'Discourses,' the writings of Bacon, and 'Burnet's Account of Sir Matthew Hale.' The perusal of the last-mentioned book - the portrait of a prodigy of labour - Horner says, filled him with enthusiasm. Of Condorcet's 'Eloge of Haller,' he said: "I never rise from the account of such men without a sort of thrilling palpitation about me, which I know not whether I should call admiration, ambition, or despair." And speaking of the 'Discourses' of Sir Joshua Reynolds, he said: "Next to the writings of Bacon, there is no book which has more powerfully impelled me to self-culture. He is one of the first men of genius who has condescended to inform the world of the steps by which greatness is attained. The confidence with which he asserts the omnipotence of human labour has the effect of familiarising his reader with the idea that genius is an acquisition rather than a gift; whilst with all there is blended so naturally and eloquently the most elevated and passionate admiration of excellence, that upon the whole there is no book of a more INFLAMMATORY effect." It is remarkable that Reynolds himself attributed his first passionate impulse towards the study of art, to reading Richardson's account of a great painter; and Haydon was in like manner afterwards inflamed to follow the same pursuit by reading of the career of Reynolds. Thus the brave and aspiring life of one man lights a flame in the minds of others of like faculties and impulse; and where there is equally vigorous efforts like distinction and success will almost surely follow. Thus the chain of example is carried down through time in an endless succession of links, -admiration exciting imitation, and perpetuating the true aristocracy of genius.
One of the most valuable, and one of the most infectious examples which can be set before the young, is that of cheerful working.
Cheerfulness gives elasticity to the spirit. Spectres fly before it; difficulties cause no despair, for they are encountered with hope, and the mind acquires that happy disposition to improve opportunities which rarely fails of success. The fervent spirit is always a healthy and happy spirit; working cheerfully itself, and stimulating others to work. It confers a dignity on even the most ordinary occupations. The most effective work, also, is usually the full-hearted work - that which passes through the hands or the head of him whose heart is glad. Hume was accustomed to say that he would rather possess a cheerful disposition - inclined always to look at the bright side of things - than with a gloomy mind to be the master of an estate of ten thousand a year. Granville Sharp, amidst his indefatigable labours on behalf of the slave, solaced himself in the evenings by taking part in glees and instrumental concerts at his brother's house, singing, or playing on the flute, the clarionet or the oboe; and, at the Sunday evening oratorios, when Handel was played, he beat the kettle-drums. He also indulged, though sparingly, in caricature drawing. Fowell Buxton also was an eminently cheerful man; taking special pleasure in field sports, in riding about the country with his children, and in mixing in all their domestic amusements.
In another sphere of action, Dr. Arnold was a noble and a cheerful worker, throwing himself into the great business of his life, the training and teaching of young men, with his whole heart and soul.
