登陆注册
15486800000096

第96章 4(2)

The above-mentioned distinctions can also be made in the case of things that cause motion: some of them are capable of causing motion unnaturally (e.g. the lever is not naturally capable of moving the weight), others naturally (e.g. what is actually hot is naturally capable of moving what is potentially hot): and similarly in the case of all other things of this kind.

In the same way, too, what is potentially of a certain quality or of a certain quantity in a certain place is naturally movable when it contains the corresponding principle in itself and not accidentally (for the same thing may be both of a certain quality and of a certain quantity, but the one is an accidental, not an essential property of the other). So when fire or earth is moved by something the motion is violent when it is unnatural, and natural when it brings to actuality the proper activities that they potentially possess.

But the fact that the term 'potentially' is used in more than one sense is the reason why it is not evident whence such motions as the upward motion of fire and the downward motion of earth are derived.

One who is learning a science potentially knows it in a different sense from one who while already possessing the knowledge is not actually exercising it. Wherever we have something capable of acting and something capable of being correspondingly acted on, in the event of any such pair being in contact what is potential becomes at times actual: e.g. the learner becomes from one potential something another potential something: for one who possesses knowledge of a science but is not actually exercising it knows the science potentially in a sense, though not in the same sense as he knew it potentially before he learnt it. And when he is in this condition, if something does not prevent him, he actively exercises his knowledge: otherwise he would be in the contradictory state of not knowing. In regard to natural bodies also the case is similar. Thus what is cold is potentially hot: then a change takes place and it is fire, and it burns, unless something prevents and hinders it. So, too, with heavy and light: light is generated from heavy, e.g. air from water (for water is the first thing that is potentially light), and air is actually light, and will at once realize its proper activity as such unless something prevents it. The activity of lightness consists in the light thing being in a certain situation, namely high up: when it is in the contrary situation, it is being prevented from rising. The case is similar also in regard to quantity and quality. But, be it noted, this is the question we are trying to answer-how can we account for the motion of light things and heavy things to their proper situations? The reason for it is that they have a natural tendency respectively towards a certain position: and this constitutes the essence of lightness and heaviness, the former being determined by an upward, the latter by a downward, tendency. As we have said, a thing may be potentially light or heavy in more senses than one. Thus not only when a thing is water is it in a sense potentially light, but when it has become air it may be still potentially light: for it may be that through some hindrance it does not occupy an upper position, whereas, if what hinders it is removed, it realizes its activity and continues to rise higher. The process whereby what is of a certain quality changes to a condition of active existence is similar: thus the exercise of knowledge follows at once upon the possession of it unless something prevents it. So, too, what is of a certain quantity extends itself over a certain space unless something prevents it. The thing in a sense is and in a sense is not moved by one who moves what is obstructing and preventing its motion (e.g. one who pulls away a pillar from under a roof or one who removes a stone from a wineskin in the water is the accidental cause of motion): and in the same way the real cause of the motion of a ball rebounding from a wall is not the wall but the thrower. So it is clear that in all these cases the thing does not move itself, but it contains within itself the source of motion-not of moving something or of causing motion, but of suffering it.

If then the motion of all things that are in motion is either natural or unnatural and violent, and all things whose motion is violent and unnatural are moved by something, and something other than themselves, and again all things whose motion is natural are moved by something-both those that are moved by themselves and those that are not moved by themselves (e.g. light things and heavy things, which are moved either by that which brought the thing into existence as such and made it light and heavy, or by that which released what was hindering and preventing it); then all things that are in motion must be moved by something.

同类推荐
  • 佛说海龙王经

    佛说海龙王经

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • 戴东原先生轶事

    戴东原先生轶事

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • 菩提心义

    菩提心义

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • 存存斋医话稿

    存存斋医话稿

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • 周生烈子

    周生烈子

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
热门推荐
  • 通灵女巫:鬼魂男友带回家

    通灵女巫:鬼魂男友带回家

    荷苒是一个即将毕业的大四学生,暑期回到家乡实习独自住在父母名下的别墅里,确不经意间发现一直被认为常年无人居住的隔壁,住着一个已经死去的画家。两人的相识是一场偶然,在揭开画家为何死后还存在于世的秘密的经历中,荷苒爱上了画家。但是,一切并没有表面上看起来那么简单,存在于这个世界的死人真的只有那一个画家吗?他们存在于世上是为了在做什么?我们身边到底谁,已经死了……
  • 大明乱游记

