“I understand, I understand … of course … why do you look at my room like that? My mother has just said it is like a tomb.”
“You gave us everything yesterday,” Sonia said suddenly, in reply, in a loud rapid whisper; and again she looked down in confusion. Her lips and chin were trembling once more. She had been struck at once by Raskolnikov’s poor surroundings, and now these words broke out spontaneously. A silence followed. There was a light in Dounia’s eyes, and even Pulcheria Alexandrovna looked kindly at Sonia.
“Rodya,” she said, getting up, “we shall have dinner together, of course. Come, Dounia. … And you, Rodya, had better go for a little walk, and then rest and lie down before you come to see us. … I am afraid we have exhausted you. …”
“Yes, yes, I’ll come,” he answered, getting up fussily. “But I have something to see to.”
“But surely you will have dinner together?” cried Razumihin, looking in surprise at Raskolnikov. “What do you mean?”
“Yes, yes, I am coming … of course, of course! And you stay a minute. You do not want him just now, do you, mother? Or perhaps I am taking him from you?”
“Oh, no, no. And will you, Dmitri Prokofitch, do us the favour of dining with us?”
“Please do,” added Dounia.
Razumihin bowed, positively radiant. For one moment, they were all strangely embarrassed.
“Good-bye, Rodya, that is till we meet. I do not like saying good-bye. Good-bye, Nastasya. Ah, I have said good-bye again.”
Pulcheria Alexandrovna meant to greet Sonia, too; but it somehow failed to come off, and she went in a flutter out of the room.
But Avdotya Romanovna seemed to await her turn, and following her mother out, gave Sonia an attentive, courteous bow. Sonia, in confusion, gave a hurried, frightened curtsy. There was a look of poignant discomfort in her face, as though Avdotya Romanovna’s courtesy and attention were oppressive and painful to her.
“Dounia, good-bye,” called Raskolnikov, in the passage. “Give me your hand.”
“Why, I did give it to you. Have you forgotten?” said Dounia, turning warmly and awkwardly to him.
“Never mind, give it to me again.” And he squeezed her fingers warmly.
Dounia smiled, flushed, pulled her hand away, and went off quite happy.
“Come, that’s capital,” he said to Sonia, going back and looking brightly at her. “God give peace to the dead, the living have still to live. That is right, isn’t it?”
Sonia looked surprised at the sudden brightness of his face. He looked at her for some moments in silence. The whole history of the dead father floated before his memory in those moments. …
“Heavens, Dounia,” Pulcheria Alexandrovna began, as soon as they were in the street, “I really feel relieved myself at coming away—more at ease. How little did I think yesterday in the train that I could ever be glad of that.”
“I tell you again, mother, he is still very ill. Don’t you see it? Perhaps worrying about us upset him. We must be patient, and much, much can be forgiven.”
“Well, you were not very patient!” Pulcheria Alexandrovna caught her up, hotly and jealously. “Do you know, Dounia, I was looking at you two. You are the very portrait of him, and not so much in face as in soul. You are both melancholy, both morose and hot-tempered, both haughty and both generous. … Surely he can’t be an egoist, Dounia. Eh? When I think of what is in store for us this evening, my heart sinks!”
“Don’t be uneasy, mother. What must be, will be.”
“Dounia, only think what a position we are in! What if Pyotr Petrovitch breaks it off?” poor Pulcheria Alexandrovna blurted out, incautiously.
“He won’t be worth much if he does,” answered Dounia, sharply and contemptuously.
“We did well to come away,” Pulcheria Alexandrovna hurriedly broke in. “He was in a hurry about some business or other. If he gets out and has a breath of air … it is fearfully close in his room. … But where is one to get a breath of air here? The very streets here feel like shut-up rooms. Good heavens! what a town! … stay … this side … they will crush you—carrying something. Why, it is a piano they have got, I declare … how they push! … I am very much afraid of that young woman, too.”
“What young woman, mother?
“Why, that Sofya Semyonovna, who was there just now.”
“Why?”
“I have a presentiment, Dounia. Well, you may believe it or not, but as soon as she came in, that very minute, I felt that she was the chief cause of the trouble. …”
“Nothing of the sort!” cried Dounia, in vexation. “What nonsense, with your presentiments, mother! He only made her acquaintance the evening before, and he did not know her when she came in.”
“Well, you will see. … She worries me; but you will see, you will see! I was so frightened. She was gazing at me with those eyes. I could scarcely sit still in my chair when he began introducing her, do you remember? It seems so strange, but Pyotr Petrovitch writes like that about her, and he introduces her to us—to you! So he must think a great deal of her.”
“People will write anything. We were talked about and written about, too. Have you forgotten? I am sure that she is a good girl, and that it is all nonsense.”
“God grant it may be!”
“And Pyotr Petrovitch is a contemptible slanderer,” Dounia snapped out, suddenly.
Pulcheria Alexandrovna was crushed; the conversation was not resumed.
“I will tell you what I want with you,” said Raskolnikov, drawing Razumihin to the window.
“Then I will tell Katerina Ivanovna that you are coming,” Sonia said hurriedly, preparing to depart.
“One minute, Sofya Semyonovna. We have no secrets. You are not in our way. I want to have another word or two with you. Listen!” he turned suddenly to Razumihin again. “You know that … what’s his name … Porfiry Petrovitch?”
“I should think so! He is a relation. Why?” added the latter, with interest.
“Is not he managing that case … you know, about that murder? … You were speaking about it yesterday.”
“Yes … well?” Razumihin’s eyes opened wide.
