"All you lambs get in line. You're going to get your wool back. Don't shove so. Get in a line--a /line/--not in a pile. Lady, will you please stop bleating? Your money's waiting for you. Here, sonny, don't climb over that railing; your dimes are safe. Don't cry, sis; you ain't out a cent. Get in /line/, I say. Here, Pick, come and straighten 'em out and let 'em through and out by the other door."
Buck takes off his coat, pushes his silk hat on the back of his head, and lights up a reina victoria. He sets at the table with the boodle before him, all done up in neat packages. I gets the stockholders strung out and marches 'em, single file, through from the main room; and the reporter man passes 'em out of the side door into the hall again. As they go by, Buck takes up the stock and the Gold Bonds, paying 'em cash, dollar for dollar, the same as they paid in. The shareholders of the Golconda Gold Bond and Investment Company can't hardly believe it. They almost grabs the money out of Buck's hands.
Some of the women keep on crying, for it's a custom of the sex to cry when they have sorrow, to weep when they have joy, and to shed tears whenever they find themselves without either.
The old women's fingers shake when they stuff the skads in the bosom of their rusty dresses. The factory girls just stoop over and flap their dry goods a second, and you hear the elastic go "pop" as the currency goes down in the ladies' department of the "Old Domestic Lisle-Thread Bank."
Some of the stockholders that had been doing the Jeremiah act the loudest outside had spasms of restored confidence and wanted to leave the money invested. "Salt away that chicken feed in your duds, and skip along," says Buck. "What business have you got investing in bonds? The tea-pot or the crack in the wall behind the clock for your hoard of pennies."
When the pretty girl in the red shawl cashes in Buck hands her an extra twenty.
"A wedding present," says our treasurer, "from the Golconda Company.
And say--if Jakey ever follows his nose, even at a respectful distance, around the corner where Rosa Steinfeld lives, you are hereby authorized to knock a couple of inches of it off."
When they was all paid off and gone, Buck calls the newspaper reporter and shoves the rest of the money over to him.
"You begun this," says Buck; "now finish it. Over there are the books, showing every share and bond issued. Here's the money to cover, except what we've spent to live on. You'll have to act as receiver. I guess you'll do the square thing on account of your paper. This is the best way we know how to settle it. Me and our substantial but apple-weary vice-president are going to follow the example of our revered president, and skip. Now, have you got enough news for to-day, or do you want to interview us on etiquette and the best way to make over an old taffeta skirt?"
"News!" says the newspaper man, taking his pipe out; "do you think I could use this? I don't want to lose my job. Suppose I go around to the office and tell 'em this happened. What'll the managing editor say? He'll just hand me a pass to Bellevue and tell me to come back when I get cured. I might turn in a story about a sea serpent wiggling up Broadway, but I haven't got the nerve to try 'em with a pipe like this. A get-rich-quick scheme--excuse me--gang giving back the boodle!
Oh, no. I'm not on the comic supplement."
"You can't understand it, of course," says Buck, with his hand on the door knob. "Me and Pick ain't Wall Streeters like you know 'em. We never allowed to swindle sick old women and working girls and take nickels off of kids. In the lines of graft we've worked we took money from the people the Lord made to be buncoed--sports and rounders and smart Alecks and street crowds, that always have a few dollars to throw away, and farmers that wouldn't ever be happy if the grafters didn't come around and play with 'em when they sold their crops. We never cared to fish for the kind of suckers that bite here. No, sir.
We got too much respect for the profession and for ourselves. Good-by to you, Mr. Receiver."
"Here!" says the journalist reporter; "wait a minute. There's a broker I know on the next floor. Wait till I put this truck in his safe. I want you fellows to take a drink on me before you go."
"On you?" says Buck, winking solemn. "Don't you go and try to make 'em believe at the office you said that. Thanks. We can't spare the time, I reckon. So long."
And me and Buck slides out the door; and that's the way the Golconda Company went into involuntary liquefaction.
If you had seen me and Buck the next night you'd have had to go to a little bum hotel over near the West Side ferry landings. We was in a little back room, and I was filling up a gross of six-ounce bottles with hydrant water colored red with aniline and flavored with cinnamon. Buck was smoking, contented, and he wore a decent brown derby in place of his silk hat.
"It's a good thing, Pick," says he, as he drove in the corks, "that we got Brady to lend us his horse and wagon for a week. We'll rustle up the stake by then. This hair tonic'll sell right along over in Jersey.
Bald heads ain't popular over there on account of the mosquitoes."
Directly I dragged out my valise and went down in it for labels.
"Hair tonic labels are out," says I. "Only about a dozen on hand."
"Buy some more," says Buck.
We investigated our pockets and found we had just enough money to settle our hotel bill in the morning and pay our passage over the ferry.
"Plenty of the 'Shake-the-Shakes Chill Cure' labels," says I, after looking.
"What more do you want?" says Buck. "Slap 'em on. The chill season is just opening up in the Hackensack low grounds. What's hair, anyway, if you have to shake it off?"
We posted on the Chill Cure labels about half an hour and Buck says:
"Making an honest livin's better than that Wall Street, anyhow; ain't it, Pick?"
"You bet," says I.
