POOR Elizabeth-Jane, little thinking what her malignant star had done to blast the budding attentions she had won from Donald Farfrae, was glad to hear Lucetta's words about remaining.
For in addition to Lucetta's house being a home, that raking view of the market-place which it afforded had as much attraction for her as for Lucetta. The carrefour was like the regulation Open Place in spectacular dramas, where the incidents that occur always happen to bear on the lives of the adjoining residents. Farmers, merchants, dairymen, quacks, hawkers, appeared there from week to week, and disappeared as the afternoon wasted away. It was the node of all orbits.
From Saturday to Saturday was as from day to day with the two young women now. In an emotional sense they did not live at all during the intervals.
Wherever they might go wandering on other days, on market-day they were sure to be at home. Both stole sly glances out of the window at Farfrae's shoulders and poll. His face they seldom saw, for, either through shyness, or not to disturb his mercantile mood, he avoided looking towards their quarters.
Thus things went on, till a certain market-morning brought a new sensation.
Elizabeth and Lucetta were sitting at breakfast when a parcel containing two dresses arrived for the latter from London. She called Elizabeth from her breakfast, and entering her friend's bedroom Elizabeth saw the gowns spread out on the bed, one of a deep cherry colour, the other lighter -a glove lying at the end of each sleeve, a bonnet at the top of each neck, and parasols across the gloves, Lucetta standing beside the suggested human figure in an attitude of contemplation.
"I wouldn't think so hard about it," said Elizabeth, marking the intensity with which Lucetta was alternating the question whether this or that would suit best.
"But settling upon new clothes is so trying," said Lucetta. "You are that person" (pointing to one of the arrangements), "or you are that totally different person" (pointing to the other), "for the whole of the coming spring: and one of the two, you don't know which, may turn out to be very objectionable."It was finally decided by Miss Templeman that she would be the cherry-coloured person at all hazards. The dress was pronounced to be a fit, and Lucetta walked with it into the front room, Elizabeth following her.
The morning was exceptionally bright for the time of year. The sun fell so flat on the houses and pavement opposite Lucetta's residence that they poured their brightness into her rooms. Suddenly, after a rumbling of wheels, there were added to this steady light a fantastic series of circling irradiations upon the ceiling, and the companions turned to the window. Immediately opposite a vehicle of strange description had come to a standstill, as if it had been placed there for exhibition.
It was the new-fashioned agricultural implement called a horse-drill, till then unknown, in its modern shape, in this part of the country, where the venerable seed-lip was still used for sowing as in the days of the Heptarchy. Its arrival created about as much sensation in the corn-market as a flying machine would create at Charing Cross. The farmers crowded round it, women drew near it, children crept under and into it. The machine was painted in bright hues of green, yellow, and red, and it resembled as a whole a compound of hornet, grass-hopper, and shrimp, magnified enormously.
Or it might have been likened to an upright musical instrument with the front gone. That was how it struck Lucetta. "Why, it is a sort of agricultural piano," she said.
"It has something to do with corn," said Elizabeth.
"I wonder who thought of introducing it here?"Donald Farfrae was in the minds of both as the innovator, for though not a farmer he was closely leagued with farming operations. And as if in response to their thought he came up at that moment, looked at the machine, walked round it, and handled it as if he knew something about its make.
The two watchers had inwardly started at his coming, and Elizabeth left the window, went to the back of the room, and stood as if absorbed in the panelling of the wall. She hardly knew that she had done this till Lucetta, animated by the conjunction of her new attire with the sight of Farfrae, spoke out: "Let us go and look at the instrument, whatever it is."Elizabeth-Jane's bonnet and shawl were pitchforked on in a moment, and they went out. Among all the agriculturists gathering round the only appropriate possessor of the new machine seemed to be Lucetta, because she alone rivalled it in colour.
They examined it curiously; observing the rows of trumpet-shaped tubes one within the other, the little scoops, like revolving salt-spoons, which tossed the seed into the upper ends of the tubes that conducted it to the ground; till somebody said, "Good morning, Elizabeth-Jane." She looked up, and there was her stepfather.
His greeting had been somewhat dry and thunderous, and Elizabeth-Jane, embarrassed out of her equanimity, stammered at random, "This is the lady I live with, father - Miss Temple-man."Henchard put his hand to his hat, which he brought down with a great wave till it met his body at the knees. Miss Temple-man bowed. "I am happy to become acquainted with you, Mr Henchard," she said. "This is a curious machine.""Yes," Henchard replied; and he proceeded to explain it, and still more forcibly to ridicule it.
"Who brought it here?" said Lucetta.
"Oh, don't ask me, ma'am!" said Henchard. "The thing - why 'tis impossible it should act. 'Twas brought here by one of our machinists on the recommendation of a jumped-up jackanapes of a fellow who thinks - " His eye caught Elizabeth-Jane's imploring face, and he stopped, probably thinking that the suit might be progressing.
