Anyway, the first prologuial episode is done, and Fanny likes it. There are only four characters; Francis Blair of Balmile (Jacobite Lord Gladsmuir) my hero; the Master of Ballantrae;
Paradon, a wine-seller of Avignon; Marie-Madeleine his wife.
These two last I am now done with, and I think they are successful, and I hope I have Balmile on his feet; and the style seems to be found. It is a little charged and violent; sins on the side of violence; but I think will carry the tale. I think it is a good idea so to introduce my hero, being made love to by an episodic woman. This queer tale - I mean queer for me - has taken a great hold upon me. Where the devil shall I go next? This is simply the tale of a COUP DE TETE of a young man and a young woman; with a nearly, perhaps a wholly, tragic sequel, which I desire to make thinkable right through, and sensible; to make the reader, as far as I shall be able, eat and drink and breathe it. Marie-Salome des Saintes-Maries is, I think, the heroine's name; she has got to BE yet: SURSUM CORDA! So has the young Chevalier, whom I have not yet touched, and who comes next in order. Characters: Balmile, or Lord Gladsmuir, COMME VOUS VOULEZ; Prince Charlie; Earl Marischal; Master of Ballantrae; and a spy, and Dr. Archie Campbell, and a few nondescripts; then, of women, Marie-Salome and Flora Blair; seven at the outside; really four full lengths, and I suppose a half-dozen episodic profiles. How I must bore you with these ineptitudes! Have patience. I am going to bed; it is (of all hours) eleven. I have been forced in (since I began to write to you) to blatter to Fanny on the subject of my heroine, there being two CRUCES as to her life and history: how came she alone? and how far did she go with the Chevalier? The second must answer itself when I get near enough to see. The first is a back-breaker. Yet I know there are many reasons why a FILLE DE FAMINE, romantic, adventurous, ambitious, innocent of the world, might run from her home in these days; might she not have been threatened with a convent? might there not be some Huguenot business mixed in? Here am I, far from books; if you can help me with a suggestion, I shall say God bless you. She has to be new run away from a strict family, well-justified in her own wild but honest eyes, and meeting these three men, Charles Edward, Marischal, and Balmile, through the accident of a fire at an inn. She must not run from a marriage, I think; it would bring her in the wrong frame of mind. Once I can get her, SOLA, on the highway, all were well with my narrative.
Perpend. And help if you can.
