All this sort of detailed bargaining was, in fact, a safeguard for the local liberties, so far as they went, of the towns and shires, and did not suit the king's views of law and order at all; and so began the custom of the sheriff (the king's officer, who had taken the place of the earl of the Anglo-Saxon period) summoning the burgesses to the council, which burgesses you must understand were not elected at the folkmotes of the town, or hundred, but in a sort of hole-and-corner way by a few of the bigger men of the place. What the king practically said was this: "I want your money, and I cannot be for ever wrangling with you stubborn churles at home there, and listening to all your stories of how poor you are, and what you want;
no, I want you to be REPRESENTED. Send me up from each one of your communes a man or two whom I can bully or cajole or bribe to sign away your substance for you."
Under these circumstances it is no wonder that the towns were not very eager in the cause of REPRESENTATION. It was no easy job to get them to come up to London merely to consult as to the kind of sauce with which they were to be eaten. However, they did come in some numbers, and by the year 1295 something like a shadow of our present Parliament was on foot. Nor need there be much more said about this institution; as time went on its functions got gradually extended by the petition for the redress of grievances accompanying the granting of money, but it was generally to be reckoned on as subservient to the will of the king, who down to the later Tudor period played some very queer tunes on this constitutional instrument.
Edward I. gave place to his son, who again was of the type of king who had hitherto given the opportunity to the barons for their turn of advancement in the constitutional struggle; and in earlier times no doubt they would have taken full advantage of the circumstances;
as it was they had little to gain. The king did his best to throw off the restraint of the feudal constitution, and to govern simply as an absolute monarch. After a time of apparent success he failed, of course, and only succeeded in confirming the legal rights of feudalism by bringing about his own formal deposition at the hands of the Baronage, as a chief who, having broken the compact with his feudatories, had necessarily forfeited his right. If we compare his case with that of Charles I. we shall find this difference in it, besides the obvious one that Edward was held responsible to his feudatories and Charles towards the upper middle classes, the squirearchy, as represented by Parliament; that Charles was condemned by a law created for the purpose, so to say, and evolved from the principle of the representation of the propertied classes, while Edward's deposition was the real logical outcome of the confirmed feudal system, and was practically legal and regular.
The successor of the deposed king, the third Edward, ushers in the complete and central period of the Middle Ages in England. The feudal system is complete: the life and spirit of the country has developed into a condition if not quite independent, yet quite forgetful, on the one hand of the ideas and customs of the Celtic and Teutonic tribes, and on the other of the authority of the Roman Empire. The Middle Ages have grown into manhood; that manhood has an art of its own, which, though developed step by step from that of Old Rome and New Rome, and embracing the strange mysticism and dreamy beauty of the East, has forgotten both its father and its mother, and stands alone triumphant, the loveliest, brightest, and gayest of all the creations of the human mind and hand.
It has a literature of its own too, somewhat akin to its art, yet inferior to it, and lacking its unity, since there is a double stream in it. On the one hand is the court poet, the gentleman, Chaucer, with his Italianizing metres, and his formal recognition of the classical stories; on which, indeed, he builds a superstructure of the quaintest and most unadulterated mediaevalism, as gay and bright as the architecture which his eyes beheld and his pen pictured for us, so clear, defined, and elegant it is; a sunny world even amidst its violence and passing troubles, like those of a happy child, the worst of them an amusement rather than a grief to the onlookers; a world that scarcely needed hope in its eager life of adventure and love, amidst the sunlit blossoming meadows, and green woods, and white begilded manor-houses. A kindly and human muse is Chaucer's, nevertheless, interested in and amused by all life, but of her very nature devoid of strong aspirations for the future; and that all the more, since, though the strong devotion and fierce piety of the ruder Middle Ages had by this time waned, and the Church was more often lightly mocked at than either feared or loved, still the HABIT of looking on this life as part of another yet remained: the world is fair and full of adventure; kind men and true and noble are in it to make one happy; fools also to laugh at, and rascals to be resisted, yet not wholly condemned; and when this world is over we shall still go on living in another which is a part of this. Look at all the picture, note all and live in all, and be as merry as you may, never forgetting that you are alive and that it is good to live.
