THE STAR OF POLAND
The room in which Desmond found Nur-el-Din was obviously the parlor of the house. Everything in it spoke of that dreary period in art, the middle years of the reign of Victoria the Good. The wall-paper, much mildewed in places, was an ugly shade of green and there were dusty and faded red curtains at the windows and draping the fireplace. Down one side of the room ran a hideous mahogany sideboard, almost as big as a railway station buffet, with a very dirty tablecloth. The chairs were of mahogany, upholstered in worn black horsehair and there were two pairs of fly-blown steel engravings of the largest size on the wall. In the centre of the apartment stood a small round table, covered with a much stained red tablecloth and there was a door in the corner.
The dainty beauty of Nur-el-Din made a very forlorn picture amid the unmatched savagery of this English interior. The dancer, who was wearing the same becoming gray tweed suit in which Desmond had last seen her, was sitting sorrowfully at the table when Desmond entered. At the sight of him she sprang up and ran to meet him with outstretched hands.
"Ah!" she cried, "comme je suis heureuse de vows voir! It is good of you to come!"And then, without any warning, she burst into tears and putting her hands on the man's shoulders, hid her head against his chest and sobbed bitterly.
Desmond took one of her hands, small and soft and warm, and gently disengaged her. His mind was working clearly and rapidly.
He felt sure of himself, sure of his disguise; if this were an exhibition of woman's wiles, it would find him proof; on that he was resolved. Yet, dissolved in tears as she was, with her long lashes glistening and her mouth twitching pitifully, the dancer seemed to touch a chord deep down in his heart.
"Come, come," said Desmond gutturally, with a touch of bonhomie in his voice in keeping with his ample girth, "you mustn't give way like this, my child! What's amiss? Come, sit down here and tell me what's the matter."He made her resume her seat by the table and pulled up one of the horsehair chairs for himself. Nur-el-Din wiped her eyes on a tiny lace handkerchief, but continued to sob and shudder at intervals.
"Marie, my maid," she said in French in a broken voice, "joined me here to-day. She has told me of this dreadful murder!"Desmond stiffened to attention. His mind swiftly reverted to the last woman he had seen cry, to Barbara Mackwayte discovering the loss of the package entrusted to her charge by the woman who sat before him.
"What murder?" he asked, striving to banish any trace of interest from his voice. He loathed the part he had to play. The dancer's distress struck him as genuine.
"The murder of Monsieur Mackwayte," said Nur-el-Din, and her tears broke forth anew.
"I have read of this in the newspapers," said Desmond. "Iremember you told me he was a friend of yours."Briefly, with many sobs, the dancer told him of the silver box which she had entrusted to Barbara Mackwayte's charge.
"And now," she sobbed, "it is lost and all my sacrifice, all my precautions, have been in vain!""But how?" asked Desmond. "Why should you think this box should have been taken? From what I remember reading of this case in the English newspapers there was a burglary at the house, but the thief has been arrested and the property restored. You have only to ask this Miss--what was the name? ah! yes, Mackwayte for your box and she will restore it!""No, no!" Nur-el-Din answered wearily, "you don't understand.
This was no burglary. The man who murdered Monsieur Arthur murdered him to get my silver box.""But," objected Desmond, "a silver box! What value has a trifling object like that? My dear young lady, murder is not done for a silver box!""No, no," Nur-el-Din repeated, "you don't understand! You don't know what that box contained!"Then she relapsed into silence, plucking idly at the shred of cambric she held between her fingers.
Already dusk was falling and the room was full of shadows. The golden radiance of the afternoon had died and eerie wraiths of fog were peering-in at the window.
Desmond held his peace. He felt he was on the threshold of a confession that might rend the veil of mystery surrounding the murder at Seven Kings. He stared fixedly at the ugly red tablecloth, conscious that the big eyes of the girl were searching his face.
"You have honest eyes," she said presently. "I told you that once before... that night we met.at your house... do you remember?
Your eyes are English. But you are a German, hein?""My mother was Irish," said Desmond and felt a momentary relief that, for once, he had been able to speak the truth.
"I want a friend," the girl resumed wearily, "someone that I can trust. But I look around and I find no one. You serve the German Empire, do you not?"Desmond bowed.
"But not the House of Hohenzollern?" the girl cried, her voice trembling with passion.
"I am not of the Emperor's personal service, if that is what you mean, madame," Desmond returned coldly.
"Then, since you are not altogether an iron Prussian," Nur-el-Din resumed eagerly, "you can differentiate. You can understand that there is a difference between working for the cause of Germany and for the personal business of her princes.""But certainly," answered Desmond, "I am not an errand boy nor yet a detective. I regard myself as a German officer doing his duty on the front. We have many fronts besides the Western and the Eastern. England is one.
"Ah," exclaimed the girl, clasping her hands together and looking at him with enraptured eyes, "I see you understand! My friend, Iam much tempted to make a confidant of you!"Desmond looked at her but did not speak. Again he felt that silence was now his only role. He tried hard to fix his mind on his duty; but the man in him was occupied with the woman who looked so appealingly at him.
