And now the flashlight played inquisitively about her. The bed occupied a position by the window; across one corner of the room was a cretonne hanging, that evidently did service as a wardrobe; across another corner was a large and dilapidated washstand; there were a few chairs, and a threadbare carpet; and, opposite the bed, another door, closed, which obviously led into the front room.
Rhoda Gray stepped to this door, opened it, and peered in. She was not concerned that it was evidently used for kitchen, dining-room and the stowage of everything that overflowed from the bedroom; she was concerned only with the fact that it offered no avenue through which any added risk or danger might reach her. She closed the door as she had found it, and gave her attention now to the walls of old Luertz's bedroom.
She smiled a little whimsically. The Crab had used a somewhat dignified term when he had referred to "panels." True, the, walls were of stained wood, but the wood was of the cheapest variety of matched boards, and the stain was of but a single coat, and a very meager one at that! The smile faded. There were a good many knots; and there were four corners to the room, and therefore eight boards, each one of which would answer to the description of being the "sixth panel."
She went to the corner nearest her, and dropped down on her knees.
As well start with this one! She had not dared press Danglar, or Danglar's deformed brother, for more definite directions, had she?
She counted the boards quickly from the corner to her right; and then, the flashlight playing steadily, she began to press first one knot after another, in the board before her, working from the bottom up. There were many knots; she went over each one with infinite care. There was no result.
She turned then to the sixth board from the corner to her left. The result was the same. She stood up, her brows puckered, a sense of anxious impatience creeping upon her. She had been quite a while over even these two boards, and it might be any one of the remaining six!
Her eyes traversed the room, following the ray of the flashlight.
If she only knew which one, it would - Was it an inspiration? Her eyes had fixed on the cretonne hanging across one of the far corners from the door, and she moved toward it now quickly. The hanging might very well serve for an other purpose than that of merely a wardrobe! It seemed suddenly to be the most likely of the four corners because it was ingeniously concealed.
She parted the hanging. A heterogeneous collection of clothing hung from pegs and nails. Eagerly, hastily now, she brushed these aside, and, close to the wall, dropped down on her knees again. The minutes passed. Twice she went over the sixth board from the corner to her right. She felt so sure now that it was this corner.
And then, still eagerly, she turned to the corresponding board at her left.
It was warm and close here. The clothing hanging from the pegs and nails enveloped her, and, with the cretonne hanging itself, shut out the air, what little of it there was, that circulated through the room.
Over the board, from the tiniest knot to the largest, her fingers pressed carefully. Had she missed one anywhere? She must have missed one! She was sure the panel in question was here behind this hanging. Well, she would try again, and...
What was that?
In an instant the flashlight in her hand was out, and she was listening tensely. Yes, there was a footstep - two of them - not only on the stairs, but already just outside the door. It seemed as though a deadly fear, cold and numbing, settled upon her and robbed her of even the power of movement. She was caught! If it was Pinkie Bonn and the Pug, and if this corner hid the secret panel as she still believed it did, this was the first place to which they would come, and they would find her here amongst the clothing - which had evidently been the cause of deadening any sound on those stairs out there until it was too late.
She held her breath, her hands tight upon her bosom. There was no time to reach the sanctuary of the other room - the footsteps were already crossing the threshold from the head of the stairs.
And then a voice reached her - the Pug's. It was the Pug and Pinkie Bonn.
"Strike a light, Pinkie! Dere's no use messin' around wid a flash. De old geezer'11 be back on de hop de minute he finds out he's been bunked, an' de quicker we work de better."
A match crackled into flame. An air-choked gas jet, with a protesting hiss, was lighted. And then Rhoda Gray's drawn face relaxed a little, and a strange, mirthless smile came hovering over her lips. What was she afraid of? The Pug was the Adventurer, wasn't he? This was one of the occasions when he could not escape the entanglements of the gang, and must work for the gang instead of appropriating all the loot for his own personal and nefarious ends; but he was the Adventurer. The White Moll need not fear him, even though he appeared, linked with Pinkie Bonn, in the role of the Pug! So there was only Pinkie Bonn to fear.
Rhoda Gray took her revolver from her pocket. She was well armed - and in more than a material sense. The Adventurer did not know that she was aware of the Pug's identity. Her smile, still mirthless, deepened. She might even turn the tables upon them, and still secure the stolen stones. She had turned the tables upon Pinkie Bonn last night; to-night, if she used her wits, she could do it again!
And then, suddenly, she stifled an exclamation, as the Pug's voice reached her again:
"Wot are youse gapin' about? Dere ain't anything else worth pinchin' around here except wot's in de old gent's safety vault. Get a move on! We ain't got all night! It's de corner behind de washstand.
Give us a hand to move de furniture!"
It wasn't here behind the cretonne hanging! Rhoda Gray bit her lips in a crestfallen little way. Well, her supposition had been natural enough, hadn't it? And she would have tried every corner before she was through if she had had the opportunity.
