Standing between the sofa and the two ladies, Calyste heard the words confusedly. He seated himself in an arm-chair and looked furtively toward the marquise. In the soft half-light he saw, reclining on a divan, as if a sculptor had placed it there, a white and serpentine shape which thrilled him. Without being aware of it, Felicite had done her friend a service; the marquise was much superior to the unflattered portrait Camille had drawn of her the night before. Was it to do honor to the guest that Beatrix had wound into her hair those tufts of blue-bells that gave value to the pale tints of her creped curls, so arranged as to fall around her face and play upon the cheeks? The circle of her eyes, which showed fatigue, was of the purest mother-of-pearl, her skin was as dazzling as the eyes, and beneath its whiteness, delicate as the satiny lining of an egg, life abounded in the beautiful blue veins. The delicacy of the features was extreme; the forehead seemed diaphanous. The head, so sweet and fragrant, admirably joined to a long neck of exquisite moulding, lent itself to many and most diverse expressions. The waist, which could be spanned by the hands, had a charming willowy ease; the bare shoulders sparkled in the twilight like a white camellia. The throat, visible to the eye though covered with a transparent fichu, allowed the graceful outlines of the bosom to be seen with charming roguishness. A gown of white muslin, strewn with blue flowers, made with very large sleeves, a pointed body and no belt, shoes with strings crossed on the instep over Scotch thread stockings, showed a charming knowledge of the art of dress. Ear-rings of silver filagree, miracles of Genoese jewelry, destined no doubt to become the fashion, were in perfect harmony with the delightful flow of the soft curls starred with blue-bells.
Calyste's eager eye took in these beauties at a glance, and carved them on his soul. The fair Beatrix and the dark Felicite might have sat for those contrasting portraits in "keepsakes" which English designers and engravers seek so persistently. Here were the force and the feebleness of womanhood in full development, a perfect antithesis.
These two women could never be rivals; each had her own empire. Here was the delicate campanula, or the lily, beside the scarlet poppy; a turquoise near a ruby. In a moment, as it were,--at first sight, as the saying is,--Calyste was seized with a love which crowned the secret work of his hopes, his fears, his uncertainties. Mademoiselle des Touches had awakened his nature; Beatrix inflamed both his heart and thoughts. The young Breton suddenly felt within him a power to conquer all things, and yield to nothing that stood in his way. He looked at Conti with an envious, gloomy, savage rivalry he had never felt for Claude Vignon. He employed all his strength to control himself; but the inward tempest went down as soon as the eyes of Beatrix turned to him, and her soft voice sounded in his ear. Dinner was announced.
"Calyste, give your arm to the marquise," said Mademoiselle des Touches, taking Conti with her right hand, and Claude Vignon with her left, and drawing back to let the marquise pass.
The descent of that ancient staircase was to Calyste like the moment of going into battle for the first time. His heart failed him, he had nothing to say; a slight sweat pearled upon his forehead and wet his back; his arm trembled so much that as they reached the lowest step the marquise said to him: "Is anything the matter?""Oh!" he replied, in a muffled tone, "I have never seen any woman so beautiful as you, except my mother, and I am not master of my emotions.""But you have Camille Maupin before your eyes.""Ah! what a difference!" said Calyste, ingenuously.
"Calyste," whispered Felicite, who was just behind him, "did I not tell you that you would forget me as if I had never existed? Sit there," she said aloud, "beside the marquise, on her right, and you, Claude, on her left. As for you, Gennaro, I retain you by me; we will keep a mutual eye on their coquetries."The peculiar accept which Camille gave to the last word struck Claude Vignon's ear, and he cast that sly but half-abstracted look upon Camille which always denoted in him the closest observation. He never ceased to examine Mademoiselle des Touches throughout the dinner.
"Coquetries!" replied the marquis, taking off her gloves, and showing her beautiful hands; "the opportunity is good, with a poet," and she motioned to Claude, "on one side, and poesy the other."At these words Conti turned and gave Calyste a look that was full of flattery.
By artificial light, Beatrix seemed more beautiful than before. The white gleam of the candles laid a satiny lustre on her forehead, lighted the spangles of her eyes, and ran through her swaying curls, touching them here and there into gold. She threw back the thin gauze scarf she was wearing and disclosed her neck. Calyste then saw its beautiful nape, white as milk, and hollowed near the head, until its lines were lost toward the shoulders with soft and flowing symmetry.
This neck, so dissimilar to that of Camille, was the sign of a totally different character in Beatrix.
