登陆注册
14324300000059

第59章

A rich intellect and a fine soul are usually considered necessary attributes of a deep and beautiful personality. In the case of the modern woman, these attributes serve as a hindrance to the complete assertion of her being. For over a hundred years the old form of marriage, based on the Bible, "till death doth part," has been denounced as an institution that stands for the sovereignty of the man over the woman, of her complete submission to his whims and commands, and absolute dependence on his name and support. Time and again it has been conclusively proved that the old matrimonial relation restricted woman to the function of a man's servant and the bearer of his children. And yet we find many emancipated women who prefer marriage, with all its deficiencies, to the narrowness of an unmarried life; narrow and unendurable because of the chains of moral and social prejudice that cramp and bind her nature.

The explanation of such inconsistency on the part of many advanced women is to be found in the fact that they never truly understood the meaning of emancipation. They thought that all that was needed was independence from external tyrannies; the internal tyrants, far more harmful to life and growth--ethical and social conventions--were left to take care of themselves; and they have taken care of themselves.

They seem to get along as beautifully in the heads and hearts of the most active exponents of woman's emancipation, as in the heads and hearts of our grandmothers.

These internal tyrants, whether they be in the form of public opinion or what will mother say, or brother, father, aunt, or relative of any sort; what will Mrs. Grundy, Mr. Comstock, the employer, the Board of Education say? All these busybodies, moral detectives, jailers of the human spirit, what will they say? Until woman has learned to defy them all, to stand firmly on her own ground and to insist upon her own unrestricted freedom, to listen to the voice of her nature, whether it call for life's greatest treasure, love for a man, or her most glorious privilege, the right to give birth to a child, she cannot call herself emancipated. How many emancipated women are brave enough to acknowledge that the voice of love is calling, wildly beating against their breasts, demanding to be heard, to be satisfied.

The French writer, Jean Reibrach, in one of his novels, NEW BEAUTY, attempts to picture the ideal, beautiful, emancipated woman. This ideal is embodied in a young girl, a physician. She talks very cleverly and wisely of how to feed infants; she is kind, and administers medicines free to poor mothers. She converses with a young man of her acquaintance about the sanitary conditions of the future, and how various bacilli and germs shall be exterminated by the use of stone walls and floors, and by the doing away with rugs and hangings. She is, of course, very plainly and practically dressed, mostly in black. The young man, who, at their first meeting, was overawed by the wisdom of his emancipated friend, gradually learns to understand her, and recognizes one fine day that he loves her. They are young, and she is kind and beautiful, and though always in rigid attire, her appearance is softened by a spotlessly clean white collar and cuffs. One would expect that he would tell her of his love, but he is not one to commit romantic absurdities. Poetry and the enthusiasm of love cover their blushing faces before the pure beauty of the lady. He silences the voice of his nature, and remains correct. She, too, is always exact, always rational, always well behaved. I fear if they had formed a union, the young man would have risked freezing to death. I must confess that I can see nothing beautiful in this new beauty, who is as cold as the stone walls and floors she dreams of. Rather would I have the love songs of romantic ages, rather Don Juan and Madame Venus, rather an elopement by ladder and rope on a moonlight night, followed by the father's curse, mother's moans, and the moral comments of neighbors, than correctness and propriety measured by yardsticks. If love does not know how to give and take without restrictions, it is not love, but a transaction that never fails to lay stress on a plus and a minus.

The greatest shortcoming of the emancipation of the present day lies in its artificial stiffness and its narrow respectabilities, which produce an emptiness in woman's soul that will not let her drink from the fountain of life. I once remarked that there seemed to be a deeper relationship between the old-fashioned mother and hostess, ever on the alert for the happiness of her little ones and the comfort of those she loved, and the truly new woman, than between the latter and her average emancipated sister. The disciples of emancipation pure and simple declared me a heathen, fit only for the stake. Their blind zeal did not let them see that my comparison between the old and the new was merely to prove that a goodly number of our grandmothers had more blood in their veins, far more humor and wit, and certainly a greater amount of naturalness, kind-heartedness, and simplicity, than the majority of our emancipated professional women who fill the colleges, halls of learning, and various offices.

This does not mean a wish to return to the past, nor does it condemn woman to her old sphere, the kitchen and the nursery.

Salvation lies in an energetic march onward towards a brighter and clearer future. We are in need of unhampered growth out of old traditions and habits. The movement for woman's emancipation has so far made but the first step in that direction. It is to be hoped that it will gather strength to make another. The right to vote, or equal civil rights, may be good demands, but true emancipation begins neither at the polls nor in courts. It begins in woman's soul.

