登陆注册
14832100000031

第31章

From the firing of the first shot on the banks of the Sha-ho, the fate of the great battle of the Russo-Japanese war hung in the balance for more than a fortnight. The famous three-day battles, for which history has reserved the recognition of special pages, sink into insignificance before the struggles in Manchuria engaging half a million men on fronts of sixty miles, struggles lasting for weeks, flaming up fiercely and dying away from sheer exhaustion, to flame up again in desperate persistence, and end--as we have seen them end more than once--not from the victor obtaining a crushing advantage, but through the mortal weariness of the combatants.

We have seen these things, though we have seen them only in the cold, silent, colourless print of books and newspapers. In stigmatising the printed word as cold, silent and colourless, Ihave no intention of putting a slight upon the fidelity and the talents of men who have provided us with words to read about the battles in Manchuria. I only wished to suggest that in the nature of things, the war in the Far East has been made known to us, so far, in a grey reflection of its terrible and monotonous phases of pain, death, sickness; a reflection seen in the perspective of thousands of miles, in the dim atmosphere of official reticence, through the veil of inadequate words. Inadequate, I say, because what had to be reproduced is beyond the common experience of war, and our imagination, luckily for our peace of mind, has remained a slumbering faculty, notwithstanding the din of humanitarian talk and the real progress of humanitarian ideas. Direct vision of the fact, or the stimulus of a great art, can alone make it turn and open its eyes heavy with blessed sleep; and even there, as against the testimony of the senses and the stirring up of emotion, that saving callousness which reconciles us to the conditions of our existence, will assert itself under the guise of assent to fatal necessity, or in the enthusiasm of a purely aesthetic admiration of the rendering. In this age of knowledge our sympathetic imagination, to which alone we can look for the ultimate triumph of concord and justice, remains strangely impervious to information, however correctly and even picturesquely conveyed. As to the vaunted eloquence of a serried array of figures, it has all the futility of precision without force. It is the exploded superstition of enthusiastic statisticians. An over-worked horse falling in front of our windows, a man writhing under a cart-wheel in the streets awaken more genuine emotion, more horror, pity, and indignation than the stream of reports, appalling in their monotony, of tens of thousands of decaying bodies tainting the air of the Manchurian plains, of other tens of thousands of maimed bodies groaning in ditches, crawling on the frozen ground, filling the field hospitals; of the hundreds of thousands of survivors no less pathetic and even more tragic in being left alive by fate to the wretched exhaustion of their pitiful toil.

An early Victorian, or perhaps a pre-Victorian, sentimentalist, looking out of an upstairs window, I believe, at a street--perhaps Fleet Street itself--full of people, is reported, by an admiring friend, to have wept for joy at seeing so much life. These arcadian tears, this facile emotion worthy of the golden age, comes to us from the past, with solemn approval, after the close of the Napoleonic wars and before the series of sanguinary surprises held in reserve by the nineteenth century for our hopeful grandfathers.

We may well envy them their optimism of which this anecdote of an amiable wit and sentimentalist presents an extreme instance, but still, a true instance, and worthy of regard in the spontaneous testimony to that trust in the life of the earth, triumphant at last in the felicity of her children. Moreover, the psychology of individuals, even in the most extreme instances, reflects the general effect of the fears and hopes of its time. Wept for joy!

I should think that now, after eighty years, the emotion would be of a sterner sort. One could not imagine anybody shedding tears of joy at the sight of much life in a street, unless, perhaps, he were an enthusiastic officer of a general staff or a popular politician, with a career yet to make. And hardly even that. In the case of the first tears would be unprofessional, and a stern repression of all signs of joy at the provision of so much food for powder more in accord with the rules of prudence; the joy of the second would be checked before it found issue in weeping by anxious doubts as to the soundness of these electors' views upon the question of the hour, and the fear of missing the consensus of their votes.

