Everyone, she said, ought to be able to manage machines, just as she could manage the lift. She seemed almost to resent the fact of Flambeau opening the lift-door for her; and that gentleman went up to his own apartments smiling with somewhat mingled feelings at the memory of such spit-fire self-dependence.
She certainly had a temper, of a snappy, practical sort; the gestures of her thin, elegant hands were abrupt or even destructive.
Once Flambeau entered her office on some typewriting business, and found she had just flung a pair of spectacles belonging to her sister into the middle of the floor and stamped on them. She was already in the rapids of an ethical tirade about the "sickly medical notions" and the morbid admission of weakness implied in such an apparatus. She dared her sister to bring such artificial, unhealthy rubbish into the place again. She asked if she was expected to wear wooden legs or false hair or glass eyes; and as she spoke her eyes sparkled like the terrible crystal.
Flambeau, quite bewildered with this fanaticism, could not refrain from asking Miss Pauline (with direct French logic) why a pair of spectacles was a more morbid sign of weakness than a lift, and why, if science might help us in the one effort, it might not help us in the other.
"That is so different," said Pauline Stacey, loftily.
"Batteries and motors and all those things are marks of the force of man--yes, Mr. Flambeau, and the force of woman, too! We shall take our turn at these great engines that devour distance and defy time. That is high and splendid--that is really science. But these nasty props and plasters the doctors sell--why, they are just badges of poltroonery. Doctors stick on legs and arms as if we were born cripples and sick slaves. But I was free-born, Mr. Flambeau! People only think they need these things because they have been trained in fear instead of being trained in power and courage, just as the silly nurses tell children not to stare at the sun, and so they can't do it without blinking. But why among the stars should there be one star I may not see? The sun is not my master, and I will open my eyes and stare at him whenever I choose.""Your eyes," said Flambeau, with a foreign bow, "will dazzle the sun." He took pleasure in complimenting this strange stiff beauty, partly because it threw her a little off her balance. But as he went upstairs to his floor he drew a deep breath and whistled, saying to himself: "So she has got into the hands of that conjurer upstairs with his golden eye." For, little as he knew or cared about the new religion of Kalon, he had heard of his special notion about sun-gazing.
He soon discovered that the spiritual bond between the floors above and below him was close and increasing. The man who called himself Kalon was a magnificent creature, worthy, in a physical sense, to be the pontiff of Apollo. He was nearly as tall even as Flambeau, and very much better looking, with a golden beard, strong blue eyes, and a mane flung back like a lion's. In structure he was the blonde beast of Nietzsche, but all this animal beauty was heightened, brightened and softened by genuine intellect and spirituality. If he looked like one of the great Saxon kings, he looked like one of the kings that were also saints. And this despite the cockney incongruity of his surroundings; the fact that he had an office half-way up a building in Victoria Street; that the clerk (a commonplace youth in cuffs and collars) sat in the outer room, between him and the corridor; that his name was on a brass plate, and the gilt emblem of his creed hung above his street, like the advertisement of an oculist. All this vulgarity could not take away from the man called Kalon the vivid oppression and inspiration that came from his soul and body. When all was said, a man in the presence of this quack did feel in the presence of a great man. Even in the loose jacket-suit of linen that he wore as a workshop dress in his office he was a fascinating and formidable figure; and when robed in the white vestments and crowned with the golden circlet, in which he daily saluted the sun, he really looked so splendid that the laughter of the street people sometimes died suddenly on their lips. For three times in the day the new sun-worshipper went out on his little balcony, in the face of all Westminster, to say some litany to his shining lord: once at daybreak, once at sunset, and once at the shock of noon. And it was while the shock of noon still shook faintly from the towers of Parliament and parish church that Father Brown, the friend of Flambeau, first looked up and saw the white priest of Apollo.
Flambeau had seen quite enough of these daily salutations of Phoebus, and plunged into the porch of the tall building without even looking for his clerical friend to follow. But Father Brown, whether from a professional interest in ritual or a strong individual interest in tomfoolery, stopped and stared up at the balcony of the sun-worshipper, just as he might have stopped and stared up at a Punch and Judy. Kalon the Prophet was already erect, with argent garments and uplifted hands, and the sound of his strangely penetrating voice could be heard all the way down the busy street uttering his solar litany. He was already in the middle of it; his eyes were fixed upon the flaming disc. It is doubtful if he saw anything or anyone on this earth; it is substantially certain that he did not see a stunted, round-faced priest who, in the crowd below, looked up at him with blinking eyes. That was perhaps the most startling difference between even these two far divided men. Father Brown could not look at anything without blinking; but the priest of Apollo could look on the blaze at noon without a quiver of the eyelid.
"O sun," cried the prophet, "O star that art too great to be allowed among the stars! O fountain that flowest quietly in that secret spot that is called space. White Father of all white unwearied things, white flames and white flowers and white peaks.
