"That is what charity is for," declared Don Inocencio. "Apart from that, Orbajosa is not a poor town. You are already aware that the best garlic in all Spain is produced here. There are more than twenty rich families living among us."
"It is true, said Dona Perfecta, "that the last few years have been wretched, owing to the drought; but even so, the granaries are not empty, and several thousands of strings of garlic were recently carried to market."
"During the many years that I have lived in Orbajosa," said the priest, with a frown, "I have seen innumerable persons come here from the capital, some brought by the electoral hurly-burly, others to visit some abandoned site, or to see the antiquities of the cathedral, and they all talk to us about the English ploughs and threshing-machines and water-power and banks, and I don't know how many other absurdities.
The burden of their song is that this place is very backward, and that it could be improved. Let them keep away from us, in the devil's name!
We are well enough as we are, without the gentlemen from the capital visiting us; a great deal better off without hearing that continual clamor about our poverty and the grandeurs and the wonders of other places. The fool in his own house is wiser than the wise man in another's. Is it not so, Senor Don Jose? Of course, you mustn't imagine, even remotely, that I say this on your account. Not at all! Of course not! I know that we have before us one of the most eminent young men of modern Spain, a man who would be able to transform into fertile lands our arid wastes. And I am not at all angry because you sing us the same old song about the English ploughs and arboriculture and silviculture.
Not in the least. Men of such great, such very great merit, may be excused for the contempt which they manifest for our littleness. No, no, my friend; no, no, Senor Don Jose! you are entitled to say any thing you please, even to tell us that we are not much better than Kaffirs."
This philippic, concluded in a marked tone of irony, and all of it impertinent enough, did not please the young man; but he refrained from manifesting the slightest annoyance and continued the conversation, endeavoring to avoid as far as possible the subjects in which the over-sensitive patriotism of the canon might find cause of offence. The latter rose when Dona Perfecta began to speak to her nephew about family matters, and took a few turns about the room.
This was a spacious and well-lighted apartment, the walls of which were covered with an old-fashioned paper whose flowers and branches, although faded, preserved their original pattern, thanks to the cleanliness which reigned in each and every part of the dwelling. The clock, from the case of which hung, uncovered, the apparently motionless weights and the voluble pendulum, perpetually repeating No, no, occupied, with its variegated dial, the most prominent place among the solid pieces of furniture of the dining-room, the adornment of the walls being completed by a series of French engravings representing the exploits of the conqueror of Mexico, with prolix explanations at the foot of each concerning a Ferdinand Cortez, and a Donna Marine, as little true to nature as were the figures delineated by the ignorant artist. In the space between the two glass doors which communicated with the garden was an apparatus of brass, which it is not necessary to describe further than to say that it served to support a parrot, which maintained itself on it with the air of gravity and circumspection peculiar to those animals, taking note of everything that went on. The hard and ironical expression of the parrot tribe, their green coats, their red caps, their yellow boots, and finally, the hoarse, mocking words which they generally utter, give them a strange and repulsive aspect, half serious, half-comic. There is in their air an indescribable something of the stiffness of diplomats. At times they remind one of buffoons, and they always resemble those absurdly conceited people who, in their desire to appear very superior, look like caricatures.
The Penitentiary was very fond of the parrot. When he left Dona Perfecta and Rosario conversing with the traveller, he went over to the bird, and, allowing it to bite his forefinger with the greatest good humor, said to it:
"Rascal, knave, why don't you talk? You would be of little account if you weren't a prater. The world of birds, as well as men, is full of praters."
Then, with his own venerable hand, he took some peas from the dish beside him, and gave them to the bird to eat. The parrot began to call to the maid, asking her for some chocolate, and its words diverted the two ladies and the young man from a conversation which could not have been very engrossing.
