>From the Metropole I went to the Red Fleet to get my room fixed up. Six months ago there were comparatively clean rooms here, but the sailors have demoralized the hotel and its filth is indescribable. There was no heating and very little light. A samovar left after the departure of the last visitor was standing on the table, together with some dirty curl-papers and other rubbish. I got the waiter to clean up more or less, and ordered a new samovar. He could not supply spoon, knife, or fork, and only with great difficulty was persuaded to lend me glasses.
The telephone, however, was working, and after tea I got into touch with Madame Radek, who had moved from the Metropole into the Kremlin. I had not yet got a pass to the Kremlin, so she arranged to meet me and get a pass for me from the Commandant. I walked through the snow to the white gate at the end of the bridge which leads over the garden up a steep incline to the Kremlin. Here a fire of logs was burning, and three soldiers were sitting around it. Madame Radek was waiting for me,warming her hands at the fire, and we went together into the citadel of the republic.
A meeting of the People's Commissars was going on in the Kremlin, and on an open space under the ancient churches were a number of motors black on the snow. We turned to the right down the Dvortzovaya street, between the old Cavalier House and the Potyeshny Palace, and went in through a door under the archway that crosses the road, and up some dark flights of stairs to a part of the building that used, I think, to be called the Pleasure Palace. Here, in a wonderful old room, hung with Gobelins tapestries absolutely undamaged by the revolution, and furnished with carved chairs, we found the most incongruous figure of the old Swiss internationalist, Karl Moor, who talked with affection of Keir Hardie and of Hyndman, "in the days when he was a socialist," and was disappointed to find that I knew so little about them. Madame Radek asked, of course, for the latest news of Radek, and I told her that I had read in the Stockholm papers that he had gone to Brunswick, and was said to be living in the palace there.* [(*)It was not till later that we learned he had returned to Berlin, been arrested, and put in prison.] She feared he might have been in Bremen when that town was taken by the Government troops, and did not believe he would ever get back to Russia. She asked me, did I not feel already (as indeed I did) the enormous difference which the last six months had made in strengthening the revolution. I asked after old acquaintances, and learnt that Pyatakov, who, when I last saw him, was praying that the Allies should give him machine rifles to use against the Germans in the Ukraine, had been the first President of the Ukrainian Soviet Republic, but had since been replaced by Rakovsky. It had been found that the views of the Pyatakov government were further left than those of its supporters, and so Pyatakov had given way to Rakovsky who was better able to conduct a more moderate policy. The Republic had been proclaimed in Kharkov, but at that time Kiev was still in the hands of the Directorate.
That night my room in the Red Fleet was so cold that I went to bed in a sheepskin coat under rugs and all possible bedclothes with a mattress on the top. Even so I slept very badly.
The next day I spent in vain wrestlings to get a better room. Walking about the town I found it dotted with revolutionary sculptures, some very bad, others interesting, all done in some haste and set up for the celebrations of the anniversary of the revolution last November. The painters also had been turned loose to do what they could with the hoardings, and though the weather had damaged many of their pictures, enough was left to show what an extraordinary carnival that had been. Where a hoarding ran along the front of a house being repaired the painters had used the whole of it as a vast canvas on which they had painted huge symbolic pictures of the revolution. A whole block in the Tverskaya was so decorated. Best, I think, were the row of wooden booths almost opposite the Hotel National in the Okhotnia Ryadi. These had been painted by the futurists or kindred artists, and made a really delightful effect, their bright colours and naif patterns seeming so natural to Moscow that I found myself wondering how it was that they had never been so painted before. They used to be a uniform dull yellow. Now, in clear primary colours, blue, red, yellow, with rough flower designs, on white and chequered back-grounds, with the masses of snow in the road before them, and bright-kerchiefed women and peasants in ruddy sheepskin coats passing by, they seemed less like futurist paintings than like some traditional survival, linking new Moscow with the Middle Ages. It is perhaps interesting to note that certain staid purists in the Moscow Soviet raised a protest while I was there against the license given to the futurists to spread themselves about the town, and demanded that the art of the revolution should be more comprehensible and less violent. These criticisms, however, did not apply to the row of booths which were a pleasure to me every time I passed them.
