GIRL. [Laughing] You are a funny boy; but you are veree good. Talk to me a little, then. No one talks to me. Tell me, haf you seen many German prisoners?
YOUNG OFF. [Sighing] A good many.
GIRL. Any from the Rhine?
YOUNG OFF. Yes, I think so.
GIRL. Were they veree sad?
YOUNG OFF. Some were; some were quite glad to be taken.
GIRL. Did you ever see the Rhine? It will be wonderful to-night.
The moonlight will be the same there, and in Rooshia too, and France, everywhere; and the trees will look the same as here, and people will meet under them and make love just as here. Oh! isn't it stupid, the war? As if it were not good to be alive!
YOUNG OFF. You can't tell how good it is to be alive till you're facing death. You don't live till then. And when a whole lot of you feel like that--and are ready to give their lives for each other, it's worth all the rest of life put together.
[He stops, ashamed of such, sentiment before this girl, who believes in nothing.]
GIRL. [Softly] How were you wounded, ni-ice boy?
YOUNG OFF. Attacking across open ground: four machine bullets got me at one go off.
GIRL. Weren't you veree frightened when they ordered you to attack?
[He shakes his head and laughs.]
YOUNG OFF. It was great. We did laugh that morning. They got me much too soon, though--a swindle.
GIRL. [Staring at him] You laughed?
YOUNG OFF. Yes. And what do you think was the first thing I was conscious of next morning? My old Colonel bending over me and giving me a squeeze of lemon. If you knew my Colonel you'd still believe in things. There is something, you know, behind all this evil. After all, you can only die once, and, if it's for your country--all the better!
[Her face, in the moonlight, with, intent eyes touched up with black, has a most strange, other-world look.]
GIRL. No; I believe in nothing, not even in my country. My heart is dead.
YOUNG OFF. Yes; you think so, but it isn't, you know, or you wouldn't have 'been crying when I met you.
GIRL. If it were not dead, do you think I could live my life-walking the streets every night, pretending to like strange men; never hearing a kind word; never talking, for fear I will be known for a German? Soon I shall take to drinking; then I shall be "Kaput" veree quick. You see, I am practical; I see things clear. To-night I am a little emotional; the moon is funny, you know. But I live for myself only, now. I don't care for anything or anybody.
YOUNG OFF. All the same; just now you were pitying your folk at home, and prisoners and that.
GIRL. Yees; because they suffer. Those who suffer are like me--Ipity myself, that's all; I am different from your English women. Isee what I am doing; I do not let my mind become a turnip just because I am no longer moral.
YOUNG OFF. Nor your heart either, for all you say.
GIRL. Ni-ice boy, you are veree obstinate. But all that about love is 'umbog. We love ourselves, noting more.
At that intense soft bitterness in her voice, he gets up, feeling stifled, and stands at the window. A newspaper boy some way off is calling his wares. The GIRL's fingers slip between his own, and stay unmoving. He looks round into her face. In spite of make-up it has a queer, unholy, touching beauty.
YOUNG OFF. [With an outburst] No; we don't only love ourselves;there is more. I can't explain, but there's something great; there's kindness--and--and-----[The shouting of newspaper boys grows louder and their cries, passionately vehement, clash into each other and obscure each word. His head goes up to listen; her hand tightens within his arm--she too is listening. The cries come nearer, hoarser, more shrill and clamorous; the empty moonlight outside seems suddenly crowded with figures, footsteps, voices, and a fierce distant cheering. "Great victory--great victory! Official! British!
'Eavy defeat of the 'Uns! Many thousand prisoners! 'Eavy defeat!" It speeds by, intoxicating, filling him with a fearful joy; he leans far out, waving his cap and cheering like a madman; the night seems to flutter and vibrate and answer. He turns to rush down into the street, strikes against something soft, and recoils. The GIRL stands with hands clenched, and face convulsed, panting. All confused with the desire to do something, he stoops to kiss her hand. She snatches away her fingers, sweeps up the notes he has put down, and holds them out to him.]
GIRL. Take them--I will not haf your English money--take them.
Suddenly she tears them across, twice, thrice, lets the bits. flutter to the floor, and turns her back on him. He stands looking at her leaning against the plush-covered table, her head down, a dark figure in a dark room, with the moonlight sharpening her outline. Hardly a moment he stays, then makes for the door. When he is gone, she still stands there, her chin on her breast, with the sound in her ears of cheering, of hurrying feet, and voices crying: "'Eavy Defeat!" stands, in the centre of a pattern made by the fragments of the torn-up notes, staring out unto the moonlight, seeing not this hated room and the hated Square outside, but a German orchard, and herself, a little girl, plucking apples, a big dog beside her; and a hundred other pictures, such as the drowning see. Then she sinks down on the floor, lays her forehead on the dusty carpet, and presses her body to it. Mechanically, she sweeps together the scattered fragments of notes, assembling them with the dust into a little pile, as of fallen leaves, and dabbling in it with her fingers, while the tears run down her cheeks.
GIRL. Defeat! Der Vaterland! Defeat!. . . . One shillin'!
[Then suddenly, in the moonlight, she sits up, and begins to sing with all her might "Die Wacht am Rhein." And outside men pass, singing: "Rule, Britannia!"]
