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第22章 AN EVENING AT THE OPERA(1)

I read in one of the newspapers that a member of the American Commission in Berlin reasoned from the fact that the Germans were crowding to theatres and spectacles that they could not be hungry. There can be no question about the hunger of the people of Moscow, but the theatres are crowded, and there is such demand for seats that speculators acquire tickets in the legitimate way and sell them illicitly near the doors of the theatre to people who have not been able to get in, charging, of course, double the price or even more. Interest in the theatre, always keen in Moscow, seems to me to have rather increased than decreased. There is a School of Theatrical Production, with lectures on every subject connected with the stage, from stage carpentry upwards. A Theatrical Bulletin is published three times weekly, containing the programmes of all the theatres and occasional articles on theatrical subjects. I had been told in Stockholm that the Moscow theatres were closed. The following is an incomplete list of the plays and spectacles to be seen at various theatres on February 13 and February 14, copied from the Theatrical Bulletin of those dates. Just as it would be interesting to know what French audiences enjoyed at the time of the French revolution, so I think it worth while to record the character of the entertainments at present popular in Moscow.

Opera at the Great Theatre.--"Sadko" by Rimsky-Korsakov and "Samson and Delilah" by Saint-Saens.

Small State Theatre.--"Besheny Dengi" by Ostrovsky and "Starik" by Gorky.

Moscow Art Theatre.-- "The Cricket on the Hearth" by Dickens and "The Death of Pazuchin" by Saltykov-Shtchedrin.

Opera. "Selo Stepantchiko" and "Coppellia."People'sPalace.--"Dubrovsky"byNapravnikand"Demon"by Rubinstein.

Zamoskvoretzky Theatre.--"Groza" by Ostrovsky and "Meshitchane" by Gorky.

Popular Theatre.--" The Miracle of Saint, Anthony" by Maeterlinck.

Komissarzhevskaya Theatre.--"A Christmas Carol" by Dickens and "The Accursed Prince" by Remizov.

Korsh Theatre.--"Much Ado about Nothing" by Shakespeare and "Le Misanthrope" and "Georges Dandin" by Moli=8Are.

Dramatic Theatre.--"Alexander I" by Merezhkovsky.

Theatre of Drama and Comedy.-- "Little Dorrit" by Dickens and "The King's Barber" by Lunacharsky.

Besides these, other theatres were playing K. R. (Konstantin Romanov), Ostrovsky, Potapenko, Vinitchenko, etc. The two Studios of the Moscow Art Theatre were playing "Rosmersholm" and a repertoire of short plays. They, like the Art Theatre Company, occasionally play in the suburban theatres when their place at home is taken by other performers.

I went to the Great State Theatre to Saint-Saens' "Samson and Delilah." I had a seat in the box close above the orchestra, from which I could obtain a view equally good of the stage and of the house. Indeed, the view was rather better of the house than of the stage. But that was as I had wished, for the house was what I had come to see.

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