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第25章 AN ARTIST'S CREATION(4)

As we were once thus employed in the studio, I asked Kenmure, abruptly, if he never shrank from the publicity he was thus giving Laura. "Madame Recamier was not quite pleased," I said, "that Canova had modelled her bust, even from imagination. Do you never shrink from permitting irreverent eyes to look on Laura's beauty? Think of men as you know them. Would you give each of them her miniature, perhaps to go with them into scenes of riot and shame?""Would to Heaven I could!" said he, passionately. "What else could save them, if that did not? God lets his sun shine on the evil and on the good, but the evil need it most."There was a pause; and then I ventured to ask him a question that had been many times upon my lips unspoken.

"Does it never occur to you," I said, "that Laura cannot live on earth forever?""You cannot disturb me about that," he answered, not sadly, but with a set, stern look, as if fencing for the hundredth time against an antagonist who was foredoomed to be his master in the end. "Laura will outlive me; she must outlive me. I am so sure of it that, every time I come near her, I pray that I may not be paralyzed, and die outside her arms. Yet, in any event, what can I do but what I am doing,--devote my whole soul to the perpetuation of her beauty? It is my only dream,--to re-create her through art. What else is worth doing? It is for this I have tried-through sculpture, through painting, through verse--to depict her as she is. Thus far I have failed. Why have I failed?

Is it because I have not lived a life sufficiently absorbed in her? or is it that there is no permitted way by which, after God has reclaimed her, the tradition of her perfect loveliness may be retained on earth?"The blinds of the piazza doorway opened, the sweet sea-air came in, the low and level rays of yellow sunset entered as softly as if the breeze were their chariot; and softer and stiller and sweeter than light or air, little Marian stood on the threshold.

She had been in the fields with Janet, who had woven for her breeze-blown hair a wreath of the wild gerardia blossoms, whose purple beauty had reminded the good Scotchwoman of her own native heather. In her arms the child bore, like a little gleaner, a great sheaf of graceful golden-rod, as large as her grasp could bear. In all the artist's visions he had seen nothing so aerial, so lovely; in all his passionate portraitures of his idol, he had delineated nothing so like to her. Marian's cheeks mantled with rich and wine-like tints, her hair took a halo from the sunbeams, her lips parted over the little, milk-white teeth; she looked at us with her mother's eyes. I turned to Kenmure to see if he could resist the influence.

He scarcely gave her a glance. "Go, Marian," he said, not impatiently,--for he was too thoroughly courteous ever to be ungracious, even to a child,--but with a steady indifference that cut me with more pain than if he had struck her.

The sun dropped behind the horizon, the halo faded from the shining hair and every ray of light from the childish face. There came in its place that deep, wondering sadness which is more touching than any maturer sorrow,--just as a child's illness melts our hearts more than that of man or woman, it seems so premature and so plaintive. She turned away; it was the very first time I had ever seen the little face drawn down, or the tears gathering in the eyes. By some kind providence, the mother, coming in flushed and beautiful with walking, met Marian on the piazza, and caught the little thing in her arms with unwonted tenderness. It was enough for the elastic child. After one moment of such bliss she could go to Janet, go anywhere; and when the same graceful presence came in to us in the studio, we also could ask no more.

We had music and moonlight, and were happy. The atmosphere seemed more human, less unreal. Going up stairs at last, I looked in at the nursery, and found my pet rather flushed, and I fancied that she stirred uneasily. It passed, whatever it was; for next morning she came in to wake me, looking, as usual, as if a new heaven and earth had been coined purposely for her since she went to sleep. We had our usual long and important discourse,--this time tending to protracted narrative, of the Mother-Goose description,--until, if it had been possible for any human being to be late for breakfast in that house, we should have been the offenders. But she ultimately went downstairs on my shoulder, and, as Kenmure and Laura were already out rowing, the baby put me in her own place, sat in her mother's chair, and ruled me with a rod of iron. How wonderful was the instinct by which this little creature, who so seldom heard one word of parental severity or parental fondness, knew so thoroughly the language of both! Had I been the most depraved of children, or the most angelic, I could not have been more sternly excluded from the sugar-bowl, or more overwhelmed with compensating kisses.

Later on that day, while little Marian was taking the very profoundest nap that ever a baby was blessed with, (she had a pretty way of dropping asleep in unexpected corners of the house, like a kitten,) I somehow strayed into a confidential talk with Janet about her mistress. I was rather troubled to find that all her loyalty was for Laura, with nothing left for Kenmure, whom, indeed, she seemed to regard as a sort of objectionable altar, on which her darlings were being sacrificed. When she came to particulars, certain stray fears of my own were confirmed. It seemed that Laura's constitution was not fit, Janet averred, to bear these irregular hours, early and late; and she plaintively dwelt on the untasted oatmeal in the morning, the insufficient luncheon, the precarious dinner, the excessive walking and boating, the evening damps. There was coming to be a look about Laura such as her mother had, who died at thirty. As for Marian,--but here the complaint suddenly stopped; it would have required far stronger provocation to extract from the faithful soul one word that might seem to reflect on Marian's mother.

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