The weeks that followed were rare ones for Margaret and Oliver.
They painted all day and every day.
The little school-children posed for them, and so did the prim school-mistress, a girl of eighteen in spectacles with hair cut short in the neck. And old Jonathan Gordon, the fisherman, posed, too, with a string of trout in one hand and a long pole cut from a sapling in the other. And once our two young comrades painted the mill-dam and the mill--Oliver doing the first and Margaret the last; and Baker, the miller, caught them at it, and insisted in all sincerity that some of the money which the pictures brought must come to him, if the report were true that painters did get money for pictures. "It's my mill, ain't it?--and I ain't give no permission to take no part of it away. Hev I?"
They climbed the ravines, Margaret carrying the luncheon and Oliver the sketch-traps; they built fires of birch-bark and roasted potatoes, or made tea in the little earthen pot that Mrs. Taft loaned her. Or they waited for the stage in the early morning, and went half a dozen miles down the valley to paint some waterfall Oliver had seen the day he drove up with Marvin, or a particular glimpse of Moose Hillock from the covered bridge, or various shady nooks and sunlit vistas that remained fastened in Oliver's mind, and the memory of which made him unhappy until Margaret could enjoy them, too.
The fact that he and a woman whom he had known but a little while were roaming the woods together, quite as a brother and sister might have done, never occurred to him. If it had it would have made no difference, nor could he have understood why any barrier should have been put up between them. He had been taking care of girls in that same way all his life. Every woman was a sister to him so far as his reverent protection over her went. The traditions of Kennedy Square had taught him this.
As the joyous weeks flew by, even the slight reserve which had marked their earlier intercourse began to wear off. It was "Oliver" and "Margaret" now, and even "Ollie" and "Madge" when they forgot themselves and each other in their work.
To Margaret this free and happy life together seemed natural enough. She had decided on the day of their first meeting that Oliver's interest in her was due wholly to his love of companionship, and not because of any special liking he might feel for her. Had she not seen him quite as cordial and as friendly to the men he knew? Satisfied on this point, Oliver began to take the place of a brother, or cousin, or some friend of her youth who loved another woman, perhaps, and was, therefore, safe against all contingencies, while she gave herself up to the enjoyment of that rare luxury--the rarest that comes to a woman--daily association with a man who could be big and strong and sympathetic, and yet ask nothing in return for what she gave him but her companionship and confidence.
In the joy of this new intercourse, and with his habit of trusting implicitly everyone whom he loved --man, woman, or child--Oliver, long before the first month was over, had emptied his heart to Margaret as completely as he had ever done to Miss Clendenning.
He had told her of Sue and of Miss Lavinia's boudoir, and of Mr. Crocker and his pictures; and of his poor father's struggles and his dear mother's determination to send him from home--not about the mortgage, that was his mother's secret, not his own--and of the great receptions given by his Uncle Tilghman, and of all the other wonderful doings in Kennedy Square.
She had listened at first in astonishment, and then with impatience. Many of the things that seemed so important to him were valueless in her more practical eyes. Instead of a regime which ennobled those who enjoyed its privileges, she saw only a slavish devotion to worn-out traditions, and a clannish provincialism which proved to her all the more clearly the narrow-mindedness of the people who sustained and defended them. So far as she could judge, the qualities that she deemed necessary in the make-up of a robust life, instinct with purpose and accomplishment, seemed to be entirely lacking in Kennedy Square formulas. She saw, too, with a certain undefined pain, that Oliver's mind had been greatly warped by these influences. Mrs. Horn's domination over him, strange to say, greatly disturbed her; why, she could not tell. "She must be a proud, aristocratic woman," she had said to herself after one of Oliver's outbursts of enthusiasm over his mother; "wedded to patrician customs and with no consideration for anyone outside of her class."
And yet none of these doubts and criticisms made the summer days less enjoyable.
One bright, beautiful morning when the sky was a turquoise, the air a breath of heaven, and the brooks could be heard laughing clear out on the main road, Oliver and Margaret, who had been separated for some days while she paid a visit to her family at home, started to find a camp that Hank had built the winter before as a refuge while he was hunting deer. They had reached a point in the forest where two paths met, when Margaret's quick ear caught the sound of a human voice, and she stopped to listen.
"Quick--" she cried--"get behind these spruces, or he will see us and stop singing. It's old Mr. Burton.
He is such a dear! He spends his summers here. I often meet him and he always bows to me so politely, although he doesn't know me."
A man of sixty--bare-headed, dressed in a gray suit, with his collar and coat over his arm and hands filled with wild-flowers, was passing leisurely along, singing at the top of his voice. Once he stopped, and, bending over, picked a bunch of mountain-berries which he tucked into a buttonhole of his flannel shirt, just before disappearing in a turn of the path.
Oliver looked after him for a moment. He had caught the look of sweet serenity on the idler's face, and the air of joyousness that seemed to linger behind him like a perfume, and it filled him with delight.
"There, Margaret! that's what I call a happy man.
