登陆注册
15387100000015

第15章 PUBLISHERS' PREFACE TO THE NEW (1898) EDITION(15)

In placing the lecture before the public in print, it is impossible, by having recourse to any system of punctuation, to indicate the pauses, jerky emphases, and odd inflexions of voice which characterised the delivery.The reporter of the Standard newspaper, describing his first lecture in London, aptly said: "Artemus dropped his jokes faster than the meteors of last night succeeded each other in the sky.And there was this resemblance between the flashes of his humour and the flights of the meteors, that in each case one looked for jokes or meteors, but they always came just in the place that one least expected to find them.Half the enjoyment of the evening lay, to some of those present, in listening to the hearty cachinnation of the people who only found out the jokes some two or three minutes after they were made, and who then laughed apparently at some grave statements of fact.Reduced to paper, the showman's jokes are certainly not brilliant; almost their whole effect lies in their seemingly impromptu character.They are carefully led up to, of course; but they are uttered as if they are mere afterthoughts, of which the speaker is hardly sure." Herein the writer in the Standard hits the most marked peculiarity of Artemus Ward's style of lecturing.His affectation of not knowing what he was uttering, his seeming fits of abstraction, and his grave, melancholy aspect, constituted the very cream of the entertainment.Occasionally he would amuse himself in an apparently meditative mood, by twirling his little riding-whip, or by gazing earnestly, but with affected admiration, at his panorama.At the Egyptian Hall his health entirely failed him, and he would occasionally have to use a seat during the course of the lecture.In the notes which follow I have tried, I know how inefficiently, to convey here and there an idea of how Artemus rendered his lecture amusing by gesture or action.Ihave also, at the request of the publisher, made a few explanatory comments on the subject of our Mormon trip.In so doing I hope that I have not thrust myself too prominently forward, nor been too officious in my explanations.My aim has been to add to the interest of the lecture with those who never heard it delivered, and to revive in the memory of those who did some of its notable peculiarities.The illustrations are from photographs of the panorama painted in America for Artemus, as the pictorial portion of his entertainment.

In the lecture is the fun of the journey.For the hard facts the reader in quest of information is referred to a book published previously to the lecturer's appearance at the Egyptian Hall, the title of which is, "Artemus Ward: His Travels among the Mormons."Much against the grain as it was for Artemus to be statistical, he has therein detailed some of the experiences of his Mormon trip, with due regard to the exactitude and accuracy of statement expected by information-seeking readers in a book of travels.He was not precisely the sort of traveller to write a paper for the evening meetings of the Royal Geographical Society, nor was he sufficiently interested in philosophical theories to speculate on the developments of Mormonism as illustrative of the history of religious belief.We were looking out of the window of the Salt Lake House one morning, when Brigham Young happened to pass down the opposite side of Main Street.It was cold weather, and the prophet was clothed in a thick cloak of some green-colored material.Iremarked to Artemus that Brigham had seemingly compounded Mormonism from portions of a dozen different creeds; and that in selecting green for the color of his apparel, he was imitating Mahomet."Has it not struck you," I observed, "that Swedenborgianism and Mahometanism are oddly blended in the Mormon faith?""Petticoatism and plunder," was Artemus's reply--and that comprehended his whole philosophy of Mormonism.As he remarked elsewhere: "Brigham Young is a man of great natural ability.If you ask me, How pious is he? I treat it as a conundrum, and give it up."To lecture in London, and at the Egyptian Hall, had long been a favourite idea of Artemus Ward.Some humorist has said, that "All good Americans, when they die--, go to Paris." So do most, whether good or bad, while they are living.

Still more strongly developed is the transatlantic desire to go to Rome.In the far west of the Missouri, in the remoter west of Colorado and away in far north-western Oregon, I have heard many a tradesman express his intention to make dollars enough to enable him to visit Rome.In a land where all is so new, where they have had no past, where an old wall would be a sensation, and a tombstone of anybody's great grandfather the marvel of the whole region, the charms of the old world have an irresistible fascination.To visit the home of the Caesars they have read of in their school-books, and to look at architecture which they have seen pictorially, but have nothing like it in existence around them, is very naturally the strong wish of people who are nationally nomadic, and who have all more or less a smattering of education.Artemus Ward never expressed to me any very great wish to travel on the European continent, but to see London was to accomplish something which he had dreamed of from his boyhood.There runs from Marysville in California to Oroville in the same State a short and singular little railway, which, when we were there, was in a most unfinished condition.To Oroville we were going.We were too early for the train at the Marysville station, and sat down on a pile of timber to chat over future prospects.

"What sort of a man was Albert Smith?" asked Artemus "And do you think that the Mormons would be as good a subject for the Londoners as Mont Blanc was?"I answered his questions.He reflected for a few moments, and then said:

"Well, old fellow, I'll tell you what I should like to do.I should like to go to London and give my lecture in the same place.Can it be done?"It was done.Not in the same room, but under the same roof and on the same floor; in that gloomy-looking Hall in Piccadilly, which was destined to be the ante-chamber to the tomb of both lecturers.