同类推荐
  • 佛说前世三转经

    佛说前世三转经

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • 经典释文

    经典释文

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • 白雪遗音

    白雪遗音

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • 行营杂录

    行营杂录

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • 太上大道三元品诫谢罪上法

    太上大道三元品诫谢罪上法

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
热门推荐
  • 无上圣地

    无上圣地

    宗门弃子强势回归做上宗主宝座,却被算计回到成为弃子之前。再活一遍的杨昊奉行有恩报恩,有仇报仇,只为对得起自己的良心。
  • 残尊霸爱:恋上孤傲女王

    残尊霸爱:恋上孤傲女王

    她,是天之娇女,隐藏身份来到dream贵族学院,与他相遇,成为全校女生公敌。他,第一次见到她,就觉得她非比寻常。
  • 福妻驾到

    福妻驾到

    现代饭店彪悍老板娘魂穿古代。不分是非的极品婆婆?三年未归生死不明的丈夫?心狠手辣的阴毒亲戚?贪婪而好色的地主老财?吃上顿没下顿的贫困宭境?不怕不怕,神仙相助,一技在手,天下我有!且看现代张悦娘,如何身带福气玩转古代,开面馆、收小弟、左纳财富,右傍美男,共绘幸福生活大好蓝图!!!!快本新书《天媒地聘》已经上架开始销售,只要3.99元即可将整本书抱回家,你还等什么哪,赶紧点击下面的直通车,享受乐乐精心为您准备的美食盛宴吧!)
  • 花之绽

    花之绽

    我相信,人生就是这么巧妙,微不足道的一个举动,就会把我迷的神魂颠倒。
  • 秘书办公自动化实用教程

    秘书办公自动化实用教程

    本教材的软件部分,尤其是Office软件,在编写过程中采用以实例导入,串起、整合软件的具体功能,让学生在制作作品、完成任务的过程中,真正获得操作软件的综合能力;教材创新性地增加了计算机系统优化、安全保护以及辅助秘书办公相关软件的基本操作方法等内容。本教材硬件部分的编写强调“够用’’原则。基于硬件种类及型号多样性突出以及在实际工作中硬件使用上手较快的特点,本教材在硬件编写时,侧重于介绍各硬件的结构、基本使用方法以及维护保养等方面的知识。针对优盘、移动硬盘、录音笔等新型办公设备在企业中的广泛应用,特别添加了这些设备的使用及维护保养等内容。
  • 魔龙武帝

    魔龙武帝

    山河破碎,作为皇室唯一存活的皇子也沦为最卑贱的奴隶,在受到两年的屈辱后死亡,然而曾经的高傲与不屈却让他从死亡中又站了起来。不屈的灵魂在黑暗中堕落,死去的身体在怨恨中苏醒,堕落黑暗又如何,与魔鬼交易又如何,在这弱肉强食的世界,唯有力量才是永恒不变的真理!
  • 抱上大明星:七小时二十八分

    抱上大明星:七小时二十八分

    不是吧!她抱上了权志龙欧巴!还住在了一起!不是吧!阿西吧!偶多K!
  • 修仙三万年

    修仙三万年

    三万年前他是太仙宗的绝世天才,三万年后当他再次醒来,天才依旧,太仙宗却日渐衰弱。三万年前他碾压各派天才,三万年后他更是无人可敌。三万年前他留下一尊药鼎,三万年后他成了第一仙门的祖师。三万年前他养了一只小妖,三万年后他成了妖族霸主的主人。三万年前他留下一尊分身,三万年后他成了魔域的至尊。三万年前他未能羽化登仙,三万年后,他自登仙。
  • 随园诗话(第八卷)

    随园诗话(第八卷)

    《随园诗话》,清代袁枚的一部有为之作,有其很强的针对性。本书所论及的,从诗人的先天资质,到后天的品德修养、读书学习及社会实践;从写景、言情,到咏物、咏史;从立意构思,到谋篇炼句;从辞采、韵律,到比兴、寄托、自然、空灵、曲折等各种表现手法和艺术。本书对其进行了详细的解读。
  • 仙侠录之情缘

    仙侠录之情缘

    天经有言,纵横六界,诸事皆有缘法。凡人仰观苍天,无明日月潜息,四时更替,幽冥之间,万物已循因缘,恒大者则为天道!!!!