MALISE. Very likely--the first birds do. But if she drops half-way it's better than if she'd never flown. Your sister, sir, is trying the wings of her spirit, out of the old slave market. For women as for men, there's more than one kind of dishonour, Captain Huntingdon, and worse things than being dead, as you may know in your profession.
HUNTINGDON. Admitted--but----
MALISE. We each have our own views as to what they are. But they all come to--death of our spirits, for the sake of our carcases.
Anything more?
HUNTINGDON. My leave's up. I sail to-morrow. If you do see my sister I trust you to give her my love and say I begged she would see my father.
MALISE. If I have the chance--yes.
He makes a gesture of salute, to which HUNTINGDON responds.
Then the latter turns and goes out.
MALISE. Poor fugitive! Where are you running now?
He stands at the window, through which the evening sunlight is powdering the room with smoky gold. The stolid Boy has again come in. MALISE stares at him, then goes back to the table, takes up the MS., and booms it at him; he receives the charge, breathing hard.
MALISE. "Man of the world--product of a material age; incapable of perceiving reality in motions of the spirit; having 'no use,' as you would say, for 'sentimental nonsense'; accustomed to believe yourself the national spine--your position is unassailable. You will remain the idol of the country--arbiter of law, parson in mufti, darling of the playwright and the novelist--God bless you!--while waters lap these shores."
He places the sheets of MS. in an envelope, and hands them to the Boy.
MALISE. You're going straight back to "The Watchfire"?
BOY. [Stolidly] Yes, sir.
MALISE. [Staring at him] You're a masterpiece. D'you know that?
BOY. No, sir.
MALISE. Get out, then.
He lifts the portfolio from the table, and takes it into the inner room. The Boy, putting his thumb stolidly to his nose, turns to go. In the doorway he shies violently at the figure of CLARE, standing there in a dark-coloured dress, skids past her and goes. CLARE comes into the gleam of sunlight, her white face alive with emotion or excitement. She looks round her, smiles, sighs; goes swiftly to the door, closes it, and comes back to the table. There she stands, fingering the papers on the table, smoothing MALISE's hat wistfully, eagerly, waiting.
MALISE. [Returning] You!
CLARE. [With a faint smile] Not very glorious, is it?
He goes towards her, and checks himself, then slews the armchair round.
MALISE. Come! Sit down, sit down! [CLARE, heaving a long sigh, sinks down into the chair] Tea's nearly ready.
He places a cushion for her, and prepares tea; she looks up at him softly, but as he finishes and turns to her, she drops that glance.
CLARE. Do you think me an awful coward for coming? [She has taken a little plain cigarette case from her dress] Would you mind if I smoked?
MALISE shakes his head, then draws back from her again, as if afraid to be too close. And again, unseen, she looks at him.
MALISE. So you've lost your job?
CLARE. How did you----?
MALISE. Your brother. You only just missed him. [CLARE starts up]
They had an idea you'd come. He's sailing to-morrow--he wants you to see your father.
CLARE. Is father ill?
MALI$E. Anxious about you.
CLARE. I've written to him every week. [Excited] They're still hunting me!
MALISE. [Touching her shoulder gently] It's all right--all right.
She sinks again into the chair, and again he withdraws. And once more she gives him that soft eager look, and once more averts it as he turns to her.
CLARE. My nerves have gone funny lately. It's being always on one's guard, and stuffy air, and feeling people look and talk about you, and dislike your being there.
MALISE. Yes; that wants pluck.
CLARE. [Shaking her head] I curl up all the time. The only thing I know for certain is, that I shall never go back to him. The more I've hated what I've been doing, the more sure I've been. I might come to anything--but not that.
MALISE. Had a very bad time?
CLARE. [Nodding] I'm spoilt. It's a curse to be a lady when you have to earn your living. It's not really been so hard, I suppose;
I've been selling things, and living about twice as well as most shop girls.
MALISE. Were they decent to you?
CLARE. Lots of the girls are really nice. But somehow they don't want me, can't help thinking I've got airs or something; and in here [She touches her breast] I don't want them!
MALISE. I know.
CLARE. Mrs. Fullarton and I used to belong to a society for helping reduced gentlewomen to get work. I know now what they want: enough money not to work--that's all! [Suddenly looking up at him] Don't think me worse than I am-please! It's working under people; it's having to do it, being driven. I have tried, I've not been altogether a coward, really! But every morning getting there the same time; every day the same stale "dinner," as they call it; every evening the same "Good evening, Miss Clare," "Good evening, Miss Simpson," "Good evening, Miss Hart," "Good evening, Miss Clare."
And the same walk home, or the same 'bus; and the same men that you mustn't look at, for fear they'll follow you. [She rises] Oh! and the feeling-always, always--that there's no sun, or life, or hope, or anything. It was just like being ill, the way I've wanted to ride and dance and get out into the country. [Her excitement dies away into the old clipped composure, and she sits down again] Don't think too badly of me--it really is pretty ghastly!
MALISE. [Gruffly] H'm! Why a shop?
CLARE. References. I didn't want to tell more lies than I could help; a married woman on strike can't tell the truth, you know. And I can't typewrite or do shorthand yet. And chorus--I thought--you wouldn't like.
MALISE. I? What have I----? [He checks himself ] Have men been brutes?
CLARE. [Stealing a look at him] One followed me a lot. He caught hold of my arm one evening. I just took this out [She draws out her hatpin and holds it like a dagger, her lip drawn back as the lips of a dog going to bite] and said: "Will you leave me alone, please?"
