You see I had told him nothing about Marion until about a week before the wedding; both he and my aunt had been taken altogether by surprise. They couldn't, as people say, "make it out." My aunt was intensely interested, much more than my uncle; it was then, I think, for the first time that I really saw that she cared for me. She got me alone, I remember, after I had made my announcement. "Now, George," she said, "tell me everything about her. Why didn't you tell--ME at least--before?"
I was surprised to find how difficult it was to tell her about Marion. I perplexed her.
"Then is she beautiful?" she asked at last.
"I don't know what you'll think of her," I parried. "I think--"
"Yes?"
"I think she might be the most beautiful person in the world."
"And isn't she? To you?"
"Of course," I said, nodding my head. "Yes. She IS..."
And while I don't remember anything my uncle said or did at the wedding, I do remember very distinctly certain little things, scrutiny, solicitude, a curious rare flash of intimacy in my aunt's eyes. It dawned on me that I wasn't hiding anything from her at all. She was dressed very smartly, wearing a big-plumed hat that made her neck seem longer and slenderer than ever, and when she walked up the aisle with that rolling stride of hers and her eye all on Marion, perplexed into self-forgetfulness, it wasn't somehow funny. She was, I do believe, giving my marriage more thought than I had done, she was concerned beyond measure at my black rage and Marion's blindness, she was looking with eyes that knew what loving is--for love.
In the vestry she turned away as we signed, and I verily believe she was crying, though to this day I can't say why she should have cried, and she was near crying too when she squeezed my hand at parting--and she never said a word or looked at me, but just squeezed my hand....
If I had not been so grim in spirit, I think I should have found much of my wedding amusing. I remember a lot of ridiculous detail that still declines to be funny in my memory. The officiating clergyman had a cold, and turned his "n's" to "d's," and he made the most mechanical compliment conceivable about the bride's age when the register was signed. Every bride he had ever married had had it, one knew. And two middle-aged spinsters, cousins of Marion's and dressmakers at Barking, stand out. They wore marvellously bright and gay blouses and dim old skirts, and had an immense respect for Mr. Ramboat. They threw rice; they brought a whole bag with them and gave handfuls away to unknown little boys at the church door and so created a Lilliputian riot; and one had meant to throw a slipper. It was a very warm old silk slipper, I know, because she dropped it out of a pocket in the aisle--there was a sort of jumble in the aisle--and I picked it up for her. I don't think she actually threw it, for as we drove away from the church I saw her in a dreadful, and, it seemed to me, hopeless, struggle with her pocket; and afterwards my eye caught the missile of good fortune lying, it or its fellow, most obviously mislaid, behind the umbrella-stand in the hall....
The whole business was much more absurd, more incoherent, more human than I had anticipated, but I was far too young and serious to let the latter quality atone for its shortcomings. I am so remote from this phase of my youth that I can look back at it all as dispassionately as one looks at a picture--at some wonderful, perfect sort of picture that is inexhaustible; but at the time these things filled me with unspeakable resentment. Now I go round it all, look into its details, generalise about its aspects. I'm interested, for example, to square it with my Bladesover theory of the British social scheme. Under stress of tradition we were all of us trying in the fermenting chaos of London to carry out the marriage ceremonies of a Bladesover tenant or one of the chubby middling sort of people in some dependent country town. There a marriage is a public function with a public significance. There the church is to a large extent the gathering-place of the community, and your going to be married a thing of importance to every one you pass on the road. It is a change of status that quite legitimately interests the whole neighbourhood. But in London there are no neighbours, nobody knows, nobody cares. An absolute stranger in an office took my notice, and our banns were proclaimed to ears that had never previously heard our names. The clergyman, even, who married us had never seen us before, and didn't in any degree intimate that he wanted to see us again.
Neighbours in London! The Ramboats did not know the names of the people on either side of them. As I waited for Marion before we started off upon our honeymoon flight, Mr. Ramboat, I remember, came and stood beside me and stared out of the window.
"There was a funeral over there yesterday," he said, by way of making conversation, and moved his head at the house opposite.
"Quite a smart affair it was with a glass 'earse...."
And our little procession of three carriages with white-favour-adorned horses and drivers, went through all the huge, noisy, indifferent traffic like a lost china image in the coal-chute of an ironclad. Nobody made way for us, nobody cared for us; the driver of an omnibus jeered; for a long time we crawled behind an unamiable dust-cart. The irrelevant clatter and tumult gave a queer flavour of indecency to this public coming together of lovers. We seemed to have obtruded ourselves shamelessly. The crowd that gathered outside the church would have gathered in the same spirit and with greater alacrity for a street accident....
At Charing Cross--we were going to Hastings--the experienced eye of the guard detected the significance of our unusual costume and he secured us a compartment.
"Well," said I, as the train moved out of the station, "That's all over!" And I turned to Marion--a little unfamiliar still, in her unfamiliar clothes--and smiled.
She regarded me gravely, timidly.
"You're not cross?" she asked.
"Cross! Why?"
"At having it all proper."
