登陆注册
15317300000004

第4章 THE HUMAN STANDARD OF VALUE(2)

The processes of production may thus be classified as extractive, manufacturing, artistic, transport, commercial, professional, domestic.Thus it is seen that the work of 'distribution' and 'exchange,'2 sometimes distinguished from the work of production, is here included in that category.

Now, the first difficulty confronting us in our search for a human valuation of this economic system consists in the obscurity in which half this system lies.For though there is everywhere a formal recognition that consumption is the end or goal of industry, there is no admission that the arts of consumption are equally important with the arts of production and are deserving of as much attention by students or reformers of our 'economic system.' On the contrary, so absorbing are the productive processes in their claims upon the physical and mental energies of mankind, that the economic system, alike for practitioners and theorists, has almost come to be identified with these processes.This depreciation and neglect of consumption no doubt has been natural enough.So much more conscious energy of thought and feeling, and so much more expenditure of time and effort have gone into the discovery, development and practice of the productive arts.Their practice has involved so much more publicity, so much wider and more varied intercourse, and therefore so much more organisation.Consumption, on the other hand, has been so much more passive in its character, so private and individual in the acts which comprise it, so little associated with sequences of thought or purpose, that it has hardly come to be regarded as an art.Hence, even in the more elaborate civilisations where much detailed skill and attention are devoted to the use and enjoyment of goods and services, the neglect of consumptive processes by economic science remains almost unimpaired.The arts of production remain so much more exacting in their demands upon our attention.

The early influence of this dominance of the productive standpoint in economic science has had effects upon the terminology and structure of that science which are serious obstacles to the human interpretation of industry.unconsciously, but consistently, the early structure of the science was built with exclusive regard to the industrial or productive processes.The art out of which the science grew was concerned with the progress of agriculture, manufacture, and commerce, or with problems of money, taxation, and population, regarded mainly or wholly from the productive standpoint.The underlying assumption everywhere was the question, 'How will this or that policy affect the quantity of wealth produced in the country?' always with an important corollary to the effect, 'How will it affect the quantity of wealth, passing as rents, profits, interest, or wages to the several classes of the nation?' But nowhere was there any direct consideration of the arts of consumption, with one particularly instructive exception.The only bit of attention paid by our early classical economists to processes of consumption was to distinguish 'productive'

from 'unproductive' consumption, that is, to suggest a valuation of consumption based entirely upon its subordination to future purposes of production.

Their condemnation of luxurious expenditure and waste, alike in the wealthy and the working-classes, was not primarily directed against the loss of real enjoyment, or human well-being, or the moral degradation involved in such abuse of spending power, but against the damage to the further processes of making wealth by reducing the rate of saving or by impairing the working efficiency of labour.Though occasional considerations of a more distinctively humane or moral character entered into the tirades against luxury, or the dietetic advice offered by these economic teachers, the main trend of their reflections on the use of wealth was quite evidently dominated by considerations of increased production.This tendency further impressed itself upon the central concept of economic science, that of value, which was treated by these early makers of Political Economy exclusively from the productive standpoint of 'costs.' When, however, later theorists, beginning with Jevons in this country, sought to convert the formal goal of consumption into the real goal, by substituting 'utility' for 'cost'

as the determinant of value, it might have been supposed that they would have been impelled, passing through the gateway of utility into consumption, to open up that hitherto neglected country.But no such thing has happened.

同类推荐
热门推荐
  • 20世纪大富豪

    20世纪大富豪

    本书收录了作者20余年来在《宁波日报》和《人民日报》这两家报纸服务时,发表的一些新闻作品和随感,内容包括见证三峡、重庆履痕、雪泥鸿爪、强词夺理、旧闻拾遗、人海觅珠、说长论短等。
  • 胃肠道病人食疗自疗与生活宜忌

    胃肠道病人食疗自疗与生活宜忌

    本书重点介绍了胃肠道常见病、多发病的营养治疗。从食谱入手,渗透科学、合理的营养理念。每种疾病都简单介绍了该病的病因、临床特点、营养治疗原则、食物选择以及相应的食谱等。
  • 纹路

    纹路

    “你我生活两个世界,一个现实一个梦境,我愿与你相约,十八岁那年,你可穿越界壁,来此找我,带我到你的世界陪你体验红尘,穿越人海”
  • 倾世舞姬:偷心的妖精

    倾世舞姬:偷心的妖精

    她,只有一半灵魂,终于,两部分灵魂合二为一。可是谁能告诉她,为什么她刚穿越过来的第一件事就是逃亡!他,原本以为只是一时兴起,想要她,谁料日久生情,怕伤害到她。可是,谁又能告诉他,这年头的女孩是不是都像她一样难追!
  • 腹黑总裁的富豪娇妻

    腹黑总裁的富豪娇妻

    第一次见她,他就对她产生了浓厚的兴趣,可她却完全不知,他的妹妹是她的闺蜜,她也完全不知,他如同一个腹黑大灰狼,让她一步步地陷入他的温柔陷阱里。本以为会一直这样幸福下去,可他的前未婚妻突然归来,她的外婆也因为一个噩耗而去世,在这之际她却意外遇见他和他的未婚妻同躺在一张床上,才发现自己原来只是他未婚妻的一个替身。她伤心欲裂,她却意外遇见他和他的前未婚妻同躺在一张床上,她伤心欲裂,带着刚怀孕的身子离开了这所城市。四年后,她凯旋归来,可她已不再是以前的那个弱女子了,她已是世界首富家族的继承人。他和她之间又会擦出怎样的火花呢?
  • 四季的歌者

    四季的歌者

    用眼看世界,用心体人生,四季风景迥异,风花雪夜不同,美,是心中独自的那份体会!
  • 星河战纪之黑暗星空

    星河战纪之黑暗星空

    宇宙,浩瀚无垠。在无数星际文明的激烈碰撞中,人族少年在纷争中走出,塑造属于自己的传奇。
  • 无限斯特拉托斯之凌天

    无限斯特拉托斯之凌天

    IS学园是一所培养只对女性有反应的兵器——「InfiniteStratos」(IS)操控者的学校。在那里聚集了来自世界各国的少女,她们以候补生的身份每天勤勉学习——应该是这样才对。作为穿越者的凌天竟然同可以发动IS的织斑一夏,也被强制送入这个学校就读!当然,在他们周围的全都是女孩子。应为凌天的到来,使剧情发生了改变,面对众多意外事件,凌天等人该如何应对?
  • TFBOYs之你若不离我定不弃

    TFBOYs之你若不离我定不弃

    花季雨季,你我是否有未来,你和我最纯真年代,感谢有你。
  • 凤求凰

    凤求凰

    穿越了,穿越了!抢钱,抢权,抢美男!某女挥舞着拳头,信心爆棚!怎知理想太丰满,现实太残酷。柔然古国穷的都快揭不开锅了,权力也只不过是镜花水月,至于美男……唉,说多了都是泪啊!敢问客官,可有回家良方?某男一脸邪恶状:来了还想走?