登陆注册
15444900000067

第67章 III(11)

Our art has had two or three lessons which have a deep meaning to those who are willing to read them honestly. The use of water- dressings in surgery completed the series of reforms by which was abolished the "coarse and cruel practice" of the older surgeons, who with their dressings and acrid balsams, their tents and leaden tubes, "absolutely delayed the cure." The doctrine of Broussais, transient as was its empire, reversed the practice of half of Christendom for a season, and taught its hasty disciples to shun their old favorite remedies as mortal poisons. This was not enough permanently to shift the presumption about drugs where it belonged, and so at last, just as the sympathetic powder and the Unguentum Armarium came in a superstitious age to kill out the abuses of external over-medication, the solemn farce of Homoeopathy was enacted in the face of our own too credulous civilization, that under shelter of its pretences the "inward bruises" of over-drugged viscera might be allowed to heal by the first intention. Its lesson we must accept, whether we will or not; its follies we are tired of talking about. The security of the medical profession against this and all similar fancies is in the average constitution of the human. mind with regard to the laws of evidence.

My friends and brothers in Art! There is nothing to be feared from the utterance of any seeming heresy to which you may have listened.

I cannot compromise your collective wisdom. If I have strained the truth one hair's breadth for the sake of an epigram or an antithesis, you are accustomed to count the normal pulse-beats of sound judgment, and know full well how to recognize the fever-throbs of conceit and the nervous palpitations of rhetoric.

The freedom with which each of us speaks his thought in this presence, belongs in part to the assured position of the Profession in our Commonwealth, to the attitude of Science, which is always fearless, and to the genius of the soil on which we stand, from which Nature withheld the fatal gift of malaria only to fill it with exhalations that breed the fever of inquiry in our blood and in our brain. But mainly we owe the large license of speech we enjoy to those influences and privileges common to us all as self-governing Americans.

This Republic is the chosen home of minorities, of the less power in the presence of the greater. It is a common error to speak of our distinction as consisting in the rule of the majority. Majorities, the greater material powers, have always ruled before. The history of most countries has been that of majorities, mounted majorities, clad in iron, armed with death treading down the tenfold more numerous minorities. In the old civilizations they root themselves like oaks in the soil; men must live in their shadow or cut them down. With us the majority is only the flower of the passing noon, and the minority is the bud which may open in the next morning's sun.

We must be tolerant, for the thought which stammers on a single tongue today may organize itself in the growing consciousness of the time, and come back to us like the voice of the multitudinous waves of the ocean on the morrow.

Twenty-five years have passed since one of your honored Presidents spoke to this Society of certain limitations to the power of our Art, now very generally conceded. Some were troubled, some were almost angry, thinking the Profession might suffer from such concessions.

It has certainly not suffered here; if, as some affirm, it has lost respect anywhere, it was probably for other, and no doubt sufficient reasons.

Since that time the civilization of this planet has changed hands.

Strike out of existence at this moment every person who was breathing on that day, May 27, 1835, and every institution of society, every art and every science would remain intact and complete in the living that would be left. Every idea the world then held has been since dissolved and recrystallized.

We are repeating the same process. Not to make silver shrines for our old divinities, even though by this craft we should have our wealth, was this Society organized and carried on by the good men and true who went before us. Not for this, but to melt the gold out of the past, though its dross should fly in dust to all the winds of heaven, to save all our old treasures of knowledge and mine deeply for new, to cultivate that mutual respect of which outward courtesy is the sign, to work together, to feel together, to take counsel together, and to stand together for the truth, now, always, here, everywhere; for this our fathers instituted, and we accept, the offices and duties of this time-honored Society.

