Very soon after this embarrassing explanation, Julia received a letter from her friend that was in no way distinguishable from the rest, except that it contained the real name of Regulus, which she declared to be Henry Frederick St. Albans. If Charles was at a loss to discover Julia's hidden love, Julia herself was equally uncertain how to know who this Mr. St. Albans was. After a vast deal of musing, she remembered that Anna was absent from school without leave one evening, and had returned alone with a young man who was unknown to the mistress. This incident was said, by some, to have completed her education rather within the usual time. Julia had herself thought her friend indiscreet, but on the whole, hardly treated--and they left the school together. This must have been St. Albans, and Anna stood fully exculpated in her eyes. The letter also announced the flattering fact, that Antonio had already left the country, ordering his servants and horses home, and that he had gone to New-York with the intention of hovering around Julia, in a mask, that she could not possibly remove, during the dangers of their expected journey. Anna acknowledged that she had betrayed Antonio's secret, but pleaded her duty to her friend in justification. She did not think that Julia would be able to penetrate his disguise, as he had declared his intentions so to conceal himself, by paint and artifice, as to be able to escape detection. Here was a new source of pleasure to our heroine: Antonio was already on the wing for the city, perhaps arrived--nay, might have seen her, might even now be within a short distance of the summer-house where she was sitting at the time, and watching her movements. As this idea suggested itself, Julia started, and unconsciously arranging her hair, by bringing forward a neglected curl, moved with trembling steps towards the dwelling. At each turn of the walk our heroine threw a timid eye around in quest of an unknown figure, and more than once fancied she saw the face of the god of music peering at her from the friendly covert of her aunt's shrubbery--and twice she mistook the light green of a neighbouring cornfield, waving in the wind, for the coat of Antonio. Julia had so long associated the idea of her hero with the image in her bosom, that she had given it perfect identity;but, on more mature reflection, she was convinced of her error: he would come disguised, Anna had told her, and had ordered his servants home; where that home was, Julia was left in ignorance--but she fervently hoped, not far removed from her beloved aunt. The idea of a separation from this affectionate relative, who had proved a mother to her in her infancy, gave great pain to her best feelings; and Julia again internally prayed that the residence of Antonio might not be far distant.--What the disguise of her lover would be, Julia could not imagine--probably, that of a wandering harper:
but then she remembered that there were no harpers in America, and the very singularity might betray his secret. Music is the "food of love," and Julia fancied for a moment that Antonio might appear as an itinerant organist--but it was only for a moment; for as soon as she figured to herself the Apollo form, bending under the awkward load of a music-grinder, she turned in disgust from the picture. His taste, thought Julia will protect me from such a sight--she might have added, his convenience too. Various disguises presented themselves to our heroine, until, on a view of the whole subject, she concluded that Antonio would not appear as a musician at all, but in some capacity in which he might continue unsuspected, near her person, and execute his project of shielding her from the dangers of travelling. It was then only as a servant that he could appear, and, after mature reflection, Julia confidently expected to see him in the character of a coachman.
Willing to spare her own horses, Miss Emmerson had already sent to the city for the keeper of a livery-stable, to come out and contract with her for a travelling carriage, to convey her to the Falls of Niagara. The man came, and it is no wonder that Julia, under her impressions, chose to be present at the conversation.
"Well then," said Miss Emmerson to the man, "I will pay you your price, but you must furnish me with good horses to meet me at Albany--remember that I take all the useless expense between the two cities, that I may know whom it is I deal with.""Miss Emmerson ought to know me pretty well by this time," said the man; "I have driven her enough, I think.""And a driver," continued the lady, musing, "who am I to have for a driver?" Here Julia became all attention, trembling and blushing with apprehension.
"Oh, a driver!" cried the horse-dealer; "I have got you an excellent driver, one of the first chop in the city."{first chop = first rank, highest quality}
Although these were not the terms that our heroine would have used herself in speaking of this personage, yet she thought they plainly indicated his superiority, and she waited in feverish suspense to hear more.
"He must be steady, and civil, and sober, and expert, and tender-hearted," said Miss Emmerson, who thought of any thing but a hero in disguise.
"Yes--yes--yes--yes--yes," replied the stable-keeper, nodding his head and speaking at each requisite, "he is all that, I can engage to Miss Emmerson.""And his eyesight must be good," continued the lady, deeply intent on providing well for her journey; "we may ride late in the evening, and it is particularly requisite that he have good eyes.""Yes--yes, ma'am," said the man, in a little embarrassment that did not escape Julia; "he has as good an eye as any man in America.""Of what age is he?" asked Miss Emmerson.
"About fifty," replied the man, thinking years would he a recommendation.
"Fifty!" exclaimed Julia, in a tone of disappointment.
"'Tis too old," said Miss Emmerson; "he should he able to undergo fatigue.""Well, I may be mistaken--Oh, he can't be more than forty, or thirty," continued the man, watching the countenance of Julia; "he is a man that looks much older than he is.""Is he strong and active?"
"I guess he is--he's as strong as an ox, and active as a cat," said the other, determined he should pass.
"Well, then," said the aunt, in her satisfied way, "let every thing be ready for us in Albany by next Tuesday. We shall leave home on Monday."The man withdrew.
Julia had heard enough--for ox she had substituted Hercules, and for cat, she read the feathered Mercury.