    大明乱游记

    格子门,宣纸窗,长条枕,青砖地。如此古香古色的房子里,一个短发衬衣的小青年,嘴里叼着根烟头仰头长叹。靠,穿越都被广电神龙给和谐了,怎么还能发生在自己身上。
  • 余长恨

    余长恨

    天下谁人的棋局为何而活为何而战血旗指处死便埋我
  • 小女人的春梦

    小女人的春梦

    为了躲避没完没了的相亲,芊珞一时冲动准备与从未见过面的男网友私奔,谁知道让她感觉成熟稳重的帅网友居然是……?老天爷偏偏连逃遁的机会也不留给她,唉,人为刀殂,我为鱼肉,为什么刚出虎口又要掉狼窝?难道自己命里真的带了扫把吗?注:第二部已上传,书名《魔女的爱情汤》,点作者名可以看到。
  • 穿越之妃你不可

    穿越之妃你不可

    她,现代一个再平凡不过的大龄女青年张雪彤,一次次失败的恋爱,不知道是上天的捉弄,还是冥冥中的注定,一次在路上边用手机看小说边过马路,结果很不幸的被车撞了,灵魂穿越,来到这没有记录的异世霸天国,变身成为一个将军府的庶女六小姐云雪海,天天被欺负,最后被姐姐推下池塘淹死了,再次醒来,变成了另一缕灵魂张雪彤,既然复活了,就好好的活,赚钱、离家、好好过日子,躲过一次次危险,但是却躲不过某人的青睐,他,邪魅无比,冷血无情,权倾天下,多种身份,世人只知道他是战无不胜的冷王,皇帝的皇叔轩辕天宇,自从遇到了她,不知道为什么想要对她宠溺,给她所有的一切,用尽办法占有她,娶了她,只为让她也爱上自己。【注:本文男主强大型,女主有点小聪明,喜欢赚钱,涉朝堂争斗、宅斗、天下之争】精彩片段:“喂,你干么?”某女无奈的看着眼前正在调戏自己的邪魅男子“亲你”邪魅男子立刻吻了上去,辗转留恋“我长得一般,又没文采,只会赚点钱,你又不缺钱,喜欢我什么?”“我不知道,就是喜欢,你喜欢我吗?”邪魅男子越走越近,突然将某女横抱起来往床上走去。“要我留下可以,除非你一辈子只有我一个,一生一世一双人。”“我向你保证,我这辈子,生生世世只有你。”“如果你背叛我,欺骗我,我会半夜把你的女人毁容,再把你阉了,然后再重新找个帅哥去。”“你敢,世界还有谁能比我帅?”“。。。。。。”
  • 别走时光

    别走时光

    在社会主义建设道路,在改革开放下的农村生活景象,四个青梅竹马的女性一生不同的命运为内容,彰显着人们在那艰苦生活环境下的顽强毅力以及那生生不息的生命力。
  • 界寂

    界寂

    混沌初开,五行所蕴,六道皆属。天之所穹,地乃所载,海为所藏。苍昴之外,仙神之境,名曰九天。皇天之巅,修罗之道,名曰非天。遗民之途,人间之土,名曰圣荒。后土之渊,万魔之府,名曰冥域。归墟之堑,亡妖之所,名曰无间。纵横六和,神剑魔劫,轮回无界。
  • 明星狼

    明星狼

    《明星狼》是电影《狼图腾》制片人王为民在筹拍、实拍电影的过程中,记录下的许多精彩感人、闻所未闻的有关“狼演员”的真实故事。“狼爸”王为民为了电影四处寻狼,有了“狼子女们”之后又要组建狼基地,寻找驯狼师。在电影拍摄过程中,他亲手养大了一只名叫Cloudy(克劳迪)的小狼,与加拿大驯狼师安德鲁一同把克劳迪打造成为电影中最耀眼的明星狼。克劳迪不负两位“狼爸”重望,成为狼王,然而腾格里在给予它快乐的同时,也给了它莫大的考验和伤痛,克劳迪最终失去了狼王地位,并在电影拍摄结束后与“狼爸”几乎是生离死别,远走他乡……
  • 桃花蝶影

    桃花蝶影

    用文字来记录观影的过往,特此纪念那些伴我们一路走来的深刻情怀。
  • 美女身边有高手

    美女身边有高手

    一位自两年前就从世间消声灭迹的人;一道好似能发出寒气的刀疤。高手重返都市。方浩默是一个打工仔,为了赚钱,不得不去给林氏集团的千金当保镖。在这里,安静的校园生活、烦乱的现代社会。……千金小姐以身相许,而方浩默的人生巅峰才刚刚开始…………演绎了一段美女与高手的故事。……美女身边有高手。……