William Clodd was three-and-twenty, a born hustler, very wide awake. Meeting one day by accident upon an omnibus, when Clodd lent Peter, who had come out without his purse, threepence to pay his fare with; drifting into acquaintanceship, each had come to acquire a liking and respect for the other. The dreamer thought with wonder of Clodd's shrewd practicability; the cute young man of business was lost in admiration of what seemed to him his old friend's marvellous learning. Both had arrived at the conclusion that a weekly journal with Peter Hope as editor, and William Clodd as manager, would be bound to be successful.
"If only we could scrape together a thousand pounds!" had sighed Peter.
"The moment we lay our hands upon the coin, we'll start that paper.
Remember, it's a bargain," had answered William Clodd.
Mr. William Clodd turned the handle and walked in. With the door still in his hand he paused to look round the room. It was the first time he had seen it. His meetings hitherto with Peter Hope had been chance rencontres in street or restaurant. Always had he been curious to view the sanctuary of so much erudition.
A large, oak-panelled room, its three high windows, each with a low, cushioned seat beneath it, giving on to Gough Square. Thirty-five years before, Peter Hope, then a young dandy with side whiskers close-cropped and terminating just below the ear; with wavy, brown hair, giving to his fresh-complexioned face an appearance almost girlish; in cut-away blue coat, flowered waistcoat, black silk cravat secured by two gold pins chained together, and tightly strapped grey trouserings, had, aided and abetted by a fragile little lady in crinoline and much-flounced skirt, and bodice somewhat low, with corkscrew curls each movement of her head set ringing, planned and furnished it in accordance with the sober canons then in vogue, spending thereupon more than they should, as is to be expected from the young to whom the future promises all things. The fine Brussels carpet! A little too bright, had thought the shaking curls. "The colours will tone down, miss--ma'am." The shopman knew. Only by the help of the round island underneath the massive Empire table, by excursions into untrodden corners, could Peter recollect the rainbow floor his feet had pressed when he was twenty-one. The noble bookcase, surmounted by Minerva's bust. Really it was too expensive. But the nodding curls had been so obstinate. Peter's silly books and papers must be put away in order; the curls did not intend to permit any excuse for untidiness. So, too, the handsome, brass-bound desk; it must be worthy of the beautiful thoughts Peter would pen upon it. The great sideboard, supported by two such angry-looking mahogany lions; it must be strong to support the weight of silver clever Peter would one day purchase to place upon it. The few oil paintings in their heavy frames. A solidly furnished, sober apartment; about it that subtle atmosphere of dignity one finds but in old rooms long undisturbed, where one seems to read upon the walls: "I, Joy and Sorrow, twain in one, have dwelt here." One item only there was that seemed out of place among its grave surroundings--a guitar, hanging from the wall, ornamented with a ridiculous blue bow, somewhat faded.
"Mr. William Clodd?" demanded the decided voice.
Clodd started and closed the door.
"Guessed it in once," admitted Mr. Clodd.
"I thought so," said the decided voice. "We got your note this afternoon. Mr. Hope will be back at eight. Will you kindly hang up your hat and coat in the hall? You will find a box of cigars on the mantelpiece. Excuse my being busy. I must finish this, then I'll talk to you."
The owner of the decided voice went on writing. Clodd, having done as he was bid, sat himself in the easy-chair before the fire and smoked. Of the person behind the desk Mr. Clodd could see but the head and shoulders. It had black, curly hair, cut short. It's only garment visible below the white collar and red tie might have been a boy's jacket designed more like a girl's, or a girl's designed more like a boy's; partaking of the genius of English statesmanship, it appeared to be a compromise. Mr. Clodd remarked the long, drooping lashes over the bright, black eyes.
"It's a girl," said Mr. Clodd to himself; "rather a pretty girl."
Mr. Clodd, continuing downward, arrived at the nose.
"No," said Mr. Clodd to himself, "it's a boy--a cheeky young beggar, I should say."
The person at the desk, giving a grunt of satisfaction, gathered together sheets of manuscript and arranged them; then, resting its elbows on the desk and taking its head between its hands, regarded Mr. Clodd.
"Don't you hurry yourself," said Mr. Clodd; "but when you really have finished, tell me what you think of me."
"I beg your pardon," apologised the person at the desk. "I have got into a habit of staring at people. I know it's rude. I'm trying to break myself of it."
"Tell me your name," suggested Mr. Clodd, "and I'll forgive you."
"Tommy," was the answer--"I mean Jane."
"Make up your mind," advised Mr. Clodd; "don't let me influence you. I only want the truth."
"You see," explained the person at the desk, "everybody calls me Tommy, because that used to be my name. But now it's Jane."
"I see," said Mr. Clodd. "And which am I to call you?"
The person at the desk pondered. "Well, if this scheme you and Mr. Hope have been talking about really comes to anything, we shall be a good deal thrown together, you see, and then I expect you'll call me Tommy--most people do."
"You've heard about the scheme? Mr. Hope has told you?"
"Why, of course," replied Tommy. "I'm Mr. Hope's devil."
For the moment Clodd doubted whether his old friend had not started a rival establishment to his own.
"I help him in his work," Tommy relieved his mind by explaining.
"In journalistic circles we call it devilling."