同类推荐
  • 青红帮演义

    青红帮演义

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • 治期篇

    治期篇

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • 云栖法汇

    云栖法汇

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • 清先正事略选

    清先正事略选

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • 九畹史论

    九畹史论

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
热门推荐
  • 花落庭外

    花落庭外

    樱花开,我们初次相见,只一眼便是前所未有的展望。樱花败,我们拔剑相对,是命运捉弄了我们,还是我们自己不愿放过自己?在江湖中,我原本以为我至少还有你,可是,你,碧神殿主,却是那个最不能相守的人。你说你已经孤独太久,可是我却不敢靠近……当樱花又落,我们可以再并肩一起看庭外落花吗?
  • 谋划世界的100次会议(下)

    谋划世界的100次会议(下)

    本书对世界历史的真实过程做了纵深的透视,对人类文明的伟大成就做了全面的阐述,它从浩瀚的历史文库中,撷取精华、汇聚经典、分门别类地对历史上曾经发生的重大事件进行分析介绍,向广大读者尤其是青年朋友们打开了一扇历史的窗口,让他们穿越时空隧道,在历史的天空中遨游、于探幽寻秘中启迪智慧,启发思考,启示未来。
  • 桓统江山

    桓统江山

    穿越到一个和中国古代平行的一个时代,但是这里没有唐宋元明清,只有世家大族,只有乱世浮沉。穿越成为一个皇子,不得不为自己和自己爱的人走上一条凶险之路。荣桓本来没有什么野心,但是身在皇家,许多的事情都由不得他,所以为了保护自己要保护的人,他只有拿起战刀,提起长枪,走一条属于自己的道路。
  • 北京夜不眠

    北京夜不眠

    《北京夜不眠》是本人继《今夜无人呻吟》后创作的又一都市类长篇小说。文中主要围绕男主角和几个女人和几个朋友之间的故事阐述现代都市中的爱情,友情,以及个人价值观,有些哀伤,有些幸福,有些现实……和《今夜无人呻吟》里一样,男主角依然是个作家,和在一起几年的女朋友分手后他便和自己大学同学的妹妹杜月在一起,刚开始的甜蜜给他种种错觉,他认为身边的杜月就是自己一生的最爱,可是当他的好友胡东出车祸之后他忽然发现原来自己一直都错了。随后男主角便游走于几个女人之间,最后他讲何去何从,敬请关注……求收藏求推荐,多谢大家
  • 废材逆天小姐:腹黑邪尊,滚

    废材逆天小姐:腹黑邪尊,滚

    她是22世纪第一杀手,号称邪狼的腹黑杀手,气死人不偿命,但在一次狗血的泡澡中,穿越成了朱雀国的第一草包痴傻废材。草包?五大神兽手到擒来,亮瞎你的狗眼。废材?哼!姐不知道废材是什么,只知道逆天天才。痴傻?腹黑毒舌爱耍小聪明的某人傻吗?却不料,惹上一头狡诈的腹黑狼,可奈何人家是魔尊,实力在他的面前不值一提......(ˉ▽ ̄~)切~~!惹不起咱还躲不起吗?!逃!!!
  • 楚鸿世界

    楚鸿世界

    这是一个故事的起点,为了生存,为了变强,为了守护,楚逸不断地压榨自己的每一份潜能,不断地强悍自己的每一份力量。即使是天,也不能左右自己;即使是强者,也不能束手就擒;即使是命运,也不能夺取自由。终有一天,楚逸要大声告诉这个世界,即使是蝼蚁,也有站在云巅看却世间万物的决心。且看楚逸如何一步步登上世界舞台,创造一个属于我们的世界。请记住,这将是我们一起谱写的故事。
  • 鬼籣

    鬼籣

    世界处于混沌之中,而我就是这世界的救主!!!
  • 遥知不是匪

    遥知不是匪

    她今生醉倒在马桶边,穿越于茅房旁;她今生被男友劈腿,穿越成为杀人犯!是她的劫数,躲不掉,跑不了!不是她的缘份,等不到,争不来!当心碎至万念俱灰时,夏佑宸一柄长剑直抵胸口,“你的命是我的,任何人,包括当今圣上都拿不走!我让你三更死你便活不到五更!所以,你的人,也是我的!我让你躺着,你就不能站着!”她不敢躺,不敢站,背负着杀害六王妃的罪名,被王爷时抓时放,随时可能被杀,也随时可能侥幸存活。游走在生死边缘,她终于奋起反抗,想要与他同归于尽时,他丰神如玉,“很好,在天愿作比翼鸟,在地愿为连理枝……”她便疑心自己的前生必然罪孽深重,否则凤凰涅槃后,尚可以重生,她穿越后却换不来偏安一隅。他贵为皇子,因为长得与父皇最相似,深得父亲的喜欢,被认为最有希望接替皇位的人选。因此受到手足以及大臣的联手陷害,几乎一夜之间,他成为谋权篡位的罪人。他伺机东山再起,却遇到了那个时时刻刻都在拖他后腿的女人,自己的封地又频频出现离奇的杀人案件……
  • 嫁衣

    嫁衣

    纵使是貌丑如无盐,谁又知心底软似绵?宫未也不过是寻常女子,希望遇到一个唇角含笑,与她执手看斜阳的男子罢了。可是,为什么前路曲折坎坷,那个肯为她亲手缝制嫁衣的男子,却无法与她相伴到老?没关系,他去天堂,她紧随其后,他下地狱,她不弃不离……
  • 总裁的偷心绝招

    总裁的偷心绝招

    [花雨授权]传闻中的“人鱼之泪”不翼而飞,她这个小小的侦探,决定要侦破这些大案子,抓住那个名为“暗夜伯爵”的窃盗,纠纠缠缠,情愫暗生的同时,她竟发现——他,其实就是那个“暗夜伯爵”,谁能告诉她,她该怎么做?