An arch in the terminal wall admits the visitor to the small roofless temple, and he sees before him, imbedded in the centre of the floor, a large smooth block of white marble, where the deed of this spot of land was to be recorded, in the hope to preserve it even after the globe should have been burned and renewed. But not a stroke of this inscription was ever cut, and now the young chestnut boughs droop into the uncovered interior, and shy forest-birds sing fearlessly among them, having learned that this house belongs to God, not man. As if to reassure them, and perhaps in allusion to his own vegetarian habits, the architect has spread some rough plaster at the head of the apartment and marked on it in bold characters, "Thou shalt not kill." Two slabs outside, a little way from the walls, bear these inscriptions, "Peace on Earth," "Good-Will to Men." When Ivisited it, the path was rough and so obstructed with bushes that it was hard to comprehend how it had afforded passage for these various materials; it seemed more as if some strange architectural boulder had drifted from some Runic period and been stranded there. It was as apt a confessional as any of Wordsworth's nooks among the Trossachs; and when one thinks how many men are wearing out their souls in trying to conform to the traditional mythologies of others, it seems nobler in this man to have reared upon that lonely hill the unfinished memorial of his own.
I recall another path which leads from the Lower Saranac Lake, near "Martin's," to what the guides call, or used to call, "The Philosopher's Camp" at Amperzand. On this oddly named lake, in the Adirondack region, a tract of land was bought by Professor Agassiz and his friends, who made there a summer camping-ground, and with one comrade I once sought the spot. I remember with what joy we left the boat,-- o delightful at first, so fatiguing at last; for I cannot, with Mr. Murray, call it a merit in the Adirondacks that you never have to walk,--and stepped away into the free forest. We passed tangled swamps, so dense with upturned trees and trailing mosses that they seemed to give no opening for any living thing to pass, unless it might be the soft and silent owl that turned its head almost to dislocation in watching us, ere it flitted vaguely away. Farther on, the deep, cool forest was luxurious with plumy ferns; we trod on moss-covered roots, finding the emerald steps so soft we scarcely knew that we were ascending; every breath was aromatic; there seemed infinite healing in every fragrant drop that fell upon our necks from the cedar boughs. We had what I think the pleasantest guide for a daylight tramp,--one who has never before passed over that particular route, and can only pilot you on general principles till he gladly, at last, allows you to pilot him. When we once got the lead we took him jubilantly on, and beginning to look for "The Philosopher's Camp," found ourselves confronted by a large cedar-tree on the margin of a wooded lake. This was plainly the end of the path. Was the camp then afloat? Our escort was in that state of hopeless ignorance of which only lost guides are capable. We scanned the green horizon and the level water, without glimpse of human abode. It seemed an enchanted lake, and we looked about the tree-trunk for some fairy horn, that we might blow it. That failing, we tried three rifle-shots, and out from the shadow of an island, on the instant, there glided a boat, which bore no lady of the lake, but a red-shirted woodsman. The artist whom we sought was on that very island, it seemed, sketching patiently while his guides were driving the deer.
This artist was he whose "Procession of the Pines" had identified his fame with that delightful forest region. He it was who had laid out with artistic taste "The Philosopher's Camp," and who was that season still awaiting philosophers as well as deer. He had been there for a month, alone with the guides, and declared that Nature was pressing upon him to an extent that almost drove him wild. His eyes had a certain remote and questioning look that belongs to imaginative men who dwell alone. It seemed an impertinence to ask him to come out of his dream and offer us dinner; but his instincts of hospitality failed not, and the red-shirted guide was sent to the camp, which was, it seemed, on the other side of the lake, to prepare our meal, while we bathed.
I am thus particular in speaking of the dinner, not only because such is the custom of travellers, but also because it was the occasion of an interlude which I shall never forget. As we were undressing for our bath upon the lonely island, where the soft, pale water almost lapped our feet, and the deep, wooded hills made a great amphitheatre for the lake, our host bethought himself of something neglected in his instructions.
"Ben!" vociferated he to the guide, now rapidly receding. Ben paused on his oars.
"Remember to bo-o-oil the venison, Ben!" shouted the pensive artist, while all the slumbering echoes arose to applaud this culinary confidence.