Throughout this brief sketch I have written familiarly of the late Mr.Charles F.Browne as "Artemus Ward," or simply as "Artemus." Ihave done so advisedly, mainly because, during the whole course of our acquaintance, I do not remember addressing him as "Mr.Browne,"or by his real Christian name.To me he was always "Artemus"--Artemus the kind, the gentle, the suave, the generous.One who was ever a friend in the fullest meaning of the word, and the best of companions in the amplest acceptance of the phrase.His merry laugh and pleasant conversation are as audible to me as if they were heard but yesterday; his words of kindness linger on the ear of memory, and his tones of genial mirth live in echoes which I shall listen to for evermore.Two years will soon have passed away since last he spoke, and "Silence now, enamour'd of his voice Looks its mute music in her rugged cell."E.P.HINGSTON.

LONDON, October 1868.

* * *

ARTEMUS WARD.

同类推荐
  • 上池杂说

    上池杂说

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • 笔阵图

    笔阵图

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • Five Children and It

    Five Children and It

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • 净土随学

    净土随学

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • 秋水轩尺牍

    秋水轩尺牍

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
热门推荐
  • 官之记

    官之记

    没有转世重生!没有盖世神功!只有一颗上进的心!
  • 武弄恩仇

    武弄恩仇

    三十岁的李谦行,原是一个普通的农民,与自己至爱的独子平凡的生活着。直到有一天,厄运降临,村子惨遭屠戮,所有人家的孩子都被掳了去,除李谦行以外无一人生还。悲痛欲绝的他,从此踏上了寻找爱子的旅程。-----------------“犯下错误的人,终究会付出代价,无论你是谁,因着什么。”这是那个男人说的,在未来的某一刻。
  • 雨中妖仙

    雨中妖仙

    我说过,这一生我只为守护你一人。我不在了,你一定要好好活下去。你不可以死,我一定要救你,一定要。。。你是仙师门最后的一脉,就算是为了师门,好好活下去,这是我最后的恳求了。。。。。她纤弱的身体艰难的支起那个几乎没有任何气息的男子,孤寂的走向远方。。。。。。
  • 女神的近身护卫

    女神的近身护卫

    本书是2015年写的一本无脑妆毕打脸的爽文,因为某些原因被屏蔽了,当时无论怎么修改都无法解除屏蔽,无奈之下只能放弃,最近不知道什么原因突然跳出来了,但还是有某些章节无法显示,请路过的书友自动略过本书——2017年8月28日。
  • 传奇张家界

    传奇张家界

    杜鹃啼血叫不绝,向王至今魂不散。这首诗,原是多年前湘西文中子老先生游览张家界著名景点天子山神堂湾时的即景之作,诗中涉及了一位在张家界地区流传很广的向王天子的传说:向王天子领导农民造反起义,兵败后在神堂湾跳崖而死。
  • 《论语》与近代日本

    《论语》与近代日本

    作为一部传统文化典籍,《论语》不仅在中国文化史上占有重要位置,就东亚特别是日本文化发展而言,《论语》也是一部不能被遗忘的文献。近代日本的《论语》研究,折射出日本民族自身近代化进程中所遭遇的挑战、做出的抉择。本书从梳理截至近代以前《论语》在日本的流布概况入手,进而选取近代日本中国学界在哲学、历史、文学等人文学科领域的若干研究成果以及近代日本文学创作领域的相关作品,就其源于各自不同的立场、视角、学养以及情感体认而完成的《论语》阐释,尝试做出相对客观的清理与解读。书后并附“近代日本《论语》研究著作目录”,以期为读者的深入阅读与研究,提供有益的帮助。
  • 盖代战神

    盖代战神

    古纪元,劫难降临,大敌侵犯,战友背叛,古祖喋血陨落,世界各地血流成河。盖世强者梦无双战死重生,以最强姿态问鼎。这一世,他将杀遍九天,纵横天下。这一世,他将掀翻整个天地。永生之路,威震寰宇。三尺刀芒,独步天下。谁,敢不服?
  • 以调风为弄月

    以调风为弄月

    天天都要被家里人拉着去相亲,无奈之下苏弄月跑到亲生妈咪家去。本以为在这个新的城市里能安稳的度过所谓的“相亲阶段”,结果——“苏弄月!要是一分钟之后你还没赶到,那我就亲自把你扛过来!”
  • 乾华风云记

    乾华风云记

    昔日浮沉,如幻似真,好似一闭一睁世间的一切不过是分分合合,合合分分,又有谁能够成为永恒的主宰?就算帝国也是如此的适用最终谁又将成为这片大陆短暂的主人呢?
  • 杨文敏集

    杨文敏集

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。