同类推荐
热门推荐
  • 钟爱于姜

    钟爱于姜

    因为迷恋一个人,而忽略那个一直站在自己身后,替自己默默守护,默默付出,默默关心的他,如果不是因为他够爱自己,他是不是也和其它的世家子弟一样,将自己的婚姻当做政治的一种牺牲品。他可以拥有如花美眷无数,可为何偏偏选中了自己?
  • 一晃流风转

    一晃流风转

    夏露在递交文件时忽然穿梭到了唐朝,皇帝后宫佳丽三千,人人都想得到皇帝的宠爱,夏露从答应到太后,经历了太多太多,最后,又穿越到了21世纪.....
  • 主宰大宇宙

    主宰大宇宙

    一个平凡的普通人,被不明的物体砸中,从此世界就发生了天翻地覆的变化。从卑微到主宰,从蝼蚁到传奇,他踏上星空,傲视苍穹。这个宇宙三界未分,这个宇宙诞生永恒。
  • 来自你的诱惑

    来自你的诱惑

    什么?!exo和吴磊要来张艺莹的学校!!!张艺莹:哥,你饶了我吧!赵橙:sehun,这里!同学们:张艺莹,我们恨你!
  • 我与他爱情路的尽头

    我与他爱情路的尽头

    那一年,她为了他,她不惜放弃她拥有的一切,她为了他,她不惜所有代价,为了他,她可以放弃所有人的追求,为了他,她什么都可以不要,为了他,她不惜付出所有的努力,为了他,她牺牲了自己所有一切。他视她为掌上明珠,不容她受到一点伤害,可最后换来的到底是什么?过去的三年,他为什么消失了,因为他的消失,她对他的一切回忆烟消云散,她不在记忆他。三年后,他又为何要回来?一个曾经可以为他放弃一切的顾星城,一个现在可以伴他一生的项阳,一个曾经视她为掌上明珠的周齐,到底谁才是顾星城的真爱?
  • 四叶草永相随王源

    四叶草永相随王源

    四叶草家人们快来看看吧,祝源哥生日快乐。愿你们开开心心,无忧无虑,没烦恼,学习成绩步步高
  • 暖茶心语午后阳光

    暖茶心语午后阳光

    “向瑾阳,我本以为我已经喜欢你到了撕心裂肺,沐沐死了,我突然明白我喜欢的只是那个在舞台上的白衣少年,不是你。”彼时的暖茶17岁,那个本该如花一样的年纪。“小熊,你知道吗?我们永远都没有办法在一起了,你知道吗?苏染死了,是你的未婚妻害死了她,我永远都没有办法原谅我自己。”此时的暖茶已经心痛到连眼泪都没有了,20岁的她,梦还未开始,便已经支离破碎。27岁的暖茶,站在镜子前,看着里面的女子,微微发愣,这一次,她能抓住属于她的幸福吗......
  • 战兽铠

    战兽铠

    看着已经被钦定为主角的少年!被拉到这个世界陆羽只能含泪坐上了顶配之位!然后发誓这辈子自己绝对不乱说话了!要不然一个不小心就要立FLAG了!诶!好像有点不对劲啊!我刚才说的就好像在立FLAG啊!
  • 田柾国:Dual双生

    田柾国:Dual双生

    看似平凡的世界,实则玄机重重。或许人存在的本身就是虚拟的,只是铜镜中的幻象。每个人的手脚都如同木偶般被千千万万的细丝控制着。而某一天,当你终于克服一切困难抬起头看向细丝尽头的那一刻。你才猛然意识到,细丝尽头等待着你的,远比你想象的更为可怖。在人类嬉笑声痛哭声的背后,那细丝的尽头,控制着摆布着一切的。并不是人,而是神。神,命运的主宰。或许你会问,我们的世界,神真的存在吗?可这个问题是多么的幼稚和可笑。你何尝不翻转过来想象一下,在这个世界,这个没人能够诠释的世界,我们,真的存在吗?命运,真的可以改变吗?所谓爱情,是一次次心痛;所谓离别,是痛上加痛。
  • 外传琉璃色

    外传琉璃色

    他只是一个简单而又普通的高中生,单亲家庭从小失去了父爱,当他面临抉择的时候却意外的被杀害了,那是一个寒冷的夜晚,死亡并不是终结,而是一切的开端,命运的齿轮才刚刚开始转动起来。