What puzzled me more particularly was the queer trick of my memory that had never recalled anything vital of Beatrice whatever when I met Garvell again that had, indeed, recalled nothing except a boyish antagonism and our fight. Now when my senses were full of her, it seemed incredible that I could ever have forgotten....
III
"Oh, Crikey!" said my aunt, reading a letter behind her coffee-machine. "HERE'S a young woman, George!"
We were breakfasting together in the big window bay at Lady Grove that looks upon the iris beds; my uncle was in London.
I sounded an interrogative note and decapitated an egg.
"Who's Beatrice Normandy?" asked my aunt. "I've not heard of her before."
"She the young woman?"
"Yes. Says she knows you. I'm no hand at old etiquette, George, but her line is a bit unusual. Practically she says she's going to make her mother--"
"Eh? Step-mother, isn't it?"
"You seem to know a lot about her. She says 'mother'--Lady Osprey. They're to call on me, anyhow, next Wednesday week at four, and there's got to be you for tea."
"Eh?"
"You--for tea.
"H'm. She had rather--force of character. When I knew her before."
I became aware of my aunt's head sticking out obliquely from behind the coffee-machine and regarding me with wide blue curiosity. I met her gaze for a moment, flinched, coloured, and laughed.
"I've known her longer than I've known you," I said, and explained at length.
My aunt kept her eye on me over and round the coffee-machine as I did so. She was greatly interested, and asked several elucidatory questions.
"Why didn't you tell me the day you saw her? You've had her on your mind for a week," she said.
"It IS odd I didn't tell you," I admitted.
"You thought I'd get a Down on her," said my aunt conclusively.
"That's what you thought" and opened the rest of her letters.
The two ladies came in a pony-carriage with conspicuous punctuality, and I had the unusual experience of seeing my aunt entertaining callers. We had tea upon the terrace under the cedar, but old Lady Osprey, being an embittered Protestant, had never before seen the inside of the house, and we made a sort of tour of inspection that reminded me of my first visit to the place. In spite of my preoccupation with Beatrice, I stored a queer little memory of the contrast between the two other women; my aunt, tall, slender and awkward, in a simple blue homekeeping dress, an omnivorous reader and a very authentic wit, and the lady of pedigree, short and plump, dressed with Victorian fussiness, living at the intellectual level of palmistry and genteel fiction, pink in the face and generally flustered by a sense of my aunt's social strangeness and disposed under the circumstances to behave rather like an imitation of the more queenly moments of her own cook. The one seemed made of whalebone, the other of dough. My aunt was nervous, partly through the intrinsic difficulty of handling the lady and partly because of her passionate desire to watch Beatrice and me, and her nervousness took a common form with her, a wider clumsiness of gesture and an exacerbation of her habitual oddity of phrase which did much to deepen the pink perplexity of the lady of title. For instance, I heard my aunt admit that one of the Stuart Durgan ladies did look a bit "balmy on the crumpet"; she described the knights of the age of chivalry as "korvorting about on the off-chance of a dragon"; she explained she was "always old mucking about the garden," and instead of offering me a Garibaldi biscuit, she asked me with that faint lisp of hers, to "have some squashed flies, George." I felt convinced Lady Osprey would describe her as "a most eccentric person" on the very first opportunity;-- "a most eccentric person." One could see her, as people say, "shaping" for that.
Beatrice was dressed very quietly in brown, with a simple but courageous broad-brimmed hat, and an unexpected quality of being grown-up and responsible. She guided her step-mother through the first encounter, scrutinised my aunt, and got us all well in movement through the house, and then she turned her attention to me with a quick and half-confident smile.
"We haven't met," she said, "since--"
"It was in the Warren."
"Of course," she said, "the Warren! I remembered it all except just the name.... I was eight."
Her smiling eyes insisted on my memories being thorough. I looked up and met them squarely, a little at a loss for what I should say.
"I gave you away pretty completely," she said, meditating upon my face. "And afterwards I gave way Archie."
She turned her face away from the others, and her voice fell ever so little.
"They gave him a licking for telling lies!" she said, as though that was a pleasant memory. "And when it was all over I went to our wigwam. You remember the wigwam?"
"Out in the West Wood?"
"Yes--and cried--for all the evil I had done you, I suppose....
I've often thought of it since."...
Lady Osprey stopped for us to overtake her. "My dear!" she said to Beatrice. "Such a beautiful gallery!" Then she stared very hard at me, puzzled in the most naked fashion to understand who I might be.
"People say the oak staircase is rather good," said my aunt, and led the way.
Lady Osprey, with her skirts gathered for the ascent to the gallery and her hand on the newel, turned and addressed a look full of meaning overflowing indeed with meanings--at her charge.
The chief meaning no doubt was caution about myself, but much of it was just meaning at large. I chanced to catch the response in a mirror and detected Beatrice with her nose wrinkled into a swift and entirely diabolical grimace. Lady Osprey became a deeper shade of pink and speechless with indignation--it was evident she disavowed all further responsibility, as she followed my aunt upstairs.
"It's dark, but there's a sort of dignity," said Beatrice very distinctly, regarding the hall with serene tranquillity, and allowing the unwilling feet on the stairs to widen their distance from us. She stood a step up, so that she looked down a little upon me and over me at the old hall.
