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第126章 CHAPTER XXI.(2)

One of these was Thomas Elwood, a quaker much esteemed amongst good men, who, in order that he might enjoy the advantages of the poet's conversation, read Latin to him every afternoon save Sunday. The whilst his voice rose and fell in regular monotony, the blind man drank his words with thirsty ears; and so acute were the senses remaining to him, that when Elwood read what he did not understand, Milton perceived it by the inflection of his voice, and stopped him to explain the passage. In fair weather the poet wandered abroad, enjoying the fragrance of sweet pasture land, and the warmth of glad sunlight he might not behold. And anon, seated in a high-backed chair without his door, his straight pale face full of repose and dignity, his light brown hair falling in curls upon his shoulders, his large grey eyes, "clear to outward view of blemish or of spot," fixed on vacancy, his figure clad in coarse cloth--he received those who sought his society.

In their absence the poet spent solitary hours conning over as many lines of the great poem as his memory could store, until one of his friends arrived, and relieved him by taking the staazas down. Frequently his nephew, Edward Philips, performed this task for him. To him Milton was in the habit of showing his work as it advanced, and Philips states he found it frequently required correction in orthography and punctuation, by reason of the various hands which had written it. As summer advanced, he was no longer favoured by a sight of the poem; inquiring the reason of which, Milton told him "his vein never happily flowed but from the autumnal equinox to the vernal; and that whatever he attempted at other times was never to his satisfaction, though he courted his fancy never so much."In the year 1665 "Paradise Lost" was completed, but no steps were taken towards its publication, as the author, in company with his neighbours, fled from the dreaded plague. The following year the citizens were harassed by losses sustained from the great fire, so that Milton did not seek to dispose of his poem until 1667; when, on the 27th of April, it was sold to Samuel Simmons, a publisher residing in Aldersgate Street. The agreement entered into stated Milton should receive an immediate payment of five pounds, with the stipulation that he should be given an equal sum on sale of thirteen hundred copies of the first edition, and five pounds on disposal of the same number of the second edition, and yet five pounds more after another such sale of the third edition. Each edition was to number fifteen hundred books. Two years after the publication of "Paradise Lost," its author received the second payment of five pounds;five years later a third payment was made him; before the fourth fell due his life had been set free from care.

From the first his poem had come in contact with a few receptive minds, and borne the blessed fruit of appreciation. Richardson recounts that Sir John Denham, a poet and man of culture, one morning brought a sheet of the great epic fresh from the press to his friend Sir George Hungerford. "Why, what have you there?"asked the latter. "Part of the noblest poem that was ever written in any, language or in any age," said Sir John, as he laid the pages before him. And a few weeks later my Lord Dorset, looking over a bookstall in Little Britain, found a copy of this work, which he opened carelessly at first, until he met some passages which struck him with surprise and filled him with admiration: observing which the honest bookseller besought him to speak in favour of the poem, for it lay upon his hands like so much waste-paper. My lord bought a copy, carried it home, read and sent it to Dryden, who, in due time returning the volume, expressed his opinion of its merits in flattering terms. "The author," said he, "cuts us all out--aye, even the ancients too."Such instances as these were, however, few in number. That the work did not meet with wider appreciation and quicker sale is not surprising when it is called to mind that from 1623 to 1664 but two editions of Shakespeare's works, comprising in all about one thousand copies, had been printed. In an age when learning was by no means universal, and polite reading uncommon, it was indeed a scource of congratulation, rather than a topic for commiseration, that the work of a republican had in two years reached a sale of thirteen hundred copies.

Before a third edition was required his fame had spread. The house in which he had been born, in Bread Street, was shown with pride to foreign visitors; parents sent their sons to read to him, that they might reap the benefit of his remarks. The latter testimony to his genius was a tribute the blind poet appreciated.

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