointment of the governor of the former place to the government of the latter.
It was for fear the prisoner should profit by the inexperience of a new governor that he was sent with the Governor of Pignerol to the Bastille.
Such was, in fact, the truth about the man on whom people have been pleased to fix an iron mask. And thus was it related in writing, and published by M. ----- twenty years ago. He had searched the archives of the Foreign Office, and laid the real story before the public; but the public, prepossessed in favour of a marvellous version, would not acknowledge the authenticity of his account. Every man relied upon the authority of Voltaire; and it was believed that a natural or a twin brother of Louis XIV. lived many years in prison with a mask over his face. The story of this mask, perhaps, had its origin in the old custom, among both men and women in Italy, of wearing a velvet mask when they exposed themselves to the sun. It is possible that the Italian captive may have sometimes shown himself upon the terrace of his prison with his face thus covered. As to the silver plate which this celebrated prisoner is said to have thrown from his window, it is known that such a circumstance did happen, but it happened at Valzin, in the time of Cardinal Richelieu. This anecdote has been mixed up with the inventions respecting the Piedmontese prisoner.
In this survey of the papers of Louis XV. by his grandson some very curious particulars relative to his private treasury were found. Shares in various financial companies afforded him a revenue, and had in course of time produced him a capital of some amount, which he applied to his secret expenses. The King collected his vouchers of title to these shares, and made a present of them to M. Thierry de Ville d'Avray, his chief valet de chambre.
The Queen was desirous to secure the comfort of Mesdames, the daughters of Louis XV., who were held in the highest respect. About this period she contributed to furnish them with a revenue sufficient to provide them an easy, pleasant existence: The King gave them the Chateau of Bellevue; and added to the produce of it, which was given up to them, the expenses of their table and equipage, and payment of all the charges of their household, the number of which was even increased. During the lifetime of Louis XV., who was a very selfish prince, his daughters, although they had attained forty years of age, had no other place of residence than their apartments in the Chateau of Versailles; no other walks than such as they could take in the large park of that palace; and no other means of gratifying their taste for the cultivation of plants but by having boxes and vases, filled with them, in their balconies or their closets.
They had, therefore, reason to be much pleased with the conduct of Marie Antoinette, who had the greatest influence in the King's kindness towards his aunts.
Paris did not cease, during the first years of the reign, to give proofs of pleasure whenever the Queen appeared at any of the plays of the capital. At the representation of "Iphigenia in Aulis," the actor who sang the words, "Let us sing, let us celebrate our Queen!" which were repeated by the chorus, directed by a respectful movement the eyes of the whole assembly upon her Majesty. Reiterated cries of 'Bis'! and clapping of hands, were followed by such a burst of enthusiasm that many of the audience added their voices to those of the actors in order to celebrate, it might too truly be said, another Iphigenia. The Queen, deeply affected, covered her eyes with her handkerchief; and this proof of sensibility raised the public enthusiasm to a still higher pitch.
The King gave Marie Antoinette Petit Trianon.
[The Chateau of Petit Trianon, which was built for Louis XV., was not remarkably handsome as a building. The luxuriance of the hothouses rendered the place agreeable to that Prince. He spent a few days there several times in the year. It was when he was setting off from Versailles for Petit Trianon that he was struck in the side by the knife of Damiens, and it was there that he was attacked by the smallpox, of which he died on the 10th of May, 1774.--MADAME CAMPAN.]